NewsBusted: What Does 10.2% Unemployment Mean?
by NewsBusters
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Dear Adam,
We’ve gone back and forth this week, with me writing here at Big Hollywood and you Tweeting responses. The lastest from @GhostPanther came directly to @Wilson_Michael and you asked me a question. I have an answer, but I think there’s a better way to have this conversation. And that’s what this should be… a conversation that takes place within the arena of ideas.

Adam McKay
This is important stuff and I’m fascinated by how two fellow Americans can see the world so differently. We probably both think we believe in freedom and liberty. We likely both think that we should take care of the poor. I know we both believe everyone should get the very best health care possible. How we get there while keeping our nation free is up for debate.
So let’s do it. Let’s have the debate. I challenge you to debate me on health care reform. (more…)
The Hollywood star system: Rest in Peace.
Nowadays, when I trawl through Blockbuster aisles, I find films with major stars that never saw the dark light of a theater. I’ve never even heard of some films. And I wonder about the parallel between society and film. History may be defined as the intersection of amazing events with amazing people. Will Mallory make the climb up the cliffs of Navarone? People created history by their choices, hesitations, fears, desires, whimsy, obsessions and visions. Will the Colonel give in to Saito’s brutality? Great films, anchored by magnetic personalities, cast wide nets across our consciousness. Will Lawrence survive the Devil’s Anvil?
“Epic,”film producer Frank McCarthy (”Patton”) once told me, “is defined as a man who changes himself, his community and his world.” In short, all the great character arcs in a movie script have driven the creation of events and epics which, in turn, are pushpins in World History. A noted script consultant, Chris Vogler, distilled and explained the work of Joseph Campbell, an expert on tribal storytelling and myth. Vogler explains the hero’s journey through the Ordinary World, the Call to Adventure, the Refusal of the Call, Mentor, Threshold, Tests by Allies and Enemies, Approach, Ordeal, Reward and The Road Back. (more…)
So what happens when you produce something so huge that it’s virtually unreadable? Normally it’s left unread. I call it the Harlot’s Ghost maxim.
But what do you get when this strategy of over-delivering backfires? Pure comedy unmatched even by a “Golden Girls” marathon.
More specifically, you get pols who never read the health care bill faced with people who have. Witness the town hall meeting this morning with Senator Arlen Specter. The folks present didn’t just read the bill, they’re now quoting it – something even the Titan of Transparency never really wanted.
Even better, this level of discourse is coming from the non-Twitter crowd, the beyond Facebook folks more concerned with Lipitor side effects than Lady Gaga’s lady parts. They are not motivated by racism, as the left wants everyone to believe, but by real concerns – some raised at the dinner table, some reasoned in books. None from Twitter, I imagine. (more…)
Is that the right word, “Twitterverse?”
Actually we’ve been up on Twitter for a few months now but our tech guy wouldn’t let me near it until I proved I could set my VCR clock. (more…)
“In fifteen minutes, everyone will be famous.” —Andy Warhol
Andy Warhol also spoke that jewel of wisdom, presumably demonstrating a sense of humor in referring to his most famous quote. Or was it, perhaps, prescient, albeit unintended foreknowledge? Pity he’s not around to toy with Twitter.
Looking back at Part 1, we considered a couple of insights into Andy’s Pop Life with the aim of solving some problems surrounding Mr. Breitbart’s incisive assertion that conservatives must come to terms with popular culture, and more, use it to advantage, or fail catastrophically in countering the negative effects of said culture and restoring public confidence in fundamental ideals. Narcissism, amorality, and an attitude of entitlement, as examples, speak poorly to the future of democracy, while the virtues of valuing others, the practice of ethical discernment and choice, and the elevating ideas of individual liberty and self-reliance are greatly to be desired in the body politic, and traditionally set America apart from typical “statist” governments around the world. Evidence abounds of the former set of attitudes in common currency as reflected in pop culture; the latter set, highly prized by conservatives, goes sorely wanting for attention in movies, TV, music, etc. (more…)
This week’s Washington Times column:
Last Tuesday as I was driving home from a screening of “The Stoning of Soraya M.,” a profoundly moving and eerily timely drama that comes out Friday, I found myself stuck in a bizarre late-night traffic jam thinking of ways to spread the word about this potentially transformative movie that thrusts its audience into the day’s headlines and draws attention to the plight of those who could potentially topple Iran’s cruel and menacing theocracy.
