The Washington Times does an excellent job documenting the impact “The Undefeated” is having, even as much of the MSM chooses to ignore it and judge the film’s box office as though it were “Harry Potter.”

1. “The Undefeated” packs a Chicago theatre:

“Sarah Palin Movie Debuts to Empty Theater in OrangeCounty” was the headline at Atlantic.com. But as Christian Toto of the Washington Times has pointed out, this was based on the experience of a lone political blogger at a single midnight showing of the film, the story was picked up by politico.com and the Los Angeles Times. Not many political documentaries would clock well at the witching hour.

Other outlets have taken their potshots as well. Entertainment Weekly proclaimed, “Sarah Palin’s ‘The Undefeated’: We saw it so you don’t have to.” Huffington Post chimed in, “Box Office Bomb: Sarah Palin and the Failure of ‘The Undefeated.’”

But we aren’t talking Captain America or Harry Potter here. A conservative political documentary requires a different measure of success. And this indie underdog film has been scoring unexpected successes – and fans – in decidedly liberal places.

After a five-city expansion, the film made its Chicago debut Saturday to a packed house at the GeneSiskelFilmCenter. Yes, I said, “Chicago.”

2. Roger Ebert showed both Governor Palin and ”The Undefeated” respect in his review:

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Good piece today by Christian Toto in the Washington Times on Woody Allen’s critical darling “Midnight in Paris.”  I found the film to be quite the disappointment; as Toto notes, Allen takes a bludgeon to America and the Tea Party, but more irritating still is that–aside from the eye candy–the movie is basically one joke repeated over and over from beginning to end.  Aside from a couple of very funny scenes with the talented Michael Sheen, the premise runs thin within the first 45 minutes.  The payoff is also a letdown.  Furthermore, the pompous underlying theme is that Allen equates today’s crop of artists with history’s all-time greats.  Is Allen subtly suggesting he is the Hemingway or Fitzgerald of our time?  Well, he’s not not suggesting it.

[I]n finding artistic and commercial renewal across the pond, Mr. Allen often has flattered European vanities by ogling the sights of their storied capitals with his camera. Unfortunately, in “Midnight,” he also has pandered to European stereotypes of the Ugly American.

[...]

The cross-cultural comedy concerns a burned out Hollywood screenwriter named Gil (Owen Wilson) who hopes a trip to France will inspire him to finish his novel. Gil fantasizes about Paris in the 1920s, a time when artistic giants such as Ernest Hemingway, Cole Porter and F. Scott Fitzgerald roamed its streets.

One mysterious car ride later, Gil finds himself magically transported back to the Lost Generation golden age of his daydreams.

“Midnight in Paris” taps into a timeless American attraction to the City of Light as a cultural beacon, a place even ordinary artists can visit and emerge reborn. Throughout the film, Mr. Allen treats the city’s creative minds, native and transient alike, as intellectual titans.

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Taxpayers bail out a corporation and the corporation spends money to sponsor a Chinese propaganda film. This is how the game works with the Left. Think about it… Taxpayers fund Planned Parenthood and then that abortion mill turns around and spends money to get Democrats elected. Taxpayers pay the salaries of public government employees and in some states (like Wisconsin) a portion of those salaries is garnished to pay dues to unions that spend millions to elect Democrats. How much corporate welfare does Hollywood receive? Almost every day we read about how the film industry is singled out for another special tax break that translates into a whole lot more money to funnel to Democrats.

See how this works?

On a regular basis, your hard-earned money is used against your own political interests; all thanks in part to a legalized money-laundering scheme created and sustained by your own government. Read on…

Terrific work from Kerry Picket in the Washington Times:

In late 2010, General Motors agreed to sponsor a propaganda film celebrating the 90th anniversary of the Chinese Communist Party (CCP). The CCP made film titled (translated to English) “The Birth of a Party” or “The Great Achievement of Founding the Party” is set to premiere all over the Communist nation on June 15 reported China AutoWeb last September. …

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President Barack Obama meets with Palestinian National Authority President Mahmoud Abbas

Jon Voight in today’s Washington Times:

You will be the first American president that lied to the Jewish people, and the American people as well, when you said that you would defend Israel, the only Democratic state in the Middle East, against all their enemies. You have done just the opposite. You have propagandized Israel, until they look like they are everyone’s enemy – and it has resonated throughout the world. You are putting Israel in harm’s way, and you have promoted anti-Semitism throughout the world.

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Lynne Munson, former Deputy Chairman of the National Endowment for the Humanities, writes at the Corner:

NEA chairman Rocco Landesman, who was confirmed by the Senate on August 7 and began serving the day after his agency organized its now-infamous conference call, may be an excellent Broadway producer. But he’s still struggling to find his voice as a public servant.

Rocco Landesman

As evidence, let me cite his statement on the conference-call matter, issued yesterday. For readers who might be jumping into this discussion for the first time: This call, organized and participated in by the NEA using agency (in other words “taxpayer”) resources, asked some 75 artists to use their talents to promote a huge portion of President Obama’s domestic agenda. Two days later, 21 arts organizations endorsed Obama’s health-care plan. According to the Washington Times, those groups received $2 million in NEA grants during the four months leading up to the call.

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UPDATE: [ed. note: The Washington Times reports ...  Another Americans for the Arts participant on August 10 call.] END UPDATE

Americans for the Arts has recently sent a request to Big Hollywood to retract the statement that they were a participant in the August 10th National Endowment for the Arts conference call: [emphasis added]

Robert Lynch President and CEO, Americans for the Arts

“Immediate corrections about Americans for the Arts need to be made to stories that you have published in various newspapers, blogs, television, and radio programs.

