So a couple of years ago, legendary playwright David Mamet wrote a scathing piece in the Village Voice, on his journey from a well-meaning lib to a contemplative conservative.

If you aren’t familiar with his work, he also wrote movies like The Untouchables, The Verdict and Glengarry Glen Ross.

His new book, “The Secret Knowledge,” elaborates on this journey, condemning the left in devastating fashion.

What happens to people who do such things?

My prediction is that Mamet, if he isn’t disowned by his industry already, will be.

The break will be ugly, but clean.

He will be dismissed as a bitter crank who probably sucked to begin with.

All those awesome plays and films once praised by critics and celebs will now be reassessed.

As crap.

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So posters of President Obama made up as Heath Ledger’s Joker with ‘Socialism’ written below it have been showing up around L.A – and it’s being greeted with the usual outrage you’d expect from people who get outraged. Some are calling it racist, others are calling it “mean spirited and dangerous,” while I call it boring, boring, and oh yeah: boring.

The website Newsbusters points out the silliness behind the outrage – after all, President Bush has been depicted as far worse – he’s been portrayed as everything from a bloodsucking vampire in the Village Voice, to the Joker in Vanity Fair, to God forbid, a Republican- everywhere else. No one seemed to mind then. And while people like Bill Maher point out that Obama has been only at this job for six months (whereas Bush earned the bile over eight years) and therefore any criticism is unfair – that’s pure batpoop. Hatred for Bu$hitler began the moment he took office, and the vile lefties only knew Sarah Palin for a few weeks before they were wearing t-shirts with her face and a vulgar word (begins with ‘C’ and rhymes with bunt) beneath it. (more…)

In March 2008, Pulitzer Prize winning playwright David Mamet, author of “Glengary Glen Ross” and the man many consider America’s greatest living dramatist, wrote an essay for The Village Voice titled “Why I am No Longer A Brain Dead Liberal.”  This essay was a thunder clap in the arts community, leaving, as Dinesh D’Souza put it, the “left-leaning literary and cultural intelligentsia…in shock.”

The Saul-like conversion of Mamet has produced reams of commentary from both the left and the right, but it is the reaction of the left that is especially interesting.  Many in the liberal “intelligentsia” have greeted the news by openly wondering whether such a political shift will result in the loss of Mamet’s famous creative powers.  A “depressed” Michael Billington, for one, writing in The Guardian, is fearful of what Mamet’s conversion portends for his work because, “the precedents for a shift to the right on the part of creative artists are not exactly encouraging.” (more…)