Posts Tagged ‘Steve Martin’

John Nolte

Natalie Portman’s Castle and Why the Movie Star is Dead

by John Nolte

One day … ONE day after gushing over how exciting the recession is now that those forced to work jobs they hate or who have lost them entirely can focus on their passions, Natalie Portman bought herself a $3 million castle-like estate.

Natalie, whoever’s advising you … fire them. If no one’s advising you, find someone who doesn’t carry a small dog in their purse or dates someone who does. Look to the real world for help. Look to someone who’s spent a few years in a land where the zip codes don’t start with “9-0.” Someone who cares enough about you and your career to say (without any “Honey, babys”):

natalie-portman-stop-wars

“Nat, past the gates of your community and away from the hills of Hollywood losing your job doesn’t fuel passion, it fuels despair, and working a job you hate is almost as bad because of the big black  permanent ball of dread it plants in your gut. I know you dig Barack, I did too before he targeted my children and health care, but you can’t flak for his recession. That’s what the mainstream media is for. You have to empathize with your audience, build goodwill. Besides, you’re closing on that castle tomorrow, so today wouldn’t be a good time to get all gushy over how exciting Barack’s recession is. And if you do, I quit.” (more…)

Jeremy D. Boreing

Lessons From the Movies: ‘I was born a poor black child.’

by Jeremy D. Boreing

In the comedy classic, “The Jerk,” Steve Martin begins his sad tale with the famous line, “I was born a poor black child…” He isn’t kidding. The film revolves around the life of a pale-skinned, white-haired man who firmly believes he is something he is not, despite all evidence to the contrary. The lie has very little practical value, however, as almost all of his actual behavior is driven by his true nature, not his view of himself. Put simply, no matter how black he believes himself to be, Steve Martin cannot sing the blues.

This is, perhaps, one of the most interesting things about human beings: Our unique capacity for deception. Not the deception of others. Most animals are capable of that sort of deceit. No, it is the ability of man to deceive himself that is so remarkable, and not just the ability, but the proclivity to do it. Like Steve Martin’s character in the film, man seems ever determined to create his own definition of himself based not so much on what he is, but on what he would like to be. This self-image certainly has some effect on what a person does, but strangely, it almost never changes or constrains what they actually are. Despite his efforts to be what he believes himself to be, what he is almost always dominates him. The inner-white-man always emerges if you will. While the human mind seems perfectly capable of believing two mutually exclusive things at the exact same time, it is perhaps only able to consistently act from one of them. (more…)

Leo Grin

At 25, ‘The Karate Kid’ Still Packs a Punch

by Leo Grin

Looking back at The Karate Kid (1984), which turned twenty-five years old this week, a thought keeps recurring.

Wow. . . Avildsen made it work twice.

John G. Avildsen is, in some ways, a director of little distinction when compared with well-known marquee names like Spielberg, Scorsese, Nolan, and Tarantino. The vast majority of his movies are utterly forgotten by the average filmgoer — indeed, he’s been nominated for Worst Director at The Razzies three times. And yet, like Victor Fleming decades earlier with his twin successes The Wizard of Oz and Gone with the Wind (both 1939 — read a great recent article on Fleming here), Avildsen has twice punched way above his weight, netting himself an Oscar for Best Director and giving birth to some of the most memorable moments in motion picture history. (more…)

Kurt Schlichter

Sergeants Rock

by Kurt Schlichter

I just cannot get behind this Star Trek rebirth.  The whole thing is just so unrealistic.  Not the warp speed or phasers or beaming about the universe – those are at least remotely plausible.  I am talking about the fact that the starship Enterprise is composed entirely of officers and yet it still seems to function.  Where are the non-commissioned officers (NCO), the petty officers and sergeants who actually make any military organization run?  No, I can suspend disbelief over Klingons and tribbles, and I actively support the notion of green alien hotties.  But the idea of a functioning military unit without sergeants is just a wormhole too far.


Hollywood movies often focus on the commanders, the captains and colonels, but they have also managed to highlight some great sergeants as well.  When you are picking out DVDs for next weekend, remember that May 16th is Armed Forces Day and consider a few selections that show the sergeant in all his gruff and grumbling glory. 

