The Point Of A Story

by James Hudnall

At the dawn of mankind our ancient ancestors huddled around campfires and told stories to entertain each other. But the smarter ones realized there was a way to make the stories more effective for the audience. And that was the origin of storytelling technique.

Any artist wants their work to be appreciated. And most artists want to leave a lasting impression. In order to do that, you are either naturally gifted and can do that through your instinctive performance, or you can do it through an understanding of the driving forces that make it happen.

Most people fall into the second category. That does not make them lesser artists. Even the people with natural talent can improve it by honing their craft and learning new tricks.

Where all this falls into the realm of this discussion centers around what I call the point of a story.

Think of it like the business end of a sword. If a sword is dull, it has less a chance to do its job effectively. Of course, most of us writers don’t want to hurt anyone with our work. We want to entertain. Enlighten, if possible. But some have lost track of why they’re doing this. Whether intentionally or not, they are hurting people with their fiction. They are doing harm. Their sword is being put to bad use.

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