With an LAPD helicopter hovering above me in the night sky, I called home to ask my wife why our neighborhood was cordoned off, with traffic enforcement redirecting cars around the perimeter of the Los Angeles Federal Building. She couldn’t find anything on TV. When I reached home, I discovered via Twitter that thousands of Iranian-Americans, plentiful in West Los Angeles since the Islamic Revolution in 1979, were demonstrating solidarity with family and friends in Tehran by protesting the rigged Iranian election results and drawing attention to the regime’s long-standing human rights abuses.
The closure of a segment of Wilshire Boulevard, a key east-west artery, spoke to the urgency and magnitude of the situation. (more…)
Because televised news has been rendered obsolete by technology (who needs Christine Amanpour when every citizen has an HD camera, YouTube, and Twitter?), I turned to the Internet to keep up with the events transpiring in Iran. I logged into Twitter and found this massive “Twitter-grid” of people in Iran and people around the world communicating. It went something like this….
#iranstudent:please help.they are attacking the dorms.
#crzygrl:EVERYONE WEAR GREEN TOMORROW TO WORK AND SCHOOL
#iranstudent:my god. where is help? they will kill us.
#Evlhaliburton:this is just like US in 2000.
#iranstudent: please send troops. they shot my friend. (more…)
When I was a kid, American Idol wasn’t even a twinkle in Simon Cowell’s eye. No, instead of Adam Lambert’s girly warbling, we listened to wrinkled pacifist Walter Cronkite rattle off the US body count as we ate our TV dinners. (Thank God for I Love Lucy re-runs.)
But Vietnam wasn’t the only war raging. There was a culture clash going on too, right in the privacy of our own home: the ’60s counterculture – seen in everything from Easy Rider to The Sonny and Cher Comedy Hour - versus our deeply ingrained Anglophilia. In other words, a tug of war between “social justice” and the Social Register.
Decades before it became cool to diss the Queen with an iPod, the Royals represented everything Americans were not, and never could be: educated, sophisticated, multi-lingual, above carrying cash – and worldly enough to know one doesn’t clean one’s antiques (think no housework). Growing up in our comfy, middle class, anti-war household, I never knew if I was supposed to say “burn, baby, burn!” or “sod off, yank.”
This dichotomy took a psychic toll, which came to a head when I did my part for the revolution by proudly shoplifting a ballpoint pen from our local Lamston’s (”the establishment”). To my amazement, my parents were not pleased. Instead of a gold star, I received a verbal barrage of uncharacteristic cliches (”Do you think we send you to the best schools so you can steal?” ) that left me even more confused. (more…)
Not since the creation of the Huffington Post and the Daily Kos has something so useless entered American culture with such fanfare. Americans are all atwitter about Twitter. It was bad enough when people began chatting with total strangers online about their private lives. Then the blogosphere exploded and we all moved one step closer to becoming the nation of Narcissista. Then MySpace and Facebook came along, and everybody felt the need to make every aspect of their lives public.
Look, I admit to being a blogger, and one of the better ones. Yet my blog actually covers issues and events. The following paragraph is what my blog is not about: (more…)
To the delight of California’s illegal aliens, socialists, unqualified minority job-seekers and militant bicyclers who blow up Hummer dealerships in the name of suffering polar bears, smarmy San Francisco Mayor Gavin Newsom announced on Tuesday he is running for governor in 2010. Newsom chose San Francisco-based Twitter─the de facto, mandatory communication tool for hip celebs and gossipy high school girls─to officially reveal his plans. Indeed, inexperienced, over-packaged, provincial narcissists with radical agendas, cocaine issues, elitism fetishes, an undeserved sense of entitlement and contempt for the American way of life aren’t just for the White House anymore. California has found change it can believe in.
