Posts Tagged ‘writing’

John J. Miller

How the Movies Spawned ‘The First Assassin’

by John J. Miller

You’ve heard it said before: “The book is better than the movie.” But the movies helped me write my new book, The First Assassin.

The First Assassin is a historical thriller set primarily in Washington, D.C., at the start of the Civil War. Bestselling author Vince Flynn blurbs it on the front cover: “An excellent book–it’s like The Day of the Jackal set in 1861 Washington.”

http://www.heymiller.com/wp-content/themes/bluemonkey/images/bookcover.jpg

The Day of the Jackal is a twofer: Both the book (by Frederick Forsyth) and the movie (the 1973 version) are excellent. But the book is still better. It’s super excellent.

Anyway, I started working on The First Assassin in 1996–more than 13 years ago. Yeah, that’s a long time. It was the project I kept setting aside when something more pressing came along, such as the birth of a child or a writing deadline that came with a guaranteed paycheck. (more…)

Schizoid Mann

There Is Something Wrong With My Television

by Schizoid Mann

The way I see it television needs, among other things, the following:

1. Science Fiction/Thriller/Horror Channel

A short form/short film channel showcasing those genres. Independent producers, writers, creators could submit work to be aired. It wouldn’t have to be, nor should it be at the Sundance level of professionalism delivered on DigiBeta and starring Cameron Diaz doing a favor for the filmmaker because it’s her friend’s cousin, either.

We don’t want that. There’s plenty of that kind of venue and they turn down 99% of the stuff submitted anyway, mainly because it’s not the work of someone’s friend’s cousin. So forget that right away. It has to be underground, guerilla, shoestring and, most important, good. Very good. Damn good. But not expensive. How can you do that, you say? 

With writing.   (more…)

Matt Patterson

A Conservative Journey Through Literary America – Part 8: The Way Forward

by Matt Patterson

This series of essays was not intended to be a laundry list of conservative literary authors – laundry lists are always boring and never helpful.  Instead, they were intended to be an investigation only, examining the dearth of conservatives in literature with an eye toward discovering the reason for this curious state of affairs and formulating a course for its possible correction.

As to the first, we have reached a tentative answer: A combination of temperament and values in the conservative mind combine to make the writing life both less suitable for, and less attractive to, conservatives.  The question remains:  What is to be done?

Let us state the obvious first  – conservatives who are so inclined must write, write often, and write well.  But that is not enough.  They must submit their work to literary magazines, publishing houses and agencies, large and small, again and again if need be.  Getting your work to market is a long, disappointing slog, with no guarantee of success for even the best of work.  Liberal writers know this and engage the process nonetheless; conservatives must do likewise. (more…)

James Hudnall

Part II: 10 Clichés That Must Die

by James Hudnall

If you read part one of this essay, you know I hate clichés and stereotypes. They’re the products of hack writers, lazy minds, and innate bigotry.  Part one was about how Hollywood looks at “conservative America.” That is, anything to the right of them is “conservative.” Part 2 is mostly (except for #1) about how they look at themselves and society.

You see, art is a statement, even commercial art. It’s a kind of message, even when the message is stupid. Because all stories are an argument about something. Any story that doesn’t have a point is just a waste of time.

When people talk to you, they’re telling you a lot about themselves, without even realizing it. In the subtext of what they say, they tell you how they see the world. It’s rare that people say exactly what’s on their mind, they usually say it in a roundabout way.  (more…)

James Hudnall

10 Cinematic Clichés That Must Die!

by James Hudnall

As a writer and consumer of entertainment, I really hate clichés and stereotypes. They’re only useful for misdirection, making readers believe the story is going a certain way so you can fool them. But Hollywood keeps trotting out the following lame tropes over and over again. It’s about time they were called on the carpet for this stupidity. These stereotypes are not only offensive; they’re overused to the point where they must be retired for good. If you really care about not offending people, Hollywood, stop offending me and the legions of people who are sick of this drivel.

1. The Crazed Vet/Soldier: According to Hollywood, if you’re a veteran who fought in a war or a soldier returning from one, you are insane, dangerous and probably a murderous sociopath. Either that or you’re a pathetic loser with mental problems. An emotional basket case. And of course, only poor people join the military, only uneducated stooges easily fooled by government propaganda. No one joins the military because they believe in something. If they do they will find out how foolish they were and become disgusted with America. (more…)

James Hudnall

The Point Of A Story

by James Hudnall

At the dawn of mankind our ancient ancestors huddled around campfires and told stories to entertain each other. But the smarter ones realized there was a way to make the stories more effective for the audience. And that was the origin of storytelling technique.

Any artist wants their work to be appreciated. And most artists want to leave a lasting impression. In order to do that, you are either naturally gifted and can do that through your instinctive performance, or you can do it through an understanding of the driving forces that make it happen.

Most people fall into the second category. That does not make them lesser artists. Even the people with natural talent can improve it by honing their craft and learning new tricks.

Where all this falls into the realm of this discussion centers around what I call the point of a story.

Think of it like the business end of a sword. If a sword is dull, it has less a chance to do its job effectively. Of course, most of us writers don’t want to hurt anyone with our work. We want to entertain. Enlighten, if possible. But some have lost track of why they’re doing this. Whether intentionally or not, they are hurting people with their fiction. They are doing harm. Their sword is being put to bad use.

(more…)