Chris Crocker has nothing on most Che Guevara fans. His anguish in “Leave Britney Alone!” pales to what I’ve seen and heard from “hecklers”during many college lectures. The more painstakingly-documented the facts I discharge into the fog of ignorance that blankets many campuses, the more shrill and anguished comes the reactions, often from faculty! 

Facts matters little to diehard, teen-beat type Castro/Che fans. Many “document” their rebuttals to my blasphemies with scenes from Godfather II, that famous documentary on pre-Castro Cuba. “Fidel, I love you,” gushed a young Francis Ford Coppola. “We both have beards. We both have power and want to use it for good purposes.” Not that such sentiments could have possibly flavored his masterpiece. 

To depict Havana streets on New Year’s Eve 1958, Coppola cast more people than stampeded through a battle scene in Braveheart. For what it’s worth, Havana streets were deathly quiet that night. Not to be outdone, in his Havana, Sydney Pollack cast Cuban President, Fulgencio Batista, with light skin, blond hair and blue eyes. The late Cuban-exile novelist (and screenwriter for Andy Garcia’s The Lost City) Guillermo Cabrera Infante, later bumped into Pollack at a Hollywood party where the learned director flinched and went red-faced when a laughing Cabrera informed him that Batista was, in fact, a Black.  

“But these are merely movies, Humberto,” Some might counter. Yes, fine. But Pollack boasted of his knowledge of Cuba, often visiting Castro’s fiefdom starting in 1977 and even meeting with Fidel Castro himself.  (more…)

Given the huge advertising and publicity push, plus the presence of star actor Matt Damon (Bourne spy film series) and star director Steven Soderbergh (Ocean’s series of heist films), I thought The Informant! had a good chance to win the box office sweepstakes during its opening days this past weekend.

I considered that a potentially baleful eventuality, considering that the new comedy seemed likely to be very anti-business, given the scenes shown in the trailers and the presence of politically active Damon and Soderbergh (director of Che, which lionized the Cuban Marxist revolutionary). I haven’t seen it yet, and so will reserve judgment on that score, but perhaps it makes sense that although The Contender did better than expected, it was clobbered by the animated comedy Cloudy with a Chance of Meatballs. (more…)