“Americans for the Arts was not a participant on an August 10, 2009, conference call involving the National Endowment for the Arts. …

“The Washington Times later published an unconfirmed invitation list to the August 10 conference call, speculating that actress Kerry Washington had participated on the call. The affiliation next to Ms. Washington’s name is incorrect. Ms. Washington is not, nor has ever been, a board member of Americans for the Arts.”

During the conference call in question, it was suggested by a participant that the moderator, Michael Skolnik, send a contact list for all those that were on the call. We were then requested by Skolnik to send our contact information for a contact list that would be distributed later in the week: (more…)

Big Hollywood today reveals the extensive proof that shows the White House used the National Endowment for the Arts to push a political agenda favorable to President Obama. But it gets worse: the Administration lied about it, and tried to cover it up.

You already know the background: an NEA spokesman participated in a conference call designed to encourage artists to further Obama’s legislative agenda. This was revealed back in August at Big Hollywood. What is new today is the full transcript of the call — and how clearly the NEA was involved in urging artists to propagandize for Obama.

Naturally, the NEA and the Obama administration denied this. According to the Los Angeles Times (in a blog post, of course, and not an actual newsprint story), the NEA denied any purpose to further a legislative agenda:

The NEA issued a statement saying that it took part in the conference to help inform arts organizations about opportunities to sponsor volunteer service projects themselves, or have their members take part in other volunteer efforts. “This call was not a means to promote any legislative agenda, and any suggestions to that end are simply false,” the statement said. (more…)

At first glance, the National Endowment for the Arts (NEA) conference call of August 10th, 2009 sounds innocent enough because it’s supposedly been organized by Michael Skolnik, political director for Russell Simmons and someone not officially associated with any government agency. Skolnik appears to be acting independently as a concerned citizen and to have taken it upon himself to gather together a group of artists and art organizations hoping to move them towards “national service.” And how nice of the White House, the federal government and the NEA to make the time to participate in the call and aid this group of American artists motivated to help their country and community.

But this is only how things appear.

All evidence points to the fact that the conference call was a ruse, a front for a White House using Skolnik as a kind of beard in order to put an innocent spin on their abuse of the NEA and two non-partisan volunteer organizations (United We Serve – an initiative overseen by The Corporation for National and Community Service – a federal agency, and the White House’ Office of Public Engagement).

The goal: To motivate a group of hand-picked pro-Obama artists (grant recipients or those wanting grants) to push the President’s flagging agenda, especially health care — and to funnel this promotion through the ACORN related- Serve.gov website. 

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Documentation gathered by Big Hollywood’s Patrick Courrielche and the Washington Times, coupled with a newly revealed audio recording of the full conference call, points to eight troubling facts that put the full context of the call in a very disturbing light. (more…)

On August 25th 2009, Big Hollywood’s Patrick Courrielche broke the story of a conference call he attended with other “rising artist and art community luminaries”:

On Thursday August 6th, I was invited by the National Endowment for the Arts to attend a conference call scheduled for Monday August 10th hosted by the NEA, the White House Office of Public Engagement, and United We Serve. The call would include “a group of artists, producers, promoters, organizers, influencers, marketers, taste-makers, leaders or just plain cool people to join together and work together to promote a more civically engaged America and celebrate how the arts can be used for a positive change!” 

The email invite came directly from Yosi Sergant, then-Director of Communications at the National Endowment for the Arts (NEA), and it advised this hand-picked group that the call was about laying “a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.” 

Courrielche describes the call this way: (more…)

UPDATE: Wash. Times is reporting Sergant has not resigned from the NEA, but was reassigned. He “is no longer Director of Communications.”  END UPDATE. 

From the Washington Times:

Yosi Sergant has been asked to resign from his post as Communications Director for the National Endowment for the Arts[.]

Big Hollywood’s  Partrick Courrielche broke the story of these – to say the least – controversial NEA conference calls on August 25th, calls obviously designed to promote President Obama’s domestic agenda, especially health care.  

The Washington Times picked up on the story, contacted NEA Communications Director Sergant and asked him about the calls. He denied the NEA was responsible for sending out the conference call email invitations: (more…)

Another conference call has materialized, revealing a concerted effort by government to use the arts to address political issues.

Lee Rosenbaum, a blogger for Artsjournal.com, posted her experience with a meeting that occurred on August 27th and confessed that she also felt “uneasy” about the government’s arts effort.  The meeting invitation (viewable here) went out to all “member local, state, and regional arts agencies, community-based arts organizations, and national partners of Americans for Arts.” Americans for Arts is a non-profit arts organization that has received substantial grants from the National Endowment for the Arts.

As with my conference call, the art group was invited to the meeting to work together to “tackle some of the nation’s toughest issues: education; health; energy and the environment; community renewal; and safety and security.” Also like my call, it included a private citizen moderating the phone call with key White House representatives participating. Kalpen Modi, Associate Director of the White House Office of Public Engagement, was to represent the White House and key representatives from the National Endowment for the Arts were also to participate.

Even more disturbing than learning that the White House and NEA are using the arts to address specific issues, is to learn what was discussed on this new conference call. Rosenbaum mentions that there was much talk of “leveraging federal dollars” to get artists and cultural organizations involved in social-service projects.  (more…)