Hollywood has learned something effective about conservative women: If you play them convincingly enough to left-wing stereotypes, people will believe that the caricature is the real deal. We saw this with Tina Fey’s portrayal of Sarah Palin where so many young people actually seem to believe Palin said she could see Russia from her house.

Expect to see a similar nasty portrayal by Julianne Moore in HBO’s “Game Change.” Moore confesses that it was hard to find a good side to Palin, and the miniseries is candid that her ambition outstrips her capacity. Hollywood knows well that you only get one opportunity to introduce these figures of national or international import, and they intend to make it bad impression on their behalf.

So it is with Lady Thatcher in “The Iron Lady,” whose creators have ridiculously compared Meryl Streep’s Thatcher to a modern-day King Lear in their disgusting attempt to dance on Thatcherism’s memory.

“Iron Lady” producer Harvey Weinstein, director Phyllida Lloyd and screenwriter Abi Morgan are engaged in a caricature of conservatism, through a caricature of Lady Thatcher and all those around her. Weinstein has even claimed that Thatcher is a “social progressive,” as if being pro-choice, pro-gay, and pro-national health service were all there were to Thatcherism.

Alas Weinstein and Streep never show us Thatcher’s considerable economic and political successes, preferring to spend two-thirds of the film luxuriating on her old age. This is as fictional as it is slanderous. We simply do not know how Lady Thatcher is doing because she has lived a life far removed from the press.

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Democrats rallied ’round Vice President Al Gore in 2000 even if Captain Global Warming was as dull as a power point presentation.

Now, looks like comedians are prepping the Dull Card to play against potential presidential candidate Mitt Romney.

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Tina Fey and Jimmy Fallon both played the card – hard – Tuesday during a skit on Fallon’s NBC “Late Night” program.

The bit involved a game show segment where the participants had to imitate famous people. For Michelle Obama, Fey started flexing her arms – Fey’s partner thought she was doing the Hulk. Ha ha.

When Fey drew Romney’s name, she said, “This is a really boring Republican guy who might be president.” Later, when the game required only visual clues, Fallon started moving stiffly, like a robot politician motioning to an unseen crowd.

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The hardest person to shop for on your Christmas list can usually be placated with the right book or CD.

Yes, people still buy those shiny silver disks, especially since it’s hard to wrap up a digital file and stuff it in a stocking. With that in mind, here are some recent book and music releases which could be just the right gift this holiday season.

BOOKS

• “Arguably” by Christopher Hitchens – The great writer may be battling cancer, but his rapier wit remains unchanged. “Arguably” assembles some of his thoughtful essays for easy consumption.
• “Pauline Kael: A Life in the Dark” by Brian Kellow – Conservatives may know Kael best for her infamous quote regarding President Richard Nixon’s re-election vote tally, but for movie buffs Kael’s prose represents a thoughtful, albeit typically left-of-center, voice.

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To understand if a person or group is on the left or the right, look no further than what outrages them.  If you’re offended by how much tax revenue is squandered year after year, you’re probably on the right; if you are ticked off at the “rich” for not paying their “fair share,” you lean left.  If you have a strong urge to kill or capture evildoers around the world, you’re likely conservative; but if you’re irate that detainees might be water-boarded, safe money is you’re lefty.  If you drive home in your Toyota Prius to pop a Big Pharma-produced Lexapro that gives you just enough vitality to take your ungrateful kids to the Starbucks for a Java Chip Frappuccino®… only to lecture them on the evils of the corporations once you get there, there’s a good chance you’re left-wing.  But if you love capitalism… you get my point.

What inspires your ire tips your hand–politically speaking–and a sanctimonious editorial on Tracy Morgan in yesterday’s Los Angeles Times tells you all you need to know about the staff of SoCal’s leading paper.

