When Big Hollywood correspondent Patrick Courrielche exposed the infamous NEA Conference call, where members of the NEA staff and the White House encouraged artists to use their talents in promoting causes that were closely associated with President Obama’s aggressive, left-wing agenda, apologists and defenders on the left and in the media began to parrot the Administration’s defense as if it were Gospel Truth.

The most linked-to and referenced defense came from Ben Davis at the well-respected artnet Magazine.  After spending many paragraphs attacking Patrick and questioning the nefarious motives behind his unforgiveable act of betrayal (I’m not referring to Patrick recording the conference call, the real betrayal was Patrick appearing on “The Glenn Beck Show”), Davis goes on to repeat the Obama talking point:

This notorious conference call, in other words, was essentially a pitch for artists to make glorified PSAs about volunteer work. As far as I can tell, the truth is exactly the opposite of the ominous attempt to yoke artists to the Obama Agenda that critics suggest; if anything, the call was an effort to take the inspiration for radical change that led many creative types to vote for Obama and channel it into low-level, local activism.

This article has been rallied behind and taken as the final word on the subject as far as the left-wing blog world is concerned.  Only problem:  it’s spin and obfuscation.  First, through the Freedom of Information aAct, Courrielche further proved that artists responded to the call with tangible, policy-oriented ideas that went way beyond a call for volunteer work. (more…)

Which network was it that was accused of broadcasting opinion journalism masquerading as news? 

On Friday, during the “CNN Newsroom” hour, the network broadcast a story of the White House’s use of Hollywood to promote national service. Your humble Big Hollywood contributor was interviewed for this “news” segment. 

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Their conclusion: 1) promoting volunteerism is a pretty benign message, and 2) Presidents throughout history have also promoted volunteerism so this White House Hollywood effort is nothing new. 

After coming to these two conclusions, the host Rick Sanchez asked the reporter Brooke Anderson, “What is the threshold then…at what point do we get past that slippery slope when now we’re going to be taking orders from the Commander-in-Chief and we in Hollywood have to be the ones that deliver that order?”  (more…)

Service to our nation is a noble effort, which is why some may view Serve.gov in a good light. How could anyone think that promoting national service is a bad thing? 

Well, when our government uses “service” as a mechanism to keep their volunteers active in government, it is not so noble. 

I claimed last week that the White House Office of Public Engagement’s rationale for promoting service was to keep Obama’s campaign volunteers active. I also claimed that the White House was using Serve.gov to manage those volunteers and as a mechanism to acquire new volunteers for their use. To support that claim I referenced a statement from Buffy Wicks, Deputy Director of the White House Office of Public Engagement, on the now infamous August 10th conference call. Wicks explained to the call participants, an arts group that worked on Obama’s 2008 election campaign, the White House’s rationale for using service:  (more…)

“It may be the Devil, or it may be the Lord. But, you’re gonna have to serve somebody.” – Bob Dylan

“Rule #7: A tactic that drags on too long becomes a drag.” – Saul Alinsky, Rules for Radicals

For a presidential candidate to dispatch his agents of Change® to recruit artists & entertainers into his campaign is one thing. He understandably wished to avoid becoming old news. Heck, even radical activists get bored. So, to maintain their excitement and involvement, professional community organizers must constantly devise new tactics. And, as so many enjoy smugly reminding us all, “the ‘One’ won!”

Poli-end-zone-dances notwithstanding, for the President of the United States of America to use the power of his Office and the lure of his NEA’s favor, potential grant funds and the ideological “yes, we-can-change-the-world” Hope® & prestige for artists to create promotional propaganda for his Serve.gov & Corporation for National & Community Service partisan political agenda, produces an entirely different pattern and data set. (more…)

From El Rushbo:

Do you remember that NEA phone call? I think it was back in August, the 21st or the 25th, and it featured basically a coordination from the White House to the National Endowment for the Arts to promote Obama’s health care and parts of his domestic agenda. One of the artists on that call got hold of Breitbart and said they’re turning the National Endowment for the Arts and www.Serve.gov, the latest website out of the White House, into political instruments, and there are four pieces written on this at BigGovernment.com. But all it really exposes up ’til now is that the NEA was lying about their coordination with the Obama White House on spreading propaganda. This is the thing that George Will had a comment on This Week, said some laws were broken in this call. Then after some attention was focused on this they announced that the National Endowment for the Arts director of communications Yosi Sargent had been reassigned. They said he was fired but he was actually just reassigned. (more…)

Big Hollywood today reveals the extensive proof that shows the White House used the National Endowment for the Arts to push a political agenda favorable to President Obama. But it gets worse: the Administration lied about it, and tried to cover it up.

