[Ed. Note: This is part two of a two-part series. You can read part one here.]

The Noble Redskin, or Blueskin stereotype that James Cameron’s Avatar shoves down historically ignorant sci-fi geeks throats is one of the most damaging myths in our country’s history today. Cameron’s Na’vi are definitely warrior-like and have geographic based clans, the mountain people, the coastal people etc., but there is no mention of previous inter-tribal warfare and inter-culture wounds to mend. The Na’vi are good, noble and courageous while the humans, American type humans at that, except for the scientists are greedy, selfish and bloodthirsty. Michael  Medved’s excellent recent book The Ten Big Lies About America quotes less then politically correct Harvard archaeologist Steven LeBlanc showing that genocides and land raids amongst regional and ethnic groups have always been the norm for native peoples, regardless of ethnicity.

Historian Elliot West’s award winning 1998 book The Contested Plains also points out that inter-tribal warfare before the white man hit the shores of North America claimed many more native lives then warfare between the tribes and Europeans. I guess Cameron’s Na’vi are just so much more evolved then our own real-life historical Indian tribes. That doesn’t even include the good old cannibalistic Aztecs who managed to make more then a few of the neighboring tribes part of their daily menu. Did you ever wonder how Cortez and his small band of merry Spaniards managed to make allies of almost all of the surrounding tribes? It wound up being pretty damn easy to do when the local bully has been using you and yours as a convenient Burger King for the last few generations. (more…)

In yesterday’s post about the third most popular movie star in America today, I referenced 6 John Wayne masterpieces and 12 classics. A few emails resulted asking which films that referred to, so here are the masterpieces ranked in order of masterpiecery.

These films don’t need anyone to defend them and thousands upon thousands of words have already been written about them. What you have here is a few paragraphs about each that focuses on what keeps me coming back time and again.

For the record, “The Searchers,” in my opinion, is the greatest movie ever made and though I don’t think John Wayne is our greatest actor (though, he’s in the top five), I do think his performance as Ethan Edwards is the finest ever captured on film. (more…)

When the lights dim on one of these action thrillers my question is always the same: Is this “300” or “The Kingdom?” Is this what it promises to be, a rousing, exciting, intelligent crowd pleaser true to its themes to the end like “300,” or is this “The Kingdom,” a hundred minutes of dishonest set up all designed to manipulate an emotional investment from you so that the closing, left wing, Big Hollywood sucker punch puts you on your knees?

I bring you glad tidings. Like a gritty, avenge grinder Charles Bronson might’ve made around, oh, 1973, “Taken” is about as satisfying an action thriller as you’re likely to see all year.

What a sad thing to have to say in January. (more…)