Goddamn Army.

Why it’s a left-wing film

Maybe my eternal affection for director Robert Altman’s brilliantly irreverent comedy clouds my judgment, but I don’t want to be too hard on “MASH.” Yes, it uses Korea as pretty weak cover to deliver a withering anti-war criticism of Vietnam and the military, and in the person of The Mighty Robert Duvall’s Frank Burns, the attack on Christianity does, at times, border on mean-spirited (Burns is a cold, manipulative, ambitious, backstabbing, unbalanced hypocrite and the Catholic Father Mulcahy is bumbling and absolutely useless), but man this movie’s fun…

…And funny.

And brilliant.

And refreshingly politically incorrect.

But now we’re getting into…

Why it’s a great film

One of the very first jokes in “MASH” perfectly sets the tone for what’s to come. After a quick sequence at the 4077th and a subtle jibe at Gen. Douglas MacArthur, Capt. Hawkeye Pierce arrives in the person of Donald Sutherland. He’s fresh off a plane from the States and needs a ride to report for duty. While waiting by a jeep, Hawkeye barely gets a word out before a Black enlisted man from the motor pool dresses him down under the assumption he’s going to get pushy about demanding the ride right away. Hawkeye had no intention of getting pushy, barely gets a word out, and after the jerk walks off, Hawkeye mutters under his breath, “Racist.” (more…)

M*A*S*H  (1970): Robert Altman’s irreverent film adaptation of Richard Hooker’s novel is a spoof on the futility of war that was set in Korea but coming as it did while our troops were fully engaged in Southeast Asia, its anti-establishment subtext is really about  the confusion and cultural clashes during the Vietnam War.  

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Set in the 4077th Mobile Army Surgical Hospital somewhere near the stagnant Korean War front lines, the plot ambles along following several zany yet competent doctors “Hawkeye” Pierce (Donald Sutherland), “Trapper” John McIntyre (Elliott Gould) and “Duke” Forest (Tom Skerritt) as they try to adapt their markedly undisciplined lifestyles to the rigid protocols of the US military—saving lives along the way.

Featuring notable performances by Robert Duvall as the bumbling and overly-sanctimonious Frank Burns and Sally Kellerman as a career military nurse “Hot Lips” O’Houlihan who cannot get out of the way of her own sexuality, this dark comedy is as good as it gets in the genre of biting satire. (more…)

I hated the ending of Raiders of the Lost Ark. No, not the Citizen Kane homage rosebud scene at the end – I loved that – but the ending of the movie. I didn’t want it to end. I hadn’t enjoyed a film that much since, well, Star Wars, Empire Strikes Back, or Jaws. I wanted it to continue. I wanted more. 

I got more and I didn’t want it. 

Why don’t sequels do well? Obviously, I’m not alone in feeling the way I do about Raiders or Star Wars or Jaws or any other great character-rich, dynamically set film that pulls you in and doesn’t fully let go even after the end titles trail up and we see that film certification symbol fade out. So, why is it that more of what we love, we hate? Well, maybe not hate, but not love quite so much. What’s going on here?  (more…)