In the well-known 1980’s film “Ferris Bueller’s Day Off,” Mr. Bueller famously says, “Life moves pretty fast. You don’t stop and look around once in a while, you could miss it.” That line could refer to the death of John Hughes who wrote and directed that film and who died last week at the young age of 59. However, that line could also refer to some of the themes from some of Hughes’ most well-known and iconic films that are still loved by many today.

Admittedly, I have not seen every John Hughes movie. Before his passing, though, I had seen only a few of his most well-known pictures like “The Breakfast Club,” “Ferris Bueller’s Day Off,” and “Home Alone.”  Last weekend, after the death of Hughes, I watched two of his other well-known movies, “Pretty in Pink” and “Sixteen Candles,” for the first time in commemoration of his death and to see why these films had such an effect on the young people of the 1980’s.

Because I was not a teenager during the 80’s, I did not have the opportunity to watch Hughes’ movies during the decade that Hughes helped define for so many young moviegoers. I was a child of the “Home Alone” era, not a teenager of the “Breakfast Club.” (more…)

Without John Hughes, would there have been a 1980s? The filmmaker and screenwriter died of a heart attack while walking Thursday in Manhattan. For the uninitiated, he wrote National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Pretty in Pink, Weird Science and Ferris Bueller’s Day Off–directing several of those films as well.

Memories of Hughes’s films are as likely to be audio as visual: The Psychedelic Furs, The Smiths, and Simple Minds were among the acts introduced to a wider audience through Hughes’s sonically-savvy films. (more…)

1. Planes, Trains and Automobiles (1987) - The hardest I have ever laughed in my life. There I was in the theater; bent over, my feet off the ground, convulsing and gasping for air. As a stand-alone, the scene’s funny, but Hughes meticulously uses everything that came before as a perfect set up to create an epic comedic moment. It’s so well-crafted that no matter how many times you watch, the laughs don’t diminish. A true classic in my book, alongside the Marx Brothers, Preston Sturges and Billy Wilder. (Runner up: “Those aren’t pillows!”)

P.S. I miss John Candy. (more…)

It’s odd to consider which celebrity death will hit you the hardest. Michael Jackson’s bizarre and untimely passing certainly floored people around the planet. But for me, it’s this morning’s passing of John Hughes while he was walking in New York City at the also-far-too-young age of 59 that has hit me like a ton of bricks. 

Just last night, I went through my DVD collection and stacked up all the movies I own of his, and was planning to spend the next week watching them whenever I had a spare moment. Just thinking of the titles brought back 25 years’ worth of memories, from “Sixteen Candles” to “Ferris Bueller’s Day Off,” and from the three Chevy Chase “Vacation” movies to the immortal holiday classic “Planes, Trains & Automobiles.” 

“Pretty in Pink”

These weren’t just movies to me, and to many others in my generation and the ones since. They were touchstones of our lives, that freeze-framed moments and memories both of the times we watched them and the amazing way in which they seemed to shine a light on our existence. And in particular, one character and one movie of John’s shaped my entire showbiz career ambitions. 

“Pretty in Pink” is the movie that made me want to write movies and led me to idolize John Hughes as a movie god ever since. Why? Well, I used to have a crush on Molly Ringwald but I got over that – especially when I met her for about two seconds last fall and she blatantly tried to keep it at two seconds. (Rude!)  (more…)

Iconic filmmaker John Hughes is dead of a heart attack at 59.

Anyone who came of age in the 80s and early 90s can’t help but remember the John Hughes era thanks to the many, many hours of warm, hilarious and unforgettable memories that sprung from the great man’s Midwestern mind.

John Hughes: 1950-2009

As producer, writer and director, Hughes created timeless stories that teenagers and parents alike will continue to discover a hundred years from now. Rich in universal theme, populated with lovable, relatable outcasts, and told by a creative genius who understood us and never talked down to us, John Hughes enjoyed nearly two decades of Hollywood success before retiring to private life in Chicago sometime in the 90s.

Long before today, we were missing John Hughes. (more…)