Posts Tagged ‘twilight’

Ted Baehr

‘New Moon’: Selling Your Soul for Puppy Love

by Ted Baehr

The Twilight Saga:  New Moon” is the second of four vampire stories by Stephenie Meyers, a Mormon. It continues the love story between Edward and Bella, two unique teenagers. Bella spirals down into a deep hole of depression when the vampire she loves leaves her, in an effort to protect her. She finds herself picking up the pieces of her broken heart with her best friend, who happens to be a werewolf.

twilight_new_moon-13018

Picking up where the first movie left off, “New Moon” opens with Bella (played by Kristen Stewart), having recovered from the vampire attack that almost claimed her life, starting her senior year of high school and celebrating her 18th birthday with Edward Cullen, a vampire who refuses to attack humans, and his family. After an ill-fated accident resulting in Bella’s blood being spilled at the Cullen residence, which is almost too much for certain members of the family, Edward (played by Robert Pattinson) decides to leave Forks. He believes he is protecting Bella from the dangers of the vampire world by doing so. He asks her to promise him not to do anything reckless. (more…)

Big Hollywood

‘New Moon’ Opens Everywhere Tomorrow

by Big Hollywood

Kyle Smith: (more…)

Greg Gutfeld

Daily Gut: Townhalls vs. Twitter

by Greg Gutfeld

So what happens when you produce something so huge that it’s virtually unreadable? Normally it’s left unread. I call it the Harlot’s Ghost maxim.

But what do you get when this strategy of over-delivering backfires? Pure comedy unmatched even by a “Golden Girls” marathon.

More specifically, you get pols who never read the health care bill faced with people who have. Witness the town hall meeting this morning with Senator Arlen Specter. The folks present didn’t just read the bill, they’re now quoting it – something even the Titan of Transparency never really wanted.

Even better, this level of discourse is coming from the non-Twitter crowd, the beyond Facebook folks more concerned with Lipitor side effects than Lady Gaga’s lady parts. They are not motivated by racism, as the left wants everyone to believe, but by real concerns – some raised at the dinner table, some reasoned in books. None from Twitter, I imagine. (more…)

John Nolte

‘New Moon’ Trailer Arrives

by John Nolte

Knowing nothing about the source material, “Twilight” caught me completely by surprise – which is the only excuse I have for falling pretty hard for a longing, dew-eyed romance aimed at teenage girls. “Twilight’s” has its flaws, but underneath the vampirism-pathos was a surprisingly old-fashioned love story set in a small American town not filled with Hollywood stereotypes. Goodwill goes a long way and helps to forgive much (like weak special effects and listless action scenes), but “Twilight” earned plenty of goodwill with parents everywhere using metaphor as a way to teach teenage girls that true love is not based on sex.

“Twilight” is all about the self-restraint of both appetite and passion. Also playing an important thematic role is the importance of self-sacrifice, loyalty and family. It’s awfully hard not to like a film aimed at teens that’s so unapologetically earnest and well-intended. In this cinematic age of nihilism, moral relativism and hyper-sexualization of young girls, ”Twilight” should be hailed as the work of iconoclasts.  (more…)

Steve Mason

Summit scores a nice hit with KNOWING, which could reach $60M domestic, while I LOVE YOU, MAN has a shot at $70M in the US!

by Steve Mason

It was another good weekend for Summit Entertainment. The distributor behind last year’s meteoric hit Twilight has scored a solid hit with the Alex Proyas-directed Knowing, starring Nicolas Cage. Despite shaky word-of-mouth and negative reviews, the sci-fi thriller got a solid 9% bump on Saturday for a $9.7M second day, and it will likely finish its opening weekend with a possible $24.8M.

As a production company, Summit is responsible for some monster hits, including commercially and/or artistically successful films like Once (Oscar nominee for Best Picture), American Pie ($102..5M domestic), Memento (Oscar nominee for Best Original Screenplay: Chris Nolan), Mr. & Mrs. Smith ($186.3M domestic) and In the Valley of Ellah (Tommy Lee Jones nominated for Best Actor). But as a distributor, they got off to a slow start. (more…)

Steve Mason

WATCHMEN with $25.2M opening day, but “ticking downward,” now targeting $57M 3-day & $145M domestic!

by Steve Mason

“Who is watching the Watchmen?” Just about everyone…or so it seems.

The brand new film adaptation of the classic graphic comic Watchmen is a hit of monstrous proportions on its opening weekend, but not everyone loves it. In fact, not only is there a prominent character named Rohrschach (played by Oscar nominee Jackie Earle Haley), the film itself is serving as a Rohrschach Test for critics, fanboys and the broader public.

