Posts Tagged ‘tina fey’

Jason Killian Meath

Tina Fey: Downright Mean

by Jason Killian Meath

Tina Fey recently won an Emmy for her uncanny resemblance and venomous impersonation of Republican Vice Presidential nominee Sarah Palin.  In accepting her award, Fey was her typical, obloquious self saying, “Mrs. Palin is an inspiration to working mothers everywhere because she bailed on her job right before Fourth of July weekend. You are living my dream. Thank you, Mrs. Palin!”

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2008 marked a departure from the memorable, more cordial years of Chevy Chase as a clumsy Gerald Ford or Dana Carvey’s hilarious H.W. Bush: “wouldn’t be prudent.”  Fey was downright mean.

For her part, Palin was an easy target — a conservative woman and mother. And seemingly abhorrent to Fey and friends, Palin had small town values, a small town family and — as Fey chafed on Palin’s world view — “I can see Alaska from my house.”  The impersonations were sometimes funny, but more often foul.  ”I believe marriage is meant to be a sacred institution between two unwilling teenagers…,” Fey roasted during one of the skits… an innuendo on Palin’s pregnant, unwed daughter.  Her satire strayed from the issues into catty, sexist territory — intellect, pregnancy, family attacks and even sexual riffs. (more…)

NewsBusters

‘NewsBusted’ 7/07/09 — Fake News from the Right

by NewsBusters


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Andrew Breitbart

New York Times Barbie Attacks Again

by Andrew Breitbart

This week’s Washington Times column:

What a shock that Maureen Dowd devoted her New York Times column Sunday to attack Sarah Palin. It did not so much criticize Alaska’s governor for prematurely stepping down from her official duties as to finish off what sister snipers Katie Couric and Tina Fey began last fall.

The assassination of Sarah Palin – by media.

For those who didn’t pay attention, Mrs. Palin’s unexpected stratospheric rise as a national political figure threatened the media’s preordained presidency of Barack Obama.

In light of how the Obama machine took down Hillary Clinton, which unsettled many feminists who believed 2008 was their time, many who saw sexism at play – the destruction of an ascendant Republican female icon was an urgent imperative for the Democratic Party. (more…)

Alexander Marlow

People Magazine’s Pathetic Predictability

by Alexander Marlow

In the 1984 NBA draft, the Portland Trail Blazers used the second pick to select University of Kentucky star Sam Bowie over then 21-year-old Michael Jordan, marking the greatest oversight in our nation’s history.  Until now.  On newsstands today you’ll find People Magazine’s “100 Most Beautiful” edition.  Anyone modestly attentive to American culture will notice the conspicuous absence of the flyest honey ever to rep the GOP on the national stage: Sarah Palin.

This error would be egregious even without context, but wait until you hear who actually made the list:

There is an entire spread called “Barack’s Beauties” featuring seven Obama staffers who are among the USA’s finest 100–easily the highest number of executive branch hotties since the Coolidge administration. (more…)

Steve Mason

‘Wolverine’ claws to $34.75M Friday & Could Scratch Out $86.8M Opening! All-Time 4th-Best Performer for First-Weekend-of-May Summer Kickoff!

by Steve Mason

In my Final Weekend Tracking column posted on Wednesday, I predicted that X-Men Origins: Wolverine (Fox) would reach $92M on opening weekend, despite soft reviews (now only 38% Fresh on Rotten Tomatoes). My first fearless forecast of the 2009 summer blockbuster season appears to be close to dead-on (missed by only 5%).


Star-turned-producer Hugh Jackman has scored his second-biggest opening ever and, easily, his biggest as a solo star. Wolverine has mauled the competition with a massive $34.75M opening day (including $5M or so in Thursday midnight sales). That could translate to a 3-day of $86.8M, getting Hollywood’s most lucrative season off to a spectacular start.

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Jane Shaffmaster

Letterman Loses His Mojo

by Jane Shaffmaster

In the 80’s my quest was to see the Letterman show live.  I LOVED his sense of humor. Memorable segments were “the guy under the stairs,” Larry “Bud” Melman, “Fun with Rupert,” and Biff Henderson’s “Map Across America.” I also got a kick out of Dave’s mom going to and reporting on the Olympics as well as her “name that pie” bit on Thanksgivings. My ultimate fav was Dave’s wacky antics with Mujibar & Sirajul.  It was all comic originality; fresh, silly, and sometimes mindless, but really entertaining and funny.

Disappointingly, by the time I finally did see the show in 2004, the bits I loved ceased to exist and most likely had been banished to the “Late Show” archives.  Rather than attending my first show with eagerness, it was just a cheap way to kill an evening during a business trip.  Since I didn’t have a ticket, I knew I’d need to charm my way in.

