Posts Tagged ‘values’

Kirk Cameron

‘Monumental’: America’s National Treasure Resides in Our Homes, Not the White House

by Kirk Cameron

Hard for me to imagine, but I am now 41. Amazing. It seems like yesterday my poofy mullet and parachute pants were all the rage, and Prince had a #1 hit on the radio. Now I’m married to the most beautiful woman, raising six children, and living the American dream. Our country has changed so much since my days of fighting with Carol and Ben on TV. America has always been known as “the land of the free” and “the home of the brave.” It’s the richest, freest nation the world has ever seen. Everyone wants to live here. But as I look around, I’m left with a sinking feeling that America is losing her way. Big time. The soul of our country is sick, and history shows me we are headed for disaster if we don’t change course now.


I’ve been looking around for answers, but all I hear is noise. Everyone is pointing fingers at the Left or the Right, blaming Hollywood or Capitol Hill. Time is flying by too quickly for petty arguments. My children’s future won’t wait. I’ve got to do something now.

Here’s my hunch: Could it be that we have simply forgotten what made us such a great nation in the first place? So many people are waiting around for our leaders to come up with a grand plan to save our nation. But is that really how America got started? What if things actually work the other way around? What if real change doesn’t start at the top but at the bottom? What if the best place to begin transforming our country is not the Oval Office but the dinner table?

For the past year and a half, I’ve been making a film called “Monumental,” and I am thrilled to announce that it’s coming to theaters on March 27. We are creating a live, one-night national event in 500 theaters where audiences can experience a monumental moment together. Then we will release the film in theaters in select cities, while providing helpful new resources to families, churches, and schools who want to go further with what they’ve experienced in the film.  (more…)

Andrew Price

What Constitutes a Conservative Film?

by Andrew Price

Ed. Note: Please welcome longtime commenter Andrew Price to the front page. — JN

It may sound strange to assert that many conservatives don’t understand what makes a film conservative, but the evidence is all over the web.  More and more conservative websites are listing their top conservative films, but few of the films they list can actually be considered conservative.  It’s as if they just picked films they like and then struggled to find something. . . anything they could call conservative within each film.

Indeed, you’d be amazed how many people identify leftist propaganda as conservative because “that film rocked” or because it has a tough guy or advocates revenge. When was conservatism ever about revenge?  And many are mistaking errant lines of dialog for conservative themes. . . a serial-killing, eco-terrorist Marxist does not become a conservative hero just because he spouts off that he doesn’t trust the federal government to provide quality health care.

“I’m just not sure ObamaCare will work?”

So what are conservative values?

Well, surprisingly, this is where people get lost.  Many simply want to attribute everything good to conservatism and everything bad to liberalism.  Others claim things like patriotism, bravery, and even religious belief as conservative values.  But these aren’t uniquely conservative values. Indeed, many liberals have fought bravely and died for this country, and there are even leftist churches, and the truth is that both sides claim to believe in these things. . . they just see them differently. It’s in that difference where we need to look to decide whether a film is conservative.

To bottom-line it, conservatives believe in the individual over the collective but temper their belief in individuality by requiring people to act according to a code of conduct based on traditional morality.  Liberals believe in the collective over the individual and, where they allow individuality, they disdain traditional morality or personal responsibility.  Thus, uniquely conservative values tend to be centered around:

(1) faith in individual rights over collective rights,

(2) an acceptance of cause and effect, and a willingness to let people bear the good and bad consequences of their actions,

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Michael Collender

Advent Film Group and College Professor to Make Controversial Bailout Movie

by Michael Collender

What happened to our leaders?

Like many Americans, on October 3, 2008 my world changed. That afternoon, Congress had passed the Emergency Economic Stabilization Act of 2008, also known as the Wall Street Bailout.  Like many Americans, I had written Congress, had called the Congressional switchboard, had done everything I could to let my voice be heard. But my government had not listened. I grew up in the 80s, at a time when kids were still taught America was a good idea, because we were a free people with a voice. That Friday I discovered, along with many other Americans, that I no longer had a voice in my government. Somehow, now I was no longer a member of We The People. On paper I was, but in the unwritten evolving “Constitution” of Congressional precedent, Wall Street and special interests were The People who mattered now. Standing there in my kitchen, washing my dishes, watching my kids play in the dwindling daylight, I felt small before the face of my government, and I felt a deep solidarity with all those people who had called the Congressional switchboard with me.