The Zack Snyder-directed $120M epic started with $4.5M in Thursday midnight business which is outstanding. There was no way for Watchmen to approach the $18.5M midnight start for lat summer’s The Dark Knight. First off, it is March and not the middle of summer blockbuster season. Kids have school. People are working. These are not the lazy days of July when it is easier for many to see a movie at midnight on Thursday, and hit the office late on Friday. The other factor is the movie’s rating. This is an R-rated movie, not PG-13 like The Dark Knight. (more…)

Steve Mason

Hollywood embraces the “chick flick” – NOT THAT INTO YOU and CONFESSIONS OF A SHOPAHOLIC are only the two latest successes!

by Steve Mason

Hollywood execs seem to be waking up to the power of women at America’s multiplexes. The success of He’s Just Not That Into You (Warner Bros) and this weekend’s Confessions of a Shopaholic (Disney) can be traced to Meryl Streep’s witty riff on the tyrannical Anna Wintour in The Devil Wears Prada in the summer of 2006. Prada opened to a $27.5M weekend on its way to a $124.75M domestic cume (Streep also earned an Oscar nomination).


Then in July of 2007, New Line grabbed an almost identical $27.47M with the opening weekend of the female-skewing Hairspray, translating to $118.87M domestic. Also Enchanted, starring Amy Adams, was a hit for Disney over the holidays reaching $127.8M domestic.

(more…)

Steve Mason

Does Jen sell more tickets than Brad? – HE’S JUST NOT THAT INTO YOU easily wins the weekend with $27.4M 3-day!

by Steve Mason

The Drew Barrymore-produced romantic comedy He’s Just Not That Into You has made the jump from catch-phrase to self-help book to movie hit. With an all-star cast this classic ‘chick flick” appears to be winning the weekend after posting a spectacular $10.5M in opening day ticket sales. That should mean a 3-day start of $27.4M or so, easily out-pacing holdover Taken (Fox) and three other new wide releases. With this kind of opening, Not That Into You could reach almost $60M by the end of next weekend (a 4-day Presidents/Valentine’s combo), which would forecast a potential $90M in US ticket sales.


The new movie developed by New Line and now released by Warner Bros is based on the book of the same name co-written by former Sex & the City scribes Greg Behrendt and Liz Tucillo. The line itself has come to be a reassuring fallback for women in the dating scene (and I’m guessing single guys have adopted the mentality as well in the rough-and-tumble world of dating).

(more…)

Steve Mason

SATURDAY UPDATE: ‘The Wrestler’ headed for the year’s second-best PTA with an estimated $53,438!; ‘Gran Torino’ expands to $23,400 per location while ‘Doubt’ heads for an $18,000 PTA!

by Steve Mason

Steve Mason is on Facebook and now also on Twitter.

Bad weather with several major storms, including one in the Northeast, are making this a challenging weekend to project. I have revised my the 3-day estimates I released last night to allow for films to enjoy slightly stronger Saturdays, but the general story is the same. Jim Carrey and Yes Man (Warner Bros) at #1, Will Smith and Seven Pounds (Sony) at #2 and Tale of Despereaux (Universal) at #3.

My major analysis piece I published Friday night still stands with the headlines being that Warner Bros now seems destined to cinch the all-time best one year domestic sales figure in studio history and Will Smith’s streak of consecutive $100M grossing movies will almost certainly end at 8 with his Gabriele Muccino-directed drama.

One major change is that Slumdog Millionaire (Fox Searchlight) hasn’t expanded nearly as well as I originally projected. The almost certain Best Picture nominee increased to 589 locations this weekend and the result will be a likely 8th-place finish with about $2.94M and a PTA of $4,999 or so.