A friend had told me that to get in the front row they have “audience scouts” outside the theatre looking for people who are attractive, friendly, expressive, and bubbly.  Being an actress I knew how to play that part, so I glammed up and put on my best New York artsy chic and set out to the Ed Sullivan Theatre.  The “audience scouts,” who looked all of about 14-years-old, were out in front waiting for their subjects to approach.  Oh, to be that young making so little money but holding so much power!  Knowing what I must do, I got my “bubble on” and with just the right amount of star stuck enthusiasm I approached one of the 14-year-old keepers of the audience paperwork! (more…)

Steve Mason

The Summer Blockbuster Season is Set to Start Huge! Spin-Off ‘Wolverine’ could Claw to $92M Opening Weekend!

by Steve Mason

The great thing about a sequel is that it has a built-in audience. The problem with sequels is that, as the numbers after the title go up, so does the production budget. Very hard to know for sure, but sources have told me that the production budget for X-Men was in the $75M range. X-2: X-Men United may have had a budget of about $110M, while the cost of X-Men: The Last Stand was, in all likelihood, as much as $210M. Why doesn’t it make sense to just churn out X-Men 4?

Look at these numbers.

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Steve Mason

America Loves a Girl-on-Girl Smackdown! Beyonce’s ‘Obsessed’ is the Biggest Last-Weekend-of-April Opener Ever with $11M Friday & a Possible $27.5M 3-Day!

by Steve Mason

Recording superstar Beyonce Knowles is building a bankable resume for herself as an actress with Sony Screen Gems’ Obsessed as the latest title burnishing her resume. Co-starring the excellent Idris Elba (The Wire), this low budget, PG-13 genre pic has scored a far-above-expectations $11M on Friday, and it will likely reach $27.5M for the weekend. That is the best opening yet for the former Destiny’s Child lead vocalist as an above-the-title star, topping 2003’s The Fighting Temptations and Cadillac Records from late 2008.

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

OPENINGS FOR BEYONCE MOVIES
1. Austin Powers: Goldmember – $70.3M opening
2. Obsessed – $27.5M opening (projected)

3. Pink Panther (2006) – $20.2M opening
4. Dreamgirls – $14.1M wide break (after a platform start)
5. The Fighting Temptations – $11.7M opening
6. Cadillac Records – $3.4M opening

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Steve Mason

Hollywood’s Worst Release Date: Beyonce’s ‘Obsessed’ Could Edge Disney’s Baby Polar Bears in ‘Earth!’

by Steve Mason

The final weekend of April has never been Hollywood’s favorite release date. In fact, it is generally considered to be among the worst release dates on the calendar. Whatever opens on the final weekend of April gets absolutely crushed by the official start of the summer blockbuster season on the first weekend of May.

Beyonce's OBSESSED could win the final weekend before WOLVERINE
Beyonce’s OBSESSED could win the final weekend before WOLVERINE

The 4 new wide releases and 1 major specialty release set to debut this weekend will face an onslaught of mega-hits over the next month. How can Obsessed (Sony), Earth (Disney), The Soloist, (Dreamworks/Paramount), Fighting (Rogue) and The Informers (Senator) possibly find an audience with X-Men Origins: Wolverine (Fox) and Ghosts of Girlfriends Past (Warner Bros) arriving next weekend followed by, in successive weeks, Star Trek (Paramount), Angels & Demons (Sony), the combo of Night at the Museum 2 (Fox) and Terminator: Salvation (Fox) and Disney/Pixar’s Up?

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Charles Winecoff

The Streisand Effect – or People Who Don’t Need People

by Charles Winecoff

I have a confession to make: when I’m alone in my car – or in iPod isolation – I sometimes listen to Barbra Streisand.  And I’m neither a big fan of pop music nor of the current state of liberalism – the cushy, comfy, groupthink kind with which Streisand has become closely linked in recent years.  But I’m getting ahead of myself.

Whenever I’m feeling a little down, Streisand’s rousing, patriotic rendition of “Before the Parade Passes By” (from the Hello, Dolly! soundtrack) is the next best thing to shooting up a Diet Rockstar.  The movie may be deadly, but that track is classic Barbra: starts out quiet, plaintive, then slowly builds to an almost militaristic crescendo of chorus, trumpets, beating drums – and Babs, screaming her head off above it all with a heroic, never-ending high note that sounds like a war cry.

I know - that’s so gay.  But for me, the song is musical comfort food – and proof of the power of the human spirit: a rusty Main Street USA antique, shined up and brought back to life by a disadvantaged ugly duckling from Brooklyn, with a voice straight from God, who beat the odds.  That’s when Streisand was still one of a kind.

