Posts Tagged ‘the Rolling Stones’

Daniel Kalder

Super Bowl Halftime Show: Time For Baby Boomers to Release Their Cultural Death Grip

by Daniel Kalder

As I am a foreigner, the first I ever heard about the Super Bowl’s tradition of mid-show entertainment was the now notorious Janet Jackson nipple incident whereby Justin Timberlake ‘accidentally’ unleashed Ms. Jackson’s breast upon millions of unsuspecting Americans. I was living in Moscow at the time and even the Russians were quite obsessed by the role of Ms. Jackson’s mammary glands in a sport none of them played or cared about. 

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Six years later and it is clear that the Super Bowl’s organizers are still terrified of Janet Jackson’s nipple, that it comes to them at night and haunts them in their sleep, threatening to embroil them in scandal and to lose them millions in sponsorship deals. For what else can explain the entertainment decisions made by the Masters of the Bowl ever since that fateful Sunday afternoon in February 2004? 

Let’s take a look at who has played in the years since:  (more…)

Michael S. Rulle Jr.

What the Democrats Can Learn from the Beatles

by Michael S. Rulle Jr.

Forty years ago this week the cover photo for the “Abbey Road” album was taken, representing the final walk of the Beatles as a rock group.

Fourteen days later, on August 22nd, they posed together for a final promotional photo shoot, which was their last appearance together at any Beatles event. Although one more album was released (“Let it Be”), “Abbey Road” was the last album recorded by the band, which was already virtually dissolved as a unit. Yet the album was a great artistic and commercial success. The “Let it Be” album was intended to be released first, but the group did not think it ready. They moved on to record “Abbey Road” and released it on September 26th and October 1st, 1969, respectively, in the UK and the US. The cover photo, fittingly designed by Paul (as he was the only member who had a passion to keep the group together; even as he finally sued to end the partnership), depicts the band’s final crossing of “Abbey Road,” toward their studio home of the prior eight years. Ironically, even bizarrely, convicted murderer and “wall of sound” creator, Phil Specter, did the final mixing in 1970 of several songs on “Let it Be,” almost as an audition. He was not aware there would be no more Beatles, although he did some work for Lennon’s Plastic Ono Band. (more…)