Posts Tagged ‘up’

Big Hollywood

John Podhoretz: Movie Stars Strut Towards Extinction

by Big Hollywood

John Podhoretz in the Weekly Standard:

“[T]he system around which the motion-picture business has oriented itself almost since its creation in the early years of the last century–the star system, which it largely invented–has finally reached its end.”

julia_roberts

“The eight most successful movies over the course of the year’s first eight months have collectively grossed $2.7 billion, up from $2.3 billion for the entirety of 2008. And what is most striking about these eight films is that not a single one of them, not a single one, features an unmistakable star. Three of them are cartoons (Up, Ice Age: Dawn of the Dinosaurs, and Monsters vs. Aliens). Three are sequels whose top-line talents are incidental to their success (Transformers: Revenge of the Fallen, the sixth Harry Potter, and X-Men Origins: Wolverine). Two feature relative nobodies (Star Trek and The Hangover). The first traditional star appears in the ninth-place film, which is itself a high-concept sequel in which the star mostly stands around (Night at the Museum: Battle of the Smithsonian with Ben Stiller). It’s not until tenth place that a classic vehicle hits the list, Sandra Bullock’s The Proposal. And after that you have to jump down to 15th place to find Tom Hanks in Angels and Demons. Will Ferrell’s movie tanked. Julia Roberts laid an egg. Adam Sandler couldn’t sell a ticket. Johnny Depp disappointed. Denzel Washington and John Travolta bombed together. Instead, the movies whose successes depended on their strong leading performances were the ones featuring the 57-year-old Irishman Liam Neeson (Taken, $145 million) and the out-of-work TV comedian Kevin James (Paul Blart: Mall Cop, $146 million).
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John Nolte

Top 15 Films of the New Millennium

by John Nolte

Using reader scores, IMDB ranked their top 15 films produced since 2000. Other than “The Departed,” which along with “Mystic River,” “Crash,” “Crash,” and “Crash,” ranks in the top 5 over-rated films of ever, there’s little to quibble over. Taste is a subjective thing.

My personal Top 15 are ranked as my favorites always are — based on nothing more than re-watchability. “Rocky Balboa” might not be better written, photographed or acted than any number of films not on this list, but I’m going to watch it a helluva lot more, that’s for sure.  

1. The Assassination of Jesse James by the Coward Robert Ford (2007) – Ever since the lights came up after that first screening, like a drug this lyrical, gorgeously photographed piece of myth-making has tugged me back for another taste. This isn’t easy to admit, but I think I admire Andrew Dominik’s directorial debut even more than John Ford’s “Young Mister Lincoln” (1939), which it resembles in so many ways. Were this also a listing of the greatest performances of the new millennium, Casey Affleck’s portrayal of Robert Ford would rank #1, as well.

2. The Passion of the Christ (2004) – Easily, the purest and rawest emotional cinematic experience I’ve ever had. The Left’s bigoted, venomous attacks combined with the film’s eventual blockbuster success were almost as satisfying as the re-election of George W. Bush. (more…)

Jason Killian Meath

‘Up’ Where We Belong

by Jason Killian Meath

A young scout yearns to help an elderly widower in order to earn a merit badge.  A senior citizen unfurls hard-learned life lessons for the world.  Disney/Pixar’s Up is a lofty film that thrives off old fashioned values, and it is your new number-one 2009 summer blockbuster.  Complete with newsreel footage only a great grand-dad could recall, Up is a film which cherishes that very dated, old fashioned concept – great storytelling.  

In an age where Dreamworks’ feeds us a steady diet of kung-fu pandas and boogie-in-your-butt lemurs voiced by the guy that gave us Borat, three-to-thirteen year olds have a place to fill up on some traditional values – Disney/Pixar.  

