Rebecca Mead on Breitbart’s “Empire of Bluster.” Read the whole thing and make up your own mind. An excerpt:

Conflict also has the useful function of driving traffic to his sites. Breitbart.com is currently looked at by an average of 2.4 million people a month, according to Quantcast.com.

Breitbart considers himself an accidental cultural warrior. “I am not as partisan as people think I am,” he told me, calling himself eighty-five per cent conservative and fifteen per cent libertarian. His conservatism fails him on issues such as the legalization of prostitution, and he sometimes tilts toward favoring gay marriage. “But, when the entire media is structured to attack conservatives and Republicans, there is a huge business model to come in and counterbalance that,” he said.

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On April 14, 1978, the industry trade daily The Hollywood Reporter carried a tiny blurb on an event of outsized historical significance. During the upcoming Los Angeles Film Exposition (today known as The Los Angeles International Film Festival), personnel from New York’s Modern Museum of Art were to visit the west coast and present a ten-picture selection of rarities from its vast archive of cinematic treasures.

Their keystone attraction was Broken Blossoms (1919), a then sixty-year-old silent film. The Museum, as it happened, possessed the only “original tinted nitrate print” known to still exist in the world. This precious and brittle jewel would be projected at the Exposition for the last time, before being tucked away into temperature and humidity controlled storage (from then on, future screenings would use copies of the original). For its last hurrah, this ancient print would be accompanied by a full, live orchestra, like in the old days. And to cement the evening as a particularly notable occasion, the movie’s eighty-four-year-old star, Lillian Gish, “would be presented following the screening.” (more…)

Bruno and “Gayby”

Oh, big city critics loved them some “Borat,” which spent 95% if its screen time manipulating, editing and boiling down average, working class, not-bothering-anyone Americans (and Romanian peasants) into the worst possible caricature imaginable. How they laughed and found genius and insight into the machinated savaging of everyday folks just minding their own business. But listen to some of them squeal and squawk now that the satire is turned on someone other than us. Here’s a sampling:

San Francisco Chronicle: 

Imagine if a white comedian went into the Deep South, disguised in a very convincing blackface and started acting like Stepin Fetchit.

Hollywood Reporter:   (more…)

Most 12-step programs start out by requiring that people understand that they’re powerless over their addiction and that only by turning their lives over to a Power greater than themselves can they be restored to sanity.  Far be it for me to suggest that I am that Power, but clearly someone has to step in and try to rescue these poor liberal souls.  Even the most harebrained among them deserves that much.

First, though, they have to acknowledge that Ted Kennedy, Nancy Pelosi, John Murtha, Dick Durbin, Charles Rangel, Harry Reid and Charles Schumer, are not moderates, but, rather, leftists with a Socialist agenda.  Furthermore, they must recognize that the New York Times, the Washington Post, the L.A. Times, CNN, the three major networks, the news magazines and the New Yorker, are not objective in their reporting of political events, and neither are Chris Matthews, Keith Olbermann and Bill Maher, in their commentary.  If these entities and individuals are not on the payroll of the DNC, they certainly should be.  They certainly put in longer hours than Howard Dean. (more…)