EXCLUSIVE STEVE MASON REVISED EARLY 3-DAY ESTIMATES
1. NEW – Yes Man (Warner Bros) – $19.5M, $5,684 PTA, $19.5M cume
2. NEW – Seven Pounds (Sony) – $16M, $5,806 PTA, $16M cume
3. NEW – Tale of Despereaux (Universal) – $14.09M, $4,540 PTA, $14.09M cume
4. The Day the Earth Stood Still (Fox) – $8.97M, $2,522 PTA, $47.54M cume
5. Four Christmases (Warner Bros) – $7.3M, $2,080 PTA, $99.72M cume
6. Twilight (Summit) – $5.1M, $1,706 PTA, $158.3M cume
7. Bolt (Disney) -$4.45M, $1,501 PTA, $95.2M cume
8. Slumdog Millionaire (Fox Searchlight) – $2.94M, $4,999 PTA, $11.92M cume
9. Australia (Fox) – $2.15M, $975 PTA, $41.77M cume
10. Quantum of Solace (Sony) – $1.6M, $798 PTA, $172.4M cume
11. Madagascar: Escape 2 Africa (Dreamworks/Paramount) – $1.6M, $798 PTA, $172.42M cume
12. Milk (Focus) – $1.57M, $4,417 PTA, $10.25M cume
13. Nothing Like the Holidays (Overture) – $1.15M, $689 PTA, $5.77M cume

On the specialty front, Mickey Rourke is a box office attraction again. The one-time movie star was at his peak in the 1980’s with movie like Diner ($14M cume), The Pope of Greenwich Village ($6.8M cume), 9 1/2 Weeks ($6.7M cume) and Angel Heart ($17.1M cume) is riding the crest of an enormous comeback wave. His role in Darren Aronofsky’s The Wrestler (Fox Searchlight) has already earned him a Golden Globe nomination for Best Actor – Drama and Independent Spirit Award nomination for Best Male Lead and a SAG Award nomination for Best Male Actor, and now the film has scored a huge opening weekend Per Theatre Average.

The Wrestler opened on Wednesday at 4 locations managing an outstanding $11,732 PTA. The extraordinarily well-reviewed movie is headed for a 3-day of $210,900, which will translate to an estimated $53,438 per location. That marks the second-best PTA of the year, trailing only the $60,236 debut of Frost/Nixon (Universal) two weeks ago.

At #2 on the weekend PTA scoreboard is Clint Eastwood’s Gran Torino (Warner Bros), which is a bit of a disappointment registering an average of approximately $23,400 at each of its 19 playdates. As Eastwood has admitted, this may be his final on-screen performance, but when the Hollywood Foreign Press ignored him in its annual Golden Globe nominations and then the SAG Awards bypassed the screen legend as well in the Best Male Actor category, it likely damaged the movie’s ability to compete on a limited basis with other pictures with stronger awards resumes.

In my Friday Night Estimates story, I wrote that Gran Torino may be able to bank $5.4M by the end of the year. Even with an expansion to 70 locations on Christmas Day, the softer-than-expected Friday probably means that Clint’s “swan song” is more likely to be at $3.1M or so at the end of business of December 31. Regardless, I am still projecting that Warner Bros will likely break the all-time one-year record for domestic sales for a studio.

John Patrick Shanley’s Doubt, a film adaptation of his Tony and Pulitzer Prize winning play, will bank about $703,000 or so this weekend at 39 locations for a PTA of just over $18,000. That compares favorably to recent movies like Rachel Getting Married (Sony Classics), which managed $16,500 per screen in its first expansion (27 playdates) and Frost/Nixon, which generated just over $16,000 per screen in week #2 (39 playdates). With Golden Globe and SAG Awards nominations for Meryl Streep, Phillip Seymour Hoffman, Amy Adams and Viola Davis, Doubt should continue to play well through the awards season.

Weinstein has elected to hold expansion for The Reader until Christmas Day, so the picture remains on 4 screens and appears headed for about $114,000 by Monday, down about 35% from its opening weekend at the same locations. That would give Stephen Daldry’s Oscar contender the fourth-best weekend PTA at a possible $14,240.

Ron Howard’s amazing Frost/Nixon picked up just 2 new locations this weekend as Universal prepares for a major Christmas Day expansion. Powered by SAG Awards nominations this week for Best Ensemble and Best Male Actor: Frank Langella, the film will add about $361,000 this weekend, down about 42%. That equates to an $8,805 PTA, #5 for the frame.

STEVE MASON’S EXCLUSIVE EARLY 3-DAY PTA ESTIMATES
1. NEW – The Wrestler (Fox Searchlight) – 4 locations – $53,438 PTA
2. Gran Torino (Warner Bros) – 19 locations – $23,400 PTA
3. Doubt (Miramax) – 39 locations – $18,026 PTA
4. The Reader (Weinstein) – 8 locations – $14,240 PTA
5. Frost/Nixon (Universal) – 41 locations – $8,805 PTA
6. NEW – Seven Pounds – 2,785 locations – $5,806 PTA
7. NEW – Yes Man (Warner Bros) – 3,434 locations – $5,498 PTA
8. Slumdog Millionaire (Fox Searchlight) – 589 locations – $4,999 PTA
9. NEW – Tale of Despereaux (Universal) – 3,104 locations – $4,540 PTA
10. Milk (Focus) – 356 locations – $4,417 PTA

Steve Mason

Summit’s TWILIGHT sequel set for November 20, but is the franchise in trouble? Director Weitz sank New Line with $180M disaster GOLDEN COMPASS and fans are fighting the ouster of Lautner!

by Steve Mason

Steve Mason is on Facebook and now also on Twitter.