If you have never experienced the joy of going through basic training and do not plan to, your first stop should be Full Metal Jacket, with R. Lee Ermey’s legendary portrayal of a Marine drill instructor who must have missed out on the block of instruction on sensitivity.  I saw this in the theater about a week before I reported to Basic.  That was a poor idea. (more…)

Steve Mason

Overlooked: The Top 10 Best Performances of 2008 that you may not have heard about!

by Steve Mason

The Academy Awards for 2008 have been handed out, and the “popular kids” have Oscars on their mantles, but the dirty little secret about winning awards is that you’ve gotta campaign for them. Thousands of dollars were spent by the distributors and filmmakers behind Slumdog Millionaire (Fox Searchlight), Milk (Focus Features), The Reader (Weinstein) and other assorted winners and nominees, but not all performances received that sort of big money backing.

I am an unabashed lover of the acting craft. I see virtually every movie, large and small, that passes through the US marketplace, and, taking nothing away from Sean Penn, Kate Winslet, Penelope Cruz and Heath Ledger, not all of 2008’s best performances have been recognized. I’m not going to be obvious here. Clint Eastwood was snubbed for Gran Torino, but he received lots of acclaim for the role including being named Best Actor by the National Board of Review. My goal is to highlight 10 performances from last year that have received virtually no acclaim in the US. Many of these roles can be found in hardly-seen, under-appreciated movies that came and went without much notice. Each and every one of these movies deserve a spot in your Netflix (or Blockbuster) cue. (more…)

Steve Mason

Oscar ratings up 11% and up over 14% with the coveted 18-49 demo!

by Steve Mason

Good news for the Motion Picture Academy. Despite the fact that the five Best Picture nominees had combined to gross less than $300M domestic by showtime, Oscar ratings were up considerably from last year’s all-time low. Early numbers show that the ABC telecast scored a 27 share, surging by 11% overall and by over 14% with TV’s “money demo” 18-49s. Compare that to last year when the show was down 25% in households from 2007 and down 30% among 18-49s.

The credit should go to producers Lawrence Mark and Bill Condon, although I can see why the streamlined show is a bit of a Rorschach test for viewers. If you love movies, and especially actors, last night’s show was respectful and enlightening. If you are inclined to dislike awards shows and actors, then the telecast would be pretty dreary.

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Steve Mason

Studio Estimates: Tyler Perry is the undisputed box office king of Oscar weekend as MADEA GOES TO JAIL grabs a stunning $14.65M opening day for a $41.12M start!

by Steve Mason

Tyler Perry is the king of the Hollywood box office for Academy Awards weekend. Tyler Perry’s Madea Goes To Jail (Lionsgate) debuted with just 2,032 playdates on Friday and scored a monstrous $14.65M for a Per Theatre Average of over $7,000. The final weekend take could be $41.12M.

The box office king....err....queen of Oscar weekend

The box office king....err....queen of Oscar weekend

Although I am not necessarily a fan of Tyler Perry movies, I am a Tyler Perry fan. He traveled the country for years doing live stage shows in order to fine-tune his act, and he identified an under-served audience – African Americans, and more specifically black, Christian women. Now he makes two movies a year, and he has two television series’ on TBS – House of Payne and Meet the Browns. He built a multi-million dollar studio in an under-served area in Atlanta, taking advantage of tax credits for building in a blighted neighborhood. Now he is building a mini-empire. He produces, writes, directs and stars in his projects, and he even helps to finance them.

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Steve Mason

No Academy Award for entrepreneur Tyler Perry, but MADEA GOES TO JAIL should easily win the Oscar weekend box office battle!

by Steve Mason

Filmmaker Tyler Perry, with Oprah Winfrey as a role model, has consistently outsmarted Hollywood moguls since his debut feature Diary of a Mad Black Women. That Gospel-infused “fat-suit-in-drag” comedy was made for a mere $5.5M and scored an opening weekend of $21.9M, ultimately generating $50.6M in domestic sales.

The entrepreneurial spirit is alive and well with Tyler Perry

The entrepreneurial spirit is alive and well with Tyler Perry

At only 39, Perry is building an empire. He officially christened Tyler Perry Studios last October in Atlanta with a star-studded event. The multi-million dollar project is a sprawling 30-acre working production facility in southwestern Atlanta, and the opening night party featured appearances by legendary African American actors like Sidney Poitier, Cicely Tyson, Ruby Dee, Lou Gossett, Jr. and Will Smith.

