Posts Tagged ‘Theatre’

Stage Right

Enter, Stage Right.

by Stage Right

It was a cold November evening in 1994 when I shut off my television and went to a board meeting of a Los Angeles service organization for theatre owners and producers.  I had just heard the news that for the first time in almost 50 years, both houses of congress would be under the leadership of the Republican party, MY party.  I remember vividly feeling the hope and optimism that for the first time in my life, the Speaker of the House would have the same party affiliation as I had, and my father had. 
 
There was a spring in my step walking to the board room.  In the back of my mind I wondered to myself if I should violate my vow of silence about politics in front of colleagues whom I did not have full faith and trust in.  Surely this sweeping victory signified that it was “ok” to vote Republican.  Surely now I could admit that I had some sympathy for a more center-right perspective on politics.  Yes, I’ll mention it during the wine and cheese portion of the meeting…
 
I opened the door and realized that I was not at a board meeting, I was at a funeral.  Everything but black armbands.  It was silent.  People speaking in hushed tones.  Grim faces.  Not the usual revelry.  And trust me, on any other normal occasion, if you get a bunch of theatre people in one room and open a bottle of wine, a party starts.  Not tonight.  The meeting was quietly called to order and before the president of the board could announce the agenda, a marketing executive from a prominent non-profit theatre in Los Angeles proclaimed:  “Well, I don’t know why we’re even bothering having this meeting since our whole country is going to Hell as of tonight!”.  It was at this moment I realized that I had absolutely nothing in common with ANY of my colleagues. 

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Stage Right

Coffee Is For Conservatives

by Stage Right

The American Theatre world was rocked last year by playwright David Mamet’s confession in the “Village Voice” headlined:  “Why I am no longer a ‘brain-dead liberal”.

Some of us saw it coming.

You need only recall Mamet’s 1992 masterpiece “Oleanna” to see that he was already feeling deeply affected by the left’s intolerant and stifling political correctness and the witch-hunt mentality of sexual harassment manifested by the insidious “hostile environment” charge.  You remember 1992…  the “Year of the Woman”?  The fall-out of the Clarence Thomas hearings?  At the time, NY Times critic Frank Rich (yes, before he was telling us how to run our country, he was merely telling us what plays to see) said at the time:

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