Posts Tagged ‘william wellman’

Robert J. Avrech

Mae Clarke: Gangster, Grapefruit and Forty-One Seconds to Screen Immortality

by Robert J. Avrech

Jimmy Cagney smashes a grapefruit in Mae Clarke's face, The Public Enemy, 1931.
Jimmy Cagney smashes a grapefruit in Mae Clarke’s face, The Public Enemy, 1931.

Most actors are remembered for their unique personae. Clark Gable was a man’s man. The humorous gleam in his eye sent daggers to the knees of women everywhere. Bette Davis practically cornered the market on the deeply neurotic woman clawing at the boundaries of love with Baroque fury. Gary Cooper was the classic taciturn American, a solid, self-confident Yankee who spoke eloquently through his silences. Marilyn Monroe is still the paradigm of the woman as vulnerable child waiting to be rescued by a knight in shining armor.

Of course Fay Wray, who played in over eighty motion pictures, is only remembered for her role in King Kong. Thus she is, for better or for worse, the shrieking woman, for all time.

Less common is the actor who is identified and remembered for a single brief scene. (more…)

John Nolte

Big Hollywood’s Reverse-Rick-Arc

by John Nolte

In Doug TenNapel’s look at how politics undermine the enjoyment of modern day films, he writes:

…when a new trailer is released that takes place during the Iraq War[,] I turn to my wife and whisper, “Don’t tell me; it’s about a gung-ho soldier who wants to fight for the good cause of America then sees enough friendly fire and slaughtered children to gain a conscience that the whole war is a lie for oil.”

Don’t we all. (more…)

John Nolte

TCM Pick O’ The Day: Thursday, January 22nd

by John Nolte

6:45pm PST – A Star Is Born (1937)  – A fading matinee idol marries the young beginner he’s shepherded to stardom. Cast: Janet Gaynor, Fredric March, Adolphe Menjou, May Robson Dir: William A. Wellman C-111 mins, TV-G

While few films top the marvelous Judy Garland musical update of this classic, cautionary Hollywood tale, this version (itself a sort-of remake of George Cukor’s1932 “What Price Hollywood?” – Cukor would direct the Garland version, as well) offers up a memorable, heartbreaking performance from Fredric March as the sad and sodden Norman Maine, a has-been movie star living in the shadow of his famous wife. Lionel Stander also blazes through his scenes as a ruthless studio press-hack who inadvertently brings ruin to those around him all in the name of doing his job of creating movie stars and keeping them movie stars. (more…)