Fifty years ago this month the smartest television show of all time first aired. As a writer, I am a sucker for good writing. “The Twilight Zone,” as  Michael Anton recently wrote in his commemoration at National Review Online, is nothing if not a writer’s show. Modern sci-fi fans, caught up in dazzling special effects and action, lose sight of the fact that sci-fi, in its radio incarnations “X Minus One” and “Dimension X,” and its later television offerings such as “The Outer Limits” and “Doctor Who,” is the plaything of nerd scribes with creative imaginations. The megastars and big-budgets would come later. In the beginning, there were wordsmiths.

It’s telling that “The Twilight Zone’s” recurring character is not an A-list hearthrob but the diminutive, gap-toothed, akimbo-eared Rod Serling, the show’s chief writer. Rocky Balboa’s trainer, otherwise known as that bow-legged villian of Gotham, is the closest thing one gets to an actor associated with “The Twilight Zone.” Even the theme music steals the limelight from the actors.

A few years ago, I purchased the 28-disc “complete, definitive collection” spanning all five of the show’s seasons. I’m on season five, and I generally watch late on weekend nights after imbibing. The benefits to this are twofold: first, my imagination is more malleable then and, second, it enables me to enjoy the episodes a second time around without deja vu. (more…)

Television is often treated like the unloved step-child of the arts.  It’s been called a vast wasteland and worse.  And vast it certainly is.  It’s on all the time and on hundreds of channels, so it’s no surprise that most of it is just awful.  The surprise is how much of it is worthwhile, and I’m not just referring to the artsy-fartsy stuff that shows up on Masterpiece Theatre. 

Of course everyone’s list is going to seem eccentric to other people.  My own is no exception.  For one thing, there have been very popular shows that I never even tuned in.  I’m thinking of “Beverly Hillbillies,” “Bonanza,” “Green Acres,” “Gilligan’s Island,” “Dallas,” “Dynasty,” “Knott’s Landing,” “Peyton Place,” “L.A. Law,” “Six Feet Under,” “ER,” “Chicago Hope,” “CSI,” “Fresh Prince of Bel Air,” “Ally McBeal” and “Sex and the City.”  There were a few I watched once or twice to see what all the fuss was about, but I didn’t care for “Star Trek,” “Picket Fences,” “The X Files,” “Boston Legal,” “Touched By An Angel,” “Monty Python” or “N.Y.P.D. Blue.”  (more…)