The teen vampire blockbuster Twilight added another $7.95M this weekend, breaking through the $150M barrier in domestic box office. This performance exceeds even the rosiest box office expectations for the movie, so it is hard to understand why Summit seems to be making huge changes for the sequel New Moon, based on the second book in Stephenie Meyer’s mega-selling series.

I have seen Twilight, and, given the budget constraints that director Catherine Hardwicke was under, it was a very solid piece of popular entertainment. Before it finishes its domestic run, it could hit $175M-$180M, which is almost 5 times its budget. Twilight is already the most successful movie ever directed by a woman, but as we know, Hollywood is an “old boy’s club,” and she is not “one of the boys.”

Over the weekend, Summit announced that Hardwicke is out and that a guy named Chris Weitz is in. 1999’s American Pie was his career breakthough as he teamed with his brother to produce and direct the $11M movie, which went on to a $102M domestic gross.  Working with brother Paul, he followed with Chris Rock in 2001’s Down to Earth ($64.1M cume) and 2002’s About a Boy starring Hugh Grant, which managed only $41M in US ticket sales, but did earn the Weitz brothers an Oscar nomination for adapting Nick Hornby’s novel of the same name.

Then came The Golden Compass released last December. Weitz adapted the screenplay and was given $180M to shoot a great big fantasy film for New Line. The result was only $25.7M on opening weekend and a total domestic cume of $70.1M. The disastrous box office performance was earned according to critics as the would-be blockbuster managed only a 42% Fresh score on Rotten Tomatoes.

So let me get this straight. Summit fires the woman who guided Twilight to a monstrous box office performance on a shoestring budget and replaces her with a guy who is best known for sinking New Line, which Bob Shaye and Michael Lynne were forced to fold in the wake of his $180M fantasy film flop? Bad move.

Hardwicke should continue as director, but if the personalities didn’t work, then Summitt should have chosen another woman to direct. Perhaps Katherine Bigelow, who has proved that she can do big action with Point Break, sci-fi with Strange Days and vampires with 1987’s excellent Near Dark. Despite the soft opening for Punisher: War Zone (Lionsgate) in theatres now, I think that former World Karate and Kickboxing Champion-turned-director Lexi Alexander would be another qualified woman director for the job.

The internet is now rife with reports that actor Taylor Lautner, who played the small but pivotal role of Jacob Black in Twilight, will not return for New Moon. Lautner plays the native American kid who befriends Bella Swan (Kristin Stewart) in the first film and becomes the werewolf rival of Edward Cullen (Robert Pattinson) in the sequel. In what strikes me as “bad form,” Michael Copon, best known for his work on TV’s One Tree Hill, is openly campaigning for the role including “Status Updates” on his Facebook page like “Michael Copon is the older Jacob Black.” There is no formal announcement from Summit or Copon’s representatives, but there is already some real “push-back” from Twilight fans as evidenced by a new Facebook group that is gaining steam -  I REJECT Michael Copon as Jacob Black: SAVE TAYLOR NOW!

In addition to what could be the ouster of Lautner, Ben Barnes of from the Narnia franchise (Prince Caspian) is angling for a role in the Twilight sequel. He has his sights set on the part of Aro, a vampire who plays a pivotal role in the Bella/Edward romance in New Moon.

Summit has dramatically accelerated the production schedule for New Moon with a November 20, 2009 release date now set. Another werewolf movie, Wolfman, from Universal starring Oscar winners Benicio Del Toro and Anthony Hopkins, is set to debut 2 weeks earlier on November 6. Then on that same November 20 date is the sci-fi animated film Planet 51 (Sony), powered by the voices of Dwayne “The Rock” Johnson,  Jessica Biel and Seann William Scott along with Guy Ritchie’s re-imagining of Sherlock Holmes (Warner Bros), featuring Robert Downey, Jr. as the lead sleuth and Oscar nominee Jude Law as Watson. The Farrelly Bros’ new, yet-to-be-cast version of The Three Stooges (MGM) is also tentatively slotted on this date.