Why does Hollywood seem to despise Roman Catholicism?

Granted, the industry’s antipathy towards religion as a whole, and Christianity in particular, is pretty much a given. But it appears that within this circle, no religion to them is more anathema than Roman Catholicism.

The latest swipe at the world’s largest Christian population, all 1.1 billion of us (plus another 240 million Eastern Orthodox) comes from, surprise surprise, uber-leftist Susan Sarandon. It is interesting that she should accuse Pope Benedict XVI  of being a “Nazi” at this time because I was trying to figure a way to discuss all the good that Roman Catholics have done through incredible acts of bravery and self-sacrifice over the years.

To call the Pope a Nazi because, like all German youths, he was conscripted into the Hitler Youth during the Fuehrer’s reign of absolute power may provide Ms. Sarandon with a shot of self-righteous hauteur she so desperately craves. It also shows a lack of historical understanding that seems to be a requirement if one wishes to join the coterie of far-left fantasy-performer/activists.

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There has been much indignation - and rightfully so - from various parties over the fact that Hollywood is ”circling the wagons” around Roman Polanski, who was finally arrested in Switzerland after being a fugitive from justice for over 30 years for the drugging and subsequent rape and sodomy of a 13-year-old girl despite her pleas to stop – to which he pled guilty, by the way.

An excellent article, which really says it all, is by Kate Harding over at Salon.com – if you haven’t read it yet, you should. She reminds us that Roman Polanski – wait for it – raped a child. I don’t care if the victim, now 45, wants it all dropped because she’s tired of being the focal point of publicity. I don’t care it it’ll be a drain on California’s over-extended budget (how about not footing the bill for the education and medical care for illegal aliens? That’d fix things in a big hurry). I don’t care if she “looked” older than 13, or if her mother was the proverbial stage mother from hell, or if the sky was green instead of blue that day. And I certainly don’t care that Polanski is such a talented director – what WOULD we do without Hollywood to entertain us? – with a troubled past of his own. Many of us have troubled pasts. We don’t all use it as an excuse to do whatever the hell we want just because it “feels good” at the time. (more…)

There is a phenomenon known as “the Oscar bounce.” When a movie receives Academy Award nominations, especially one of the five coveted Best Picture slots, ticket-buyers generally follow. The Oscar seal of approval used to mean something to the rank-and-file moviegoer, but that seems to have changed.

Only one of this year’s Best Picture nominees has inspired any real passion from the broad public. The almost-certain Best Picture winner is Slumdog Millionaire (Fox Searchlight), and its devotees, including critics and members of the Academy (not to mention yours truly), have made it a word-of-mouth smash hit. The Danny Boyle-directed feel-good Bollywood fusion movie made for a meager $14M added another $2.05M or so on Friday and is charting a 3-day course for about $7.4M. That will give the Slumdog a $77.4M take, and it could reach $90M-$95M before it’s through in American theatres.

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