For those of you who dropped out of society for the past week, the synopsis is that during a stand-up comedy routine in Nashville, Morgan, of “SNL” and “30 Rock” fame, joked that he would stab his son if he used a “gay voice.”  Word got out and all hell broke loose.  The twitterverse was outraged, celebrities clamored to condemn the comment, and Morgan eventually delivered the obligatory pandering over-apology replete with a commitment to partner with America’s most ironically named advocacy organization: GLAAD.

The story is a social justice cliché.

The courageous editors at the Los Angeles Times joined the fray yesterday, unloading a bold op-ed stating Morgan had crossed the line: (more…)

That chill wind Hollywood liberal Tim Robbins warned about is indeed blowing and every stand-up comic and performance artist should be worried. However, it isn’t coming from some frustrated, prudish Christian right winger. It’s coming from the open-minded, diversity embracing, tolerant other side of the aisle. Free speech is just a concept that was rejected at the pitch meeting. Artistic expression isn’t for the less enlightened. Tracy Morgan is now officially under reeducation by the Hollywood left.

In case you missed it, here is the back story: Tracy Morgan, stand-up comic and one of the stars of the NBC hit sit-com “30 Rock” was busted doing a stand-up routine at the Ryman Theater in Nashville. Unlike back when St. Lenny was being busted the cops didn’t rush the stage and drag Mr. Morgan off. No, a single audience member got offended and reported Mr. Morgan to “the authorities” through Facebook.

The verboten topic was lack of empathy for homosexuality. The “authorities” are the liberal media. A gay man in the audience, Kevin Rogers took offence and wound up on CNN chatting about how horrible the show was.

I wasn’t there and I doubt there is a recording or transcript but from reports the “bit” was pretty raw. What I have read and seen on the Internet is that Mr. Morgan was doing a rant where he imagined his son came home and announced he was gay. Mr. Morgan said if that happened he would stab him.

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The Presidential race is on. We’ve already seen the first Presidential Debate, and political comics are chomping on the bit. For the past three years, political correctness has forbidden Presidential humor, so when Fox News announced the first Republican debate, “Saturday Night Live couldn’t” resist the urge to satire.

Unfortunately, their enthusiasm might have caused them to jump the gun. Since last Thursday’s GOP debate was devoid of A-list candidates, “Saturday Night Live” didn’t have any solid characters to parody. So rather than make the late night ensemble work, the writers just fictionalized a debate between the more famous undeclared candidates; using characters they will probably be able to recycle during the upcoming campaign.

It was like watching a focus group, each actor trying out catch phrases they hope to use over the next year and a half. They even had Keenan Thompson resurrect his Jimmy “Rents 2 Damn High” McMillan character (personally I would think they could have gotten the real Jimmy McMillan, at or below AFTRA rates, which would have had the added bonus of making the skit funny). (more…)

Though they claim that Tina Fey’s harsher Palin jokes were cut due to time constraints for the television broadcast of the Mark Twain Humor Prize, the editorial team at Big Hollywood still felt it was important to post this story as an opportunity to reassure PBS that if the decision to axe those particular jokes was in any way made to avoid a controversy involving conservatives, they shouldn’t have bothered.  

Conservatives are neither Muslim extremists who will take your head, bitter, humorless, Soros-funded leftists who will harass you until you fire someone, or neo-fascists who have decided to label humor aimed at us as bullying. We might pray for you or write a blog post about the stupidity of funding you with taxpayer dollars (we’ll do that anyway), but that’s about as hard as we roll.

WaPo:

Tina Fey got a little political airbrushing from PBS Sunday night during its annual broadcast of the Kennedy Center’s Mark Twain Prize for American Humor. …

“And, you know, politics aside, the success of Sarah Palin and women like her is good for all women – except, of course –those who will end up, you know, like, paying for their own rape ‘kit ‘n’ stuff,” Fey said. “But for everybody else, it’s a win-win. Unless you’re a gay woman who wants to marry your partner of 20 years – whatever. But for most women, the success of conservative women is good for all of us. Unless you believe in evolution. You know – actually, I take it back. The whole thing’s a disaster.”