But unlike many Americans, I happen to be a college professor who researches how to understand and model complex systems. My doctoral work dealt with how metaphor and narrative model complexity in economics and neuroscience. All very wonkish to be sure. This work earned me an invitation to research and lecture at the Joint Forces Staff College, Norfolk VA, on how military commanders can lead, understand, and model complex operational environments in real time.

It was my days working in development and movie production in Indie Hollywood that first convinced me of the power of narrative. Narrative is not only found in literature books, or movies themselves, but in days on set, in the hundreds of production details, in shot choices, in schedules, in actor issues, and all financial decisions that go into making a feature film. Complex systems are understood through narrative.

During the week that followed the passage of TARP, I reviewed the news coverage of the Bailout and sensed parts of the story were missing. DC and the media all said that TARP was necessary, but was it? Really? Why had TARP encountered so much opposition in the House when all the power brokers supported it? Why had the Bailout failed on the Monday vote? Why did it pass so easily in the Senate? What changed the minds of those who flipped their votes to support it? Who were the people on the inside who were actually fighting the bill? What did the power brokers do to stop them? And why aren’t those who fought the Bailout getting to tell their side of the story?

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Seth Mitchell

Karl Rove: Shining a Light in the Wilderness

by Seth Mitchell

Last Tuesday evening I was privileged to attend a dinner at which Karl Rove was the keynote speaker.  The event was put on by the Heritage Foundation, the premiere conservative think tank of Washington, DC, of which I am proud to be a supporting member.  While Mr. Rove’s speech covered numerous topics, one point that he made has stuck with me and, I believe, should serve as a light for conservatives as we travel through the political wilderness

While Mr. Rove has been defined by the media and Hollywood elite as a partisan attack dog and nicknamed forebodingly as “The Architect,” he came off as anything but and emphasized that conservatives should be careful to work with our current president in a respectful manner.  When he mentioned President Obama’s name, a few overzealous members of the audience shouted out their less than positive feelings about the man; and Mr. Rove quickly and gently reminded them that our president has made some decisions that conservatives should applaud. From the surge in Afghanistan to military tribunals, Mr. Rove explained that President Obama has taken the right steps in regards to some very important issues that face our nation.   (more…)

Steven Crowder

Lonewolf Diaries: “Violence Doesn’t Solve Problems…”

by Steven Crowder

… Bull Crap. Listen, violence freed the slaves, took down the axis of evil and still manages to fix every remote control that I’ve ever owned. More recently, the use of force quickly brought an end to the escapades of a few Somali jackasses. Three shots fired, three men dead… And there was much rejoicing. To those of you still teaching the “violence doesn’t solve problems” myth to your kids… What are you thinking? Does anyone out there truly believe this insane rhetoric?

I find it funny that Hollywood leftists are the ones who’ve been pushing this ideal down our throats with one hand, while simultaneously producing the most brutally vile, “creative content” with the other. Libs love to paint Middle American conservatives as “Gun toting Neo-Cons with a thirst for violence,” yet more often than not, it’s those people who boycott their gratuitous, self-indulgent, crap-fests that they call films. Does anyone here honestly think that “Seung-Hi Choi” went on his Virginia-Tech shooting spree after getting fired up at an NRA rally? His pre-massacre phone-pictures showed him mimicking poses that he’d seen in “Tomb Raider” for crying out loud. Only in the United States could an entity such as Hollywood coin the term “Torture-Porn” for their content one moment, only to condemn a righteous war the next. (more…)

S.T. Karnick

Independent Christian Film, Hollywood’s Best Investment in ‘08

by S.T. Karnick

Yes, The Dark Knight made more money in U.S. theaters than any film in history except Titanic (in nominal dollars, unadjusted for inflation), but in terms of sheer return on the investment dollar, you’d have been better off putting your cash into the teen vampire movie Twilight, the teen musical High School Musical 3: Senior Year, or Hannah Montana and Miley Cyrus: Best of Both Worlds Concert.

And you’d have been much, much smarter to invest in Kirk Cameron’s small, independent, Christian film Fireproof: it cost a half-million dollars to make and brought in $33.1 million, a return of more than sixty times its budget.

That’s the conclusion of an interesting article on E! Online about movie returns on investment. Of course, it’s not possible to predict precisely what films will have greatest audience appeal before they’re even made, but a few things are clear and have remained true for years:

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