Fidel Castro has a favorite new book and he’s quoting favorite passages in his captive media: 

“At Woodstock nearly half a million youth gathered to be drugged and brainwashed on a farm. The victims were isolated, immersed in filth, pumped with psychedelic drugs…all with the full and secret complicity of the FBI and CIA.” 

Alas, when in 1979 Fidel Castro (whose regime murdered more political prisoners than pre-war Hitler’s and jailed political prisoners at a higher rate than Stalin’s) invited Stephen Stills to perform in Cuba, the famous Woodstocker could hardly contain his elation. The fervent champion of human-rights, civil rights and free-speech (indeed CSNY’s last tour was titled “The Free-Speech Tour”) not only took up the offer to perform at this “Havana-Jam,” but also composed a song in Castro’s honor, titled “Cuba al Fin!” 

Jazz-master Paquito‘d Rivera, in Cuba at the time, recalls watching Stills on stage at Havana’s Karl Marx theatre lovingly crooning the song to the families of Castro’s Stalinist nomenklatura as if Havana-Jam were a personal performance for the mass-murderer himself. Within blocks of this cheeky “Havana-Jam,” (which also included Human-Rights activist Kris Kristofferson along with Billy Joel) Cuban youths, black and white, languished in dungeons suffering longer prison sentences than Nelson Mandela’s. The Cubans’ crimes were attempting free speech.  (more…)

Director Ang Lee’s films tackle a wide variety of ostensible subjects and genres, but they’re consistent in conveying antinomian-individualist platitudes.

After his big international success with the superb martial arts saga “Crouching Tiger, Hidden Dragon,” Chinese-born film director Ang Lee continued in the eclectic manner indicated by his earlier films, jumping from genre to genre and style to style. Over the years he has directed the genial “Sense and Sensibility,” the thoughtful historical film “Ride with the Devil,” the gloomy family drama “The Ice Storm,” the homosexual love story “Brokeback Mountain,” and the inept superhero action film Hulk, among others.

This eclecticism and the tendency toward a rather downbeat style have kept Lee from developing a large following among U.S. moviegoers, as has the fact that he tends not to work with the top stars or in popular genres. Thus it was perhaps to be expected that his latest, the historical comedy “Taking Woodstock,” didn’t do much business at U.S. movie theaters in its opening weekend, taking in only $3.7 million and finishing ninth in the box office standings. (more…)

I was at a friend’s house a few nights ago for a little informal gathering. When we were chatting he had his iPod providing some background music.  One of the songs that came on was from the “Woodstock” soundtrack. So there I was in a kitchen full of conservative upper middle class Midwesterners who were suddenly waxing poetic about how great Woodstock was.

What happened next was the kind of thing I do that keeps me off the party circuit.  I said something to the effect that Woodstock was an unmitigated disaster and a perfect metaphor for the Obama administration. If it were technically possible this is the point where we would have heard a needle scratching across the album and dead silence while the folks stared at me in disbelief. (more…)