You already know the background: an NEA spokesman participated in a conference call designed to encourage artists to further Obama’s legislative agenda. This was revealed back in August at Big Hollywood. What is new today is the full transcript of the call — and how clearly the NEA was involved in urging artists to propagandize for Obama.

Naturally, the NEA and the Obama administration denied this. According to the Los Angeles Times (in a blog post, of course, and not an actual newsprint story), the NEA denied any purpose to further a legislative agenda:

The NEA issued a statement saying that it took part in the conference to help inform arts organizations about opportunities to sponsor volunteer service projects themselves, or have their members take part in other volunteer efforts. “This call was not a means to promote any legislative agenda, and any suggestions to that end are simply false,” the statement said. (more…)

In the aftermath of the Andrew Breitbart/James O’Keefe/Hannah Giles-broken ACORN scandal, President Obama and his allies in Congress have distanced themselves from the community organizing goliath.  Congress has cut off funds, and Obama has refused to speak about the matter.  End of story, right?

Wrong.

There’s only one problem: the ACORN mentality – pinpointing and mobilizing particular groups in support of a radical-left agenda – is no longer restricted to government-funded private non-profits like ACORN.  The ACORN mentality now dominates the government itself.  Taxpayer dollars are being used by elected officials to encourage the deification of President Obama and his agenda.  And one of the chief organs of the government propaganda machine is the National Endowment for the Arts.

Let’s start from the beginning.  On August 25, artist Patrick Courrielche told the story of a conference call he attended on August 10.  That conference call was hosted by the NEA, the White House Office of Public Engagement, and United We Serve.  The goal of the conference call: “to help lay a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.”  The call would push “a group of artists, producers, promoters, organizers, influencers, marketers, taste-makers, leaders or just plain cool people to join together and work together to promote a more civically engaged America and celebrate how the arts can be used for a positive change!” (more…)

At first glance, the National Endowment for the Arts (NEA) conference call of August 10th, 2009 sounds innocent enough because it’s supposedly been organized by Michael Skolnik, political director for Russell Simmons and someone not officially associated with any government agency. Skolnik appears to be acting independently as a concerned citizen and to have taken it upon himself to gather together a group of artists and art organizations hoping to move them towards “national service.” And how nice of the White House, the federal government and the NEA to make the time to participate in the call and aid this group of American artists motivated to help their country and community.

But this is only how things appear.

All evidence points to the fact that the conference call was a ruse, a front for a White House using Skolnik as a kind of beard in order to put an innocent spin on their abuse of the NEA and two non-partisan volunteer organizations (United We Serve – an initiative overseen by The Corporation for National and Community Service – a federal agency, and the White House’ Office of Public Engagement).

The goal: To motivate a group of hand-picked pro-Obama artists (grant recipients or those wanting grants) to push the President’s flagging agenda, especially health care — and to funnel this promotion through the ACORN related- Serve.gov website. 

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Documentation gathered by Big Hollywood’s Patrick Courrielche and the Washington Times, coupled with a newly revealed audio recording of the full conference call, points to eight troubling facts that put the full context of the call in a very disturbing light. (more…)

On August 25th 2009, Big Hollywood’s Patrick Courrielche broke the story of a conference call he attended with other “rising artist and art community luminaries”:

On Thursday August 6th, I was invited by the National Endowment for the Arts to attend a conference call scheduled for Monday August 10th hosted by the NEA, the White House Office of Public Engagement, and United We Serve. The call would include “a group of artists, producers, promoters, organizers, influencers, marketers, taste-makers, leaders or just plain cool people to join together and work together to promote a more civically engaged America and celebrate how the arts can be used for a positive change!” 

The email invite came directly from Yosi Sergant, then-Director of Communications at the National Endowment for the Arts (NEA), and it advised this hand-picked group that the call was about laying “a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.” 

Courrielche describes the call this way: (more…)