My wife and I took our 6-year old boy to see Up on Saturday to a packed movie theater in Washington, DC’s Georgetown neighborhood.  All we heard in the theater was laughing, deep emotion and applause. And why not?  Up is film that, had it been produced with live actors decades ago, may have starred Audrey Hepburn and Cary Grant.  It is classic American storytelling – true love, big dreams, self-reliance and fierce determination. It doesn’t need gimmicks, politically correct characters or audience focus-group testing to determine its destination.  It relies on Russell, who misses his Dad, and Carl Fredricksen, a lost old curmudgeon grieving over the death of his wife – they get us where we’re going.  You know them – they’re the sort of folks we see and meet most everyday.   (more…)

John Nolte

Weekend Box Office: ‘Up’ Soars

by John Nolte

Steve Mason’s Exclusive Early Box Office Estimates:

1. Up – $20.5M Friday … $67M 3-day … $67M cume
2. Night at the Museum 2 – $7.5M Friday … $27M 3-day … $106.79M cume
3. Drag Me To Hell – $6.25M Friday … $16.5M 3-day … $16.5M cume
4. Terminator Salvation- $5M Friday … $16M 3-day … $90.5M cume
5. Star Trek – $3.7M Friday … $13.5M 3-day … $210.2M cume
6. Angels & Demons – $3.6M Friday … $12M 3-day … $105.56M cume
7. Dance Flick – $1.7M Friday … $5.2M 3-day … $19.54M cume

If these numbers hold, “Up” will open better than “Wall-E” and “Monsters and Aliens.”

Considering ”Up” is fairly low concept and starring a 78 year-old man, this is beyond impressive. Word of mouth, rave reviews and the reservoir of goodwill Pixar’s built up over the years are making this a real audience-driven sensation. (more…)

John Nolte

Review: Up

by John Nolte

It doesn’t happen often enough, certainly not as much as it once did, but every now and again, up on the magic screen that expresses the best and worst of Hollywood, something special happens – a moment of perfection that allows you to ease back and relax in the knowledge that you’re in the very best of storytelling hands. Pixar’s tenth and best film, “Up,” opens in just this way, with a montage bearing witness to the childhood friendship, courtship, marriage and old age of Carl and Ellie Fredricksen (Ed Asner and Elie Doctor).

There’s nothing terribly special about the life of the Mr. and Mrs. Fredricksen.  They shared no slow motion runs on the beach or proposals of marriage atop the Eiffel Tower. There’s was an ordinary existence built on abiding love and the moments of the everyday. But it’s from the familiar that the power of this unforgettable sequence comes from. We relate to the decades that pass between them, recognizing them as our own. And when Ellie dies, leaving Carl without his soul mate, we also recognize that they pass much too quickly.  

Carl and Ellie had dreamed of an extraordinary life. One filled with travel and adventure. But reality always intruded, eating their savings and worst of all, the years. Today, at 78, Carl seems content to bide his time alone until he can rejoin Ellie, but reality intrudes once again when Carl’s faced with life in a nursing home. His decision to inflate thousands of helium balloons and float his house to South America has little to do with a desire for adventure. He’s hanging on to Ellie in the last way he knows how – by finally living out their dream.

Along for the ride is Russell (Jordan Nagai), an 8-year-old Junior Wilderness Explorer and accidental stowaway. Filled with hyper-enthusiasm and a fearlessness borne of his ability to see the “cool!” in every situation – no matter how dangerous, he drives poor, grumpy Carl — who wants only to peacefully and in solitude live out his days on a cliff next to a waterfall — nuts. (more…)

Big Hollywood

‘Up’ Hits Theatres May 29th

by Big Hollywood


Steve Mason

‘Wolverine’ claws to $34.75M Friday & Could Scratch Out $86.8M Opening! All-Time 4th-Best Performer for First-Weekend-of-May Summer Kickoff!

by Steve Mason

In my Final Weekend Tracking column posted on Wednesday, I predicted that X-Men Origins: Wolverine (Fox) would reach $92M on opening weekend, despite soft reviews (now only 38% Fresh on Rotten Tomatoes). My first fearless forecast of the 2009 summer blockbuster season appears to be close to dead-on (missed by only 5%).


Star-turned-producer Hugh Jackman has scored his second-biggest opening ever and, easily, his biggest as a solo star. Wolverine has mauled the competition with a massive $34.75M opening day (including $5M or so in Thursday midnight sales). That could translate to a 3-day of $86.8M, getting Hollywood’s most lucrative season off to a spectacular start.