But that’s not what viewers heard when PBS and WETA (channel 26) broadcast an edited version of Fey’s speech on Sunday. The part about rape kits and evolution was gone, leaving only Fey’s more harmonious — and blander — comments about Palin and politics[.]… (more…)

By now, you’ve probably heard about what Politico is billing as a potential “October surprise” – a “Rally to Restore Sanity,” planned for October 30th on the Mall in Washington and hosted by the brilliant comedians Jon Stewart and Stephen Colbert.

The day before Halloween? I’m sure it’ll be a solemn occasion, where people intend to reflect upon the real problems that face our nation, dressed up in costumes mocking conservative movers and shakers like Sarah Palin and Glenn Beck. In fact, I can just imagine the oh-so-clever people who will be dressed up like Christine O’Donnell as a witch. (Funny, isn’t it, how when a conservative admits to “dabbling” in something like witchcraft as a teenager it’s a big scandal, but progressive, leftist PC dictates that we should be sensitive to the beliefs of those who declare themselves pagans and Wiccans.)

Jon Stewart and Stephen Colbert – your hosts

Oh, but I’m being cynical. The Comedy Central guys don’t really “mean” anything by the whole thing. It’s just a big joke, doncha know:

“We’re not provocateurs, we’re not activists; we are reacting for our own catharsis,” Stewart tells [New York magazine's Chris] Smith. “There is a line into demagoguery, and we try very hard to express ourselves but not move into, ‘So follow me! And I will lead you to the land of answers, my people!’ You can fall in love with your own idea of common sense. Maybe the nice thing about being a comedian is never having a full belief in yourself to know the answer. So you can say all this stuff, but underneath, you’re going, ‘But of course, I’m f*cking idiotic.’ It’s why we don’t lead a lot of marches.” (emphasis mine)

Perhaps that’s why the Comedy Central overlords have asked Craig Minassian, former Clinton administration press aide who is now a consultant to Comedy Central, and Chris Wayne, a former Clinton White House event organizer who works on large-scale media events and promotions, to help them file their permit for the October 30th event. But I’m sure they won’t be helping them actually run the event… (more…)

Levi Johnston cozies up to Kathy Griffin – like she really cares…

So: Levi Johnston has come out and apologized publicly for slandering Sarah Palin and her family. He told People magazine:

“Last year, after Bristol and I broke up, I was unhappy and a little angry. Unfortunately, against my better judgment, I publicly said things about the Palins that were not completely true. I have already privately apologized to Todd and Sarah. Since my statements were public, I owe it to the Palins to publicly apologize.”

Johnston wasn’t specific about what it was that he said that was “not completely true,” but he asked Sarah and the rest of her family to accept his “regrets and youthful indiscretion.” However, we can speculate that he may have been referring to a comment made in an interview with Barbara Walters that “she knows what I got on her.” Or perhaps it was his claim that Sarah referred to her youngest son Trig “the retarded baby” and that her marriage was falling apart. Then again, it could be his accusation that she left her post as Alaska’s governor in order to cash in on her fame. “She had talked about how nice it would be to take some of this money people had been offering us and you know just run with it, say ‘forget everything else.’” (more…)

Tina Fey returned to SNL last night to reprise her Sarah Palin character. Watch it here:

Fey and SNL’s caricature of the former VP candidate did some serious damage to Palin’s reputation and thus the McCain campaign in 2008, but if these stale punchlines are the best they can offer in 2010, maybe they should have just kept this character retired.

Jokes tend not to be as funny when it’s obvious the comic holds his/her subject(s) in contempt. There’s a fine line between “jokes” and “insults,” and when mean-spirited jokes aren’t funny, then they’re just… mean.

In 2008, SNL was able to affect the Presidential election with provocative original satire; you could debate what was in their messages, but not that the messages were delivered effectively. Now they’re just piling on with dated Palin-is-dumb jokes (such as a winking joke, a writing on hand joke, a death panel joke, a Katie Couric interview joke…). Yawn. Fake Sarah Palin has lost her edge.