But that was 1969.  This is now.  Today, “Before the Parade Passes By” would probably be called something like “Whenever the Trans-Cultural Community Gathering Happens to Reconvene.”  And it would probably be sung by Sheryl Crow. (more…)

Chris Stigall

Remember When SNL Was Funny? (Obama Ushers in New Era of Comedic Irresponsibility)

by Chris Stigall

Everyone knows the old axiom about comedy.  There’s always a grain of truth in that which an audience finds funny.  Done well, comedy can make you squirm with its raw honesty.  It has the power to inform our perspectives about politics and news just as any good journalist.  Comedy helps provide insight into human flaws just as any good psychologist.   Often self-deprecating and socially awkward, comedians themselves will deny their impact.  Most comedians and writers prefer to think of themselves as lovable class clowns laughing on the outside, crying on the inside.  Just as former NBA star Charles Barkley once famously proclaimed he was no role model, many in the funny business will dismiss their impact in the hearts and minds of their audience.

Modesty, however, cannot dismiss a growing body of evidence that suggests comedians possess greater power than ever before when shaping the national debate.   Notably in the last decade, television comedy has amassed an influence in politics to such and extent; nary a high profile politician can ignore its impact and resist the pull to participate.   Numerous studies have been conducted through the years analyzing the staggering impact of comedy in the opinions and perceptions of its audience.  The power is particularly significant with the country’s attention-short youth.  (more…)

Andrew Breitbart

My Real Time With Bill Maher

by Andrew Breitbart

To view video of Andrew Breitbart on HBO’s “Real Time with Bill Maher,” taped Friday, March 13, 2009 click here.

This week’s Washington Times column:

Pretty much everyone I respect in media and politics recommended I not go on HBO’s “Real Time With Bill Maher.” But on Friday night, I defied that wisdom and had the time of my life.

I sparred with Mr. Maher, Georgetown professor Michael Eric Dyson and a MoveOn.org audience from hell that booed my sentences before they were completed. Unfortunately, my wife and in-laws, who watched from the green room, were not as enamored with the experience as I was.

Since the salad days of ABC’s “Politically Incorrect,” which minted countless right-wing pundits and best-selling authors, conservatives have rightly assessed the HBO version of the Maher show as R-rated and shockingly hostile to their worldview. So most opt out.

I totally see why. But I think that’s exactly the wrong strategy.

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Alexander Marlow

South Park Goes Where SNL Refuses

by Alexander Marlow

Tonight is one of the best nights of the year: The premiere of the 13th season of “South Park.”  I consider myself one of America’s foremost “South Park” scholars and if I had to sum up the reason I love the show, it would be this: it spares no one.  Take last season’s “About Last Night…” episode about Obama’s electoral victory–Obama, Palin, McCain, McCain supporters, and Obamaites are all evenly trashed.  In South Park, satire trumps politics.  Since 1997, “South Park” has been America’s safest bet for the splendid fusion of irreverence and insight.

They took up that mantle from “Saturday Night Live,” which now offers us neither. (more…)

Steve Mason

Oscar ratings up 11% and up over 14% with the coveted 18-49 demo!

by Steve Mason

Good news for the Motion Picture Academy. Despite the fact that the five Best Picture nominees had combined to gross less than $300M domestic by showtime, Oscar ratings were up considerably from last year’s all-time low. Early numbers show that the ABC telecast scored a 27 share, surging by 11% overall and by over 14% with TV’s “money demo” 18-49s. Compare that to last year when the show was down 25% in households from 2007 and down 30% among 18-49s.

The credit should go to producers Lawrence Mark and Bill Condon, although I can see why the streamlined show is a bit of a Rorschach test for viewers. If you love movies, and especially actors, last night’s show was respectful and enlightening. If you are inclined to dislike awards shows and actors, then the telecast would be pretty dreary.

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Steve Mason

Hollywood embraces the “chick flick” – NOT THAT INTO YOU and CONFESSIONS OF A SHOPAHOLIC are only the two latest successes!

by Steve Mason

Hollywood execs seem to be waking up to the power of women at America’s multiplexes. The success of He’s Just Not That Into You (Warner Bros) and this weekend’s Confessions of a Shopaholic (Disney) can be traced to Meryl Streep’s witty riff on the tyrannical Anna Wintour in The Devil Wears Prada in the summer of 2006. Prada opened to a $27.5M weekend on its way to a $124.75M domestic cume (Streep also earned an Oscar nomination).


Then in July of 2007, New Line grabbed an almost identical $27.47M with the opening weekend of the female-skewing Hairspray, translating to $118.87M domestic. Also Enchanted, starring Amy Adams, was a hit for Disney over the holidays reaching $127.8M domestic.

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