At a time when reckless, lightweight, non-achieving ideologues are all the rage in American politics; when nary a meaningful accomplishment is needed to move up the political ladder; when substance takes a backseat to teleprompters and pedestrian, car salesman charms; Newsom is trying to parlay his overly-bleached smile, expensive suits and camera-ready prop wife (not pictured below) into the most visible governorship in the United States. (more…)
During this past week’s “Tea Party” protests across the country, this reporter monitored the Twitter and Facebook chatter amongst his Hollywood actor and writer friends. It was an absolute, eye-opening education on the effectiveness of hard-left indoctrination.
Note: Out of respect for my friends and peers, I deliberately and carefully paraphrased any postings or “tweets” listed here so as to protect the anonymity of the poster. Unlike many hard-core liberals I know, I enjoy having friends with opposing points of view and I don’t want abuse to come to them.
That said, the following are the best examples out of several short messages from Obama supporters quietly protesting the “Tea Parties.” (more…)
With 400,000 Americans showing up every year at the Indy 500 and 200,000 more buying tickets to see NASCAR’s premiere event The Daytona 500, you would think that the most creative minds in Hollywood would be looking for a way to cash in with more movies about car racing and car culture. NASCAR has an estimated 75 million fans, and it is second only to the National Football League in terms of television ratings, so where are all the good racing movies?
Universal seems to have answered that question by getting its successful street racing franchise back into the fast lane this weekend with Fast & Furious. The movie, which reunites Vin Diesel, Paul Walker, Jordana Brewster and Michelle Rodriguez for the first time since 2001’s original surprise blockbuster, has exploded to a high octane $30.11M or so on Friday and that could mean a $70M opening weekend. That would make it the all-time #1 opening for a car racing movie.
Universal’s Fast & Furious will be “burning rubber” this weekend at America’s multiplexes as the original street-racing cast reunites after some sub-par chapters of the franchise.
The original The Fast & The Furious hit theatres in 2001 under the direction of Rob Cohen who had shown a knack for action with Dragon: The Bruce Lee Story ($35M US cume) and Sly Stallone’s Daylight ($33M US cume) and a savvy feel for bigger-than-life characters in his Golden Globe winning biopic The Rat Pack (which, if you’ve never seen you should put in your Netflix cue and prepare to be amazed by Don Cheadle’s turn as Sammy Davis, Jr.). In tow, he had a 34-year-old Vin Diesel in only his second starring role following the surprise low budget hit Pitch Black ($39M cume) and 28-year-old Paul Walker, who had just starred in Cohen’s forgettable The Skulls. Also in the cast was Jordana Brewster (As the World Turns) and a pre-Lost Michelle Rodriguez, whose most notable credit was a gritty little indie called Girlfight.
The result was box office jet fuel. Seemingly out of nowhere, The Fast & The Furious scored a scalding $40M opening weekend and reached $144.5M domestic and over $200M worldwide. But Diesel, whose signature line in the original movie is “I live my life one quarter of a mile at a time,” didn’t like the script for the sequel (or they wouldn’t pay his asking price depending on who you ask). That led to the 2003 sequel 2 Fast 2 Furious directed by Academy Award nominee John Singleton (Boyz n the Hood) starring Walker along with rapper Tyrese Gibson and Eva Mendes. Despite Diesel’s conspicuous absence, 2 Fast still delivered $127M in the US. (more…)
It is an excellent weekend for Dreamworks Animation. Although the credit crunch prevented financing that would allow exhibitors to undertake the digital conversion of more of its theatres, Monsters vs. Aliens is benefiting spectacularly from the 2,075 or so standard Digital 3-D engagements and the added 143 Digital IMAX runs. The audaciously ambitious animated send-up of 50’s B-movies has used the “bleeding edge” of technology to milk an estimated $16.7M in opening day ticket sales. The which could translate to $58M or so for the 3-day weekend.
If that number holds, and, if anything, they could drift higher as family audiences flood America’s multiplexes, Monsters vs. Aliens will be the all-time third-best opening in the month of March.
It was another good weekend for Summit Entertainment. The distributor behind last year’s meteoric hit Twilight has scored a solid hit with the Alex Proyas-directed Knowing, starring Nicolas Cage. Despite shaky word-of-mouth and negative reviews, the sci-fi thriller got a solid 9% bump on Saturday for a $9.7M second day, and it will likely finish its opening weekend with a possible $24.8M.