Nearly every long-term couple hits some rough patches – periods in time where they lose their once-boiling attraction for each other and perhaps even forget what they loved about their partners in the first place. Phil and Claire Foster, a suburban New Jersey couple with two young kids and utterly boring careers, are a perfect example of this marital ennui.

In the new action-comedy “Date Night,” the Fosters (played by Steve Carell and Tina Fey) get a chance to break out of their rut in a big way when they pretend to be a couple called the Tripplehorns in order to snag a table at the hottest new restaurant in New York City. Before their meal is even over, two dirty cops (Common and Jimmi Simpson) have forced them into a back alley and threaten to kill the Fosters because the cops truly believe they’re the Tripplehorns and that the Tripplehorns are in possession of a very incriminating and valuable flash drive.

This case of mistaken identity leads the Fosters into the craziest night of their lives, one in which they’ll engage in a spectacular and hilarious car chase (frankly, one of the best ever staged on film), gunfights, break-ins, burglaries and even stripping (don’t ask) en route to rekindling their spark and realizing they have far more adventurous sides than they’ve ever realized. (more…)

The era of Reagan is over.

No, I don’t say that in the same way that RINO’s say it in an attempt to move towards the center and line their Brooks Brothers’ pockets. I say it in that the political landscape today has changed drastically and we need to do more than look to one transcendent figure as the leader of the conservative movement. Future generations will be won on the cultural front, and never through “politics.” Politicians are boring, plus they smell funny.

Say what you want about leftists; Sure they act a little crazy, wear pointy shoes and spit when they talk, but they are incredibly effective with planting cultural seeds. Avatar, plants a seed. Family Guy, plants a seed. SNL plants a seed. All of Comedy Central plants seeds. On the flip side, the sad fact of the matter is that conservatives have planted little to nothing in the cultural landscape. (more…)

Tina Fey recently won an Emmy for her uncanny resemblance and venomous impersonation of Republican Vice Presidential nominee Sarah Palin.  In accepting her award, Fey was her typical, obloquious self saying, “Mrs. Palin is an inspiration to working mothers everywhere because she bailed on her job right before Fourth of July weekend. You are living my dream. Thank you, Mrs. Palin!”

2008 marked a departure from the memorable, more cordial years of Chevy Chase as a clumsy Gerald Ford or Dana Carvey’s hilarious H.W. Bush: “wouldn’t be prudent.”  Fey was downright mean.

For her part, Palin was an easy target — a conservative woman and mother. And seemingly abhorrent to Fey and friends, Palin had small town values, a small town family and — as Fey chafed on Palin’s world view — “I can see Alaska from my house.”  The impersonations were sometimes funny, but more often foul.  ”I believe marriage is meant to be a sacred institution between two unwilling teenagers…,” Fey roasted during one of the skits… an innuendo on Palin’s pregnant, unwed daughter.  Her satire strayed from the issues into catty, sexist territory — intellect, pregnancy, family attacks and even sexual riffs. (more…)

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This week’s Washington Times column:

What a shock that Maureen Dowd devoted her New York Times column Sunday to attack Sarah Palin. It did not so much criticize Alaska’s governor for prematurely stepping down from her official duties as to finish off what sister snipers Katie Couric and Tina Fey began last fall.

The assassination of Sarah Palin – by media.

For those who didn’t pay attention, Mrs. Palin’s unexpected stratospheric rise as a national political figure threatened the media’s preordained presidency of Barack Obama.

In light of how the Obama machine took down Hillary Clinton, which unsettled many feminists who believed 2008 was their time, many who saw sexism at play – the destruction of an ascendant Republican female icon was an urgent imperative for the Democratic Party. (more…)

In my Final Weekend Tracking column posted on Wednesday, I predicted that X-Men Origins: Wolverine (Fox) would reach $92M on opening weekend, despite soft reviews (now only 38% Fresh on Rotten Tomatoes). My first fearless forecast of the 2009 summer blockbuster season appears to be close to dead-on (missed by only 5%).

