Few franchises have had a steeper fall than the Alien series. In 1992 Alien³ appeared to near-universal derision. James Cameron nailed the essential problem when he said, “[director David] Fincher pissed me off by killing off Newt, Hicks, and Bishop, essentially trashing the entire ending of Aliens in the first few minutes of Alien³.” Absolutely correct. In the place of Cameron’s great characters, Fincher’s film substituted Sigourney Weaver’s wacky desire to have her character die, use no guns, and (in effect) “make love” to the aliens. The result was catastrophic.

And yet is that very different from the disastrous decisions Cameron himself has made since Aliens appeared in 1986? Take his Terminator franchise — the director’s initial script note when first conceiving of the sequel read, “Young John Connor and the Terminator who comes back to befriend him.” Cameron’s buddy and fellow Terminator scribe Bill Wisher remembers that “The idea of a boy and the Terminator seemed real funny to me, and we both had a good laugh about it. But after we finished laughing, Jim looked at me seriously and said this was the story we ought to do.”

For those of us who thought that a Cameron-helmed Terminator 2 would build on the space marine look-and-feel introduced in the first film and perfected in Aliens — in the process bringing the story into that way-cool dystopian future, perhaps with Sarah Connor traveling forward in time to somehow reunite with a still-living Reese and change history for the better — Cameron’s decision to make Arnold the good guy and build the movie around a Hollywoodized moppet was the worst possible outcome.

It wasn’t just the decision to make one of the greatest villains in movie history into a joke that ruined Terminator 2: Judgment Day, it was the simplistic preachiness underlying the plot. Joe Morton, the actor who portrayed the doomed Miles Dyson in the film, recalls that, “[Cameron] told me how Terminator 2 was going to be an anti-nuclear film and that it would show authority figures as the real Terminators. I had read the script and so I remember laughing and telling him ‘Sure Jim. I think kids are going to walk out of the theater after seeing this movie, saying ‘Did you see the way the Terminator shot that guy in the knees?’ But Jim insisted that it would be much more than that.” (more…)

In the video below [click to play], Oscar-winning director James Cameron spills some of the story beats for his long-in-production (four years) “Avatar,” which finally hits theatres this December 18th.  

He wrote the script fourteen years ago, before the technology was available to film it, spent nine years developing the cameras, and is now shooting live action in “Stereoscopic 3D.” Cameron’s shown bits of the film to friends and says they describe the experience as completely immersive, a “dream state … dreaming with your eyes wide open.”

Sounds like an amazing experience awaits.  The story, however, sounds awfully familiar:  Most of the action is set in the 22nd Century in the Alpha Centauri star system on a large Earth-like moon called Pandora … … (sorry, had to let a flash of Nerd Panic pass) … filled with lush rain forests and exotic creatures. A humanoid race, the Na’vi, inhabit the planet. They’re ten feet tall, striped like tigers and sport large tails. They’re also primitive, using bow and arrows to hunt. (more…)