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Steve Mason

Hollywood embraces the “chick flick” – NOT THAT INTO YOU and CONFESSIONS OF A SHOPAHOLIC are only the two latest successes!

by Steve Mason

Hollywood execs seem to be waking up to the power of women at America’s multiplexes. The success of He’s Just Not That Into You (Warner Bros) and this weekend’s Confessions of a Shopaholic (Disney) can be traced to Meryl Streep’s witty riff on the tyrannical Anna Wintour in The Devil Wears Prada in the summer of 2006. Prada opened to a $27.5M weekend on its way to a $124.75M domestic cume (Streep also earned an Oscar nomination).


Then in July of 2007, New Line grabbed an almost identical $27.47M with the opening weekend of the female-skewing Hairspray, translating to $118.87M domestic. Also Enchanted, starring Amy Adams, was a hit for Disney over the holidays reaching $127.8M domestic.

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Steve Mason

What Recession? Biggest President’s Day Weekend in Hollywood History as FRIDAY THE THIRTEENTH scares up $19.3M Friday and has a stab at $47M for 4 Days!

by Steve Mason

Although America is suffering through its worst economic downturn since the Great Depression, there is no recession in the movie business. Led by the Warner Bros reboot of Friday the Thirteenth and a couple of surprisingly strong chick flicks, Hollywood’s top twelve grossing movies may grab a combined $201.5M over the long President’s Day weekend holiday, which marks an all-time best for the annual 4-day movie-going bonanza.

TOP GROSSING PRESIDENT’S WEEKENDS FOR HOLLYWOOD
- combined gross of top 12 films -
1. 2009 – $201.5M (estimated)
2. 2007 – $167.8M
3. 2008 – $141.1M
4. 2003 – $141M
5. 2005 – $137.1M

Director Marcus Nispel (2003’s Texas Chainsaw Massacre remake) and the Platinum Dunes production company have gotten the all-new Friday the Thirteenth off to a spectacular $19.3M opening day. That could translate to a well-above-expectations $47M by Tuesday morning. The new Jason restart quickly follows the Platinum Dunes success of The Unborn, released on January 9 to a $19.8M 3-day take. That David D. Goyer written and directed genre pic was made for just $16M, and The Unborn has generated an estimated $42M in the US.

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Steve Mason

Does Jen sell more tickets than Brad? – HE’S JUST NOT THAT INTO YOU easily wins the weekend with $27.4M 3-day!

by Steve Mason

The Drew Barrymore-produced romantic comedy He’s Just Not That Into You has made the jump from catch-phrase to self-help book to movie hit. With an all-star cast this classic ‘chick flick” appears to be winning the weekend after posting a spectacular $10.5M in opening day ticket sales. That should mean a 3-day start of $27.4M or so, easily out-pacing holdover Taken (Fox) and three other new wide releases. With this kind of opening, Not That Into You could reach almost $60M by the end of next weekend (a 4-day Presidents/Valentine’s combo), which would forecast a potential $90M in US ticket sales.


The new movie developed by New Line and now released by Warner Bros is based on the book of the same name co-written by former Sex & the City scribes Greg Behrendt and Liz Tucillo. The line itself has come to be a reassuring fallback for women in the dating scene (and I’m guessing single guys have adopted the mentality as well in the rough-and-tumble world of dating).

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Steve Mason

America appears “into” HE’S JUST NOT THAT INTO YOU with PINK PANTHER 2 a likely second; Not much pull for PUSH!

by Steve Mason

After a spectacular $1 billion dollar-grossing January for the movie industry, Hollywood trots out four new titles for the first weekend of February. The first month of ’09 was nothing short of spectacular, featuring nine releases with 3-day openings of $17M or better led by Paul Blart: Mall Cop ($31.8M) and the wide break of Gran Torino ($29.5M).


According to industry tracking, it looks like the new Warner Bros romantic comedy He’s Just Not That Into You will win the coming weekend. The early reviews are coming in a bit lukewarm (42% Fresh on Rotten Tomatoes), but it doesn’t matter especially. Awareness is high and Definite Interest and First Choice numbers are exceedingly solid, especially among women.

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