Star-turned-producer Hugh Jackman has scored his second-biggest opening ever and, easily, his biggest as a solo star. Wolverine has mauled the competition with a massive $34.75M opening day (including $5M or so in Thursday midnight sales). That could translate to a 3-day of $86.8M, getting Hollywood’s most lucrative season off to a spectacular start.

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In the 80’s my quest was to see the Letterman show live.  I LOVED his sense of humor. Memorable segments were “the guy under the stairs,” Larry “Bud” Melman, “Fun with Rupert,” and Biff Henderson’s “Map Across America.” I also got a kick out of Dave’s mom going to and reporting on the Olympics as well as her “name that pie” bit on Thanksgivings. My ultimate fav was Dave’s wacky antics with Mujibar & Sirajul.  It was all comic originality; fresh, silly, and sometimes mindless, but really entertaining and funny.

Disappointingly, by the time I finally did see the show in 2004, the bits I loved ceased to exist and most likely had been banished to the “Late Show” archives.  Rather than attending my first show with eagerness, it was just a cheap way to kill an evening during a business trip.  Since I didn’t have a ticket, I knew I’d need to charm my way in.

A friend had told me that to get in the front row they have “audience scouts” outside the theatre looking for people who are attractive, friendly, expressive, and bubbly.  Being an actress I knew how to play that part, so I glammed up and put on my best New York artsy chic and set out to the Ed Sullivan Theatre.  The “audience scouts,” who looked all of about 14-years-old, were out in front waiting for their subjects to approach.  Oh, to be that young making so little money but holding so much power!  Knowing what I must do, I got my “bubble on” and with just the right amount of star stuck enthusiasm I approached one of the 14-year-old keepers of the audience paperwork! (more…)

The great thing about a sequel is that it has a built-in audience. The problem with sequels is that, as the numbers after the title go up, so does the production budget. Very hard to know for sure, but sources have told me that the production budget for X-Men was in the $75M range. X-2: X-Men United may have had a budget of about $110M, while the cost of X-Men: The Last Stand was, in all likelihood, as much as $210M. Why doesn’t it make sense to just churn out X-Men 4?

Look at these numbers.

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Recording superstar Beyonce Knowles is building a bankable resume for herself as an actress with Sony Screen Gems’ Obsessed as the latest title burnishing her resume. Co-starring the excellent Idris Elba (The Wire), this low budget, PG-13 genre pic has scored a far-above-expectations $11M on Friday, and it will likely reach $27.5M for the weekend. That is the best opening yet for the former Destiny’s Child lead vocalist as an above-the-title star, topping 2003’s The Fighting Temptations and Cadillac Records from late 2008.

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

OPENINGS FOR BEYONCE MOVIES
1. Austin Powers: Goldmember – $70.3M opening
2. Obsessed – $27.5M opening (projected)
3. Pink Panther (2006) – $20.2M opening
4. Dreamgirls – $14.1M wide break (after a platform start)
5. The Fighting Temptations – $11.7M opening
6. Cadillac Records – $3.4M opening

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The final weekend of April has never been Hollywood’s favorite release date. In fact, it is generally considered to be among the worst release dates on the calendar. Whatever opens on the final weekend of April gets absolutely crushed by the official start of the summer blockbuster season on the first weekend of May.

The 4 new wide releases and 1 major specialty release set to debut this weekend will face an onslaught of mega-hits over the next month. How can Obsessed (Sony), Earth (Disney), The Soloist, (Dreamworks/Paramount), Fighting (Rogue) and The Informers (Senator) possibly find an audience with X-Men Origins: Wolverine (Fox) and Ghosts of Girlfriends Past (Warner Bros) arriving next weekend followed by, in successive weeks, Star Trek (Paramount), Angels & Demons (Sony), the combo of Night at the Museum 2 (Fox) and Terminator: Salvation (Fox) and Disney/Pixar’s Up?

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