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Steve Mason

The Summer Blockbuster Season is Set to Start Huge! Spin-Off ‘Wolverine’ could Claw to $92M Opening Weekend!

by Steve Mason

The great thing about a sequel is that it has a built-in audience. The problem with sequels is that, as the numbers after the title go up, so does the production budget. Very hard to know for sure, but sources have told me that the production budget for X-Men was in the $75M range. X-2: X-Men United may have had a budget of about $110M, while the cost of X-Men: The Last Stand was, in all likelihood, as much as $210M. Why doesn’t it make sense to just churn out X-Men 4?

Look at these numbers.

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Steve Mason

America Loves a Girl-on-Girl Smackdown! Beyonce’s ‘Obsessed’ is the Biggest Last-Weekend-of-April Opener Ever with $11M Friday & a Possible $27.5M 3-Day!

by Steve Mason

Recording superstar Beyonce Knowles is building a bankable resume for herself as an actress with Sony Screen Gems’ Obsessed as the latest title burnishing her resume. Co-starring the excellent Idris Elba (The Wire), this low budget, PG-13 genre pic has scored a far-above-expectations $11M on Friday, and it will likely reach $27.5M for the weekend. That is the best opening yet for the former Destiny’s Child lead vocalist as an above-the-title star, topping 2003’s The Fighting Temptations and Cadillac Records from late 2008.

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

OPENINGS FOR BEYONCE MOVIES
1. Austin Powers: Goldmember – $70.3M opening
2. Obsessed – $27.5M opening (projected)

3. Pink Panther (2006) – $20.2M opening
4. Dreamgirls – $14.1M wide break (after a platform start)
5. The Fighting Temptations – $11.7M opening
6. Cadillac Records – $3.4M opening

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Steve Mason

Hollywood’s Worst Release Date: Beyonce’s ‘Obsessed’ Could Edge Disney’s Baby Polar Bears in ‘Earth!’

by Steve Mason

The final weekend of April has never been Hollywood’s favorite release date. In fact, it is generally considered to be among the worst release dates on the calendar. Whatever opens on the final weekend of April gets absolutely crushed by the official start of the summer blockbuster season on the first weekend of May.

Beyonce's OBSESSED could win the final weekend before WOLVERINE
Beyonce’s OBSESSED could win the final weekend before WOLVERINE

The 4 new wide releases and 1 major specialty release set to debut this weekend will face an onslaught of mega-hits over the next month. How can Obsessed (Sony), Earth (Disney), The Soloist, (Dreamworks/Paramount), Fighting (Rogue) and The Informers (Senator) possibly find an audience with X-Men Origins: Wolverine (Fox) and Ghosts of Girlfriends Past (Warner Bros) arriving next weekend followed by, in successive weeks, Star Trek (Paramount), Angels & Demons (Sony), the combo of Night at the Museum 2 (Fox) and Terminator: Salvation (Fox) and Disney/Pixar’s Up?

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Steve Mason

MONSTERS VS. ALIENS with almost $12K per 3-D screen! The future of 3-D is looking UP!

by Steve Mason

Jeffrey Katzenberg and Dreamworks Animation have definitively proven that Digital 3-D is a blockbuster format. Not only has Monsters vs. Aliens seized a monstrous $58.2M in opening weekend ticket sales, Real-D (the technology provider) and Dreamworks have revealed that $25M or so of that gross was generated specifically from 3-D and IMAX 3-D. Fox is reporting that fully 43% of the total take was from the estimated 2,218 Digital 3-D screens.

MONSTERS VS. ALIENS tore up the box office this weekend - especially in 3-D

MONSTERS VS. ALIENS tore up the box office this weekend - especially in 3-D

That means that the Per Screen Average for the movie in 3-D was about $11,700, while the 4,800 or so traditional 35MM 2-D engagements had a Per Theatre of just an estimated $4,780. Exhibitors who figured out a way to overcome the credit crunch and pay the estimated $100,000 to convert a traditional theatre into one that can show Digital 3-D made a killing this weekend.

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