As a production company, Summit is responsible for some monster hits, including commercially and/or artistically successful films like Once (Oscar nominee for Best Picture), American Pie ($102..5M domestic), Memento (Oscar nominee for Best Original Screenplay: Chris Nolan), Mr. & Mrs. Smith ($186.3M domestic) and In the Valley of Ellah (Tommy Lee Jones nominated for Best Actor). But as a distributor, they got off to a slow start. (more…)
Early box office returns are pointing to a weekend win for Knowing from Summit, but I will put my money on I Love You, Man (Dreamworks/Paramount) to generate more in US ticket sales over the long haul. The Nicolas Cage sci-fi thriller has grabbed an estimated $8.95M to start the weekend, and it will likely finish at $24M or so. That is, unless word-of-mouth catches up to it first.
Reviews for Knowing, written and directed by Alex Proyas, the inventive filmmaker behind the visually striking 1998 film Dark City and the 2004 Will Smith mega-hit I, Robot, has received overwhelmingly negative reviews (25% Fresh on Rotten Tomatoes), but thanks to Twitter, real-time movie-goer reactions spread like wildfire. Here are some Tweets I just grabbed off the social networking platform.
For the last few weeks, Summit’s Knowing, starring Nicolas Cage, has appeared to be the likely winner of the upcoming box office weekend. But, my sources tell me that I Love You, Man, the new comedy starring Paul Rudd (Role Models) and Jason Segal (Forgetting Sarah Marshall) has surged in the latest pre-release industry tracking.

In the spirit of March Madness, I’m calling for the upset. I Love You, Man may not actually be a Judd Apatow movie, but it sure does look like one in trailers and commercials. The movie reportedly “rocked the house” at the South By South West Festival last week, and the buzz is very positive. I am calling for $21.5M, which would be above industry expectations.
As expected Disney’s Race To Witch Mountain enjoyed a huge Saturday surge for just over $11M in tickets sold, and the reboot of the 70’s franchise will finish with about $25M for the 3-day. Overall, Race posted the year’s seventh-best Saturday performance.
TOP 10 SATURDAY GROSSES IN 2009
1. March 7 – Watchmen – $18.3M
2. February 21 – Tyler Perry’s Madea Goes To Jail – $16.6M
3. February 14 – Friday the Thirteenth – $14.3M
4. January 17 – Paul Blart: Mall Cop – $13.2M
5. January 10 – Gran Torino – $12.1M
6. January 31 – Taken – $11.65M
7. March 14 - Race To Witch Mountain – $11M (estimated)
8. February 7 – He’s Just Not That Into You – $10.9M
9. January 17 – Paul Blart: Mall Cop – $10M
10. January 17 – Gran Torino – $10M
(more…)
As Watchmen (Warner Bros) falls, “The Rock” appears to be racing to a weekend win. Disney’s Race To Witch Mountain, starring Dwayne “The Rock” Johnson, is off to a solid start with $6.8M or so on opening day, and, with its expected surge in family matinee audiences on Saturday and Sunday, it will likely triumph with a possible $24.25M.
Meanwhile last weekend’s winner Watchmen staggered to a second Friday of only $5.4M or so, and I am projecting only $15.75M for the 3-day. That marks a 71% drop. Anything over $20M would have been acceptable, but the bottom has fallen out of this movie, and it will now struggle to reach $100M domestic. When the foreign and DVD are added, it may make a small profit, but it will likely be negligible. The superstitious might suggest that Watchmen writer Alan Moore’s alleged curse may be to blame, but the reality is that word-of-mouth has been more negative than for any movie in recent memory.
One of the coolest ways to use the social networking platform Twitter is to find out what people are thinking, saying and Twittering about in real time. Here’s a small sampling of Tweets from the opening weekend of Watchmen (Warner Bros).
The Watchmen = Epic fail!
If you haven’t seen The Watchmen yet, I’d urge you to read the graphic novel first. Well, actually, I’d urge you to JUST read the GN. lol.
Watchmen.undecided,confused as superhero film with
very little superhero action.Convoluted story,but overall watchable. My opinion only
I was bored while watching Watchmen
Just got out of Watchmen…. Ouch, would spend the 9 quid on – can’t even find the humour, brain switched off 1 hour into the 3- BIG YAWN (more…)