The conservative talker spent a second straight broadcast mocking Eastwood’s now infamous “Halftime in America” Chrysler ad that aired on Super Bowl Sunday. Today, Limbaugh played a parody on his popular radio show to keep the story alive despite Eastwood’s protest that the commercial wasn’t meant to support President Obama’s auto bailout policies.

When somebody tells me Clint Eastwood did a halftime commercial for Chrysler, I expect it to be something like this,” Limbaugh told his 20 million listeners before audio of an Eastwood impersonator began:

Limbaugh’s is audio only, but video parodies from other sources were created for the Internet, including one from the Second City Network that appears to be a subtle attack on GOP presidential candidate Mitt Romney.

Rush Limbaugh, back behind the golden EIB microphone following a one-day vacation, addressed the Chrysler Super Bowl ad featuring Clint Eastwood. And the talk show titan didn’t like what he heard.

I think he got scammed. I think he got roped into doing something he thought was patriotic and ended up being played. I do,” the conservative radio host said on his show on Tuesday. “I’m just going to give him the benefit of the doubt and suggest he got suckered into this.”

Limbaugh … said “all of this talk of ‘working together’” is something people say when Democrats are “about to get shellacked.”

“When the Democrats are about to get creamed, when the Democrats are on the ropes, ‘Time-out! Time-out, time-out! We’ve got to stop the criticism. We’ve got to stop all the partisanship. Time-out, time-out! We’ve got to all start working together,’” he said, according to a transcript of his show. “Of course that means, ‘Republicans need to shut up. Conservatives need to shut up. Stop being critical! We’ve got to all come together now.’

But, at the same time, the iconic starship captain has opened the way to high profile Hollywood career opportunities, exotic travel destinations and robust cultural exchanges that would not otherwise have been possible, Shatner told hundreds of listeners during a question and answer session held as part of the city’s two-day “Wizard World Comic-Con.”

The highly versatile pop-culture legend, known across generations, was the center of attention at the annual event. He appeared on Sat. January 28th. Other featured guests included Stan Lee, the creator of Spider-Man, and bodybuilder Lou Ferrigno, who played the “Incredible Hulk” in the 1970s and 1980s opposite the late Bill Bixby.

Instead of delivering a prepared talk filled with anecdotes about his career in entertainment, Shatner told attendees that he would rather take their questions and concentrate on their interests.

“Have you ever hated Captain Kirk?” one audience member asked. In response, “The Shat,” as he is commonly called now, described his romp down Bourbon Street the previous night.

“Last night we were having dinner, and the waiter comes up and says — what would you like? I said `oysters.” And he said — ‘Beam Me Up Scotty!!!’ — I mean come on.”

“On the other hand…,” he added. “I would not have been here ordering those oysters if it hadn’t been for Captain Kirk. It’s a two-edged sword. Imagine getting to do the things I’ve done as a result of playing the part of Captain Kirk.”

Getting angle or edge on Shatner in this kind of setting is a tall order; he’s battle-tested in this kind of setting. Another well-worn barb: “Have you really been where no man has been before?!”

The Shat: “It depends on the girl.”

“Wizard World” avoided playing up any single dominate theme as it blended Star Wars and Star Trek together with the larger comic book universe. To say the experience was “other-worldly” for someone who has never attended any convention of this sort, does not quite capture it.

The imagination, ingenuity and creativity that went into the costumes cannot be overstated; there were no half-measures. At times, it did feel like another planet.

Throughout the day, I encountered highly authentic versions of Batman, Superman, Boba Fett, Darth Vader, Princess Leia (yes in the bikini), a few dragons, knights in armor, an Alien creature from the Sigourney Weaver films and superheroes and comic figures I didn’t know.

But no matter who was being interviewed the conversation flowed back to Shatner and his highly durable Hollywood career.

Let’s not forget his two “Twilight Zone” episodes, and his appearances on the “Columbo” television series, where he played the villain to Peter Falk’s detective. Shatner has also been recognized for his role as Denny Crane, the egotistical, bombastic lawyer on “Boston Legal” and for the “Priceline” commercials. (His character seemingly dies in bus explosion in the last one)

But invariably the fan base wants to know about Star Trek, its timeless appeal, and the enduring legacy of Captain Kirk. Here, Shatner has some definite insight. He wrote a book called “Get a Life” based on his famous Saturday Night Live skit from the 80s; the one where Star Trek fans are lampooned. In the book, Shatner explores who comes to Star Trek conventions and what accounts for the continued enthusiasm behind the television series. He found that fans all knew each other and had become an extended family of sorts.

“I discovered all of us are participating in a mythological ritual, we in this civilization have no mythology, so part of the need for a mythology is our participation in the mythology of Star Trek,” he said. “The need for heroes is supplied by the captains and the act of getting an
autograph or buying paraphernalia is participating in the ritual of the mythology.”

Standing a little outside of the mythology, I wore a suit and tie to meet Captain Kirk, that contrasted with costumes. This helped when it came time for questions in the convention center’s upstairs auditorium.

“Yes, you in the black,” he pointed, and I had my moment. Knowing the answer, I popped the question.

“Who would you say was the most formidable of all the Star Trek villains?”

“Ohhhhhhhhh…..ahhhh….” The Trekkers really liked that one.

“How would I say it in my old age?” He purrs and puffs and gingerly says – Kh..Kh.. khaaaan.

Then draws in a deep breath and screams….

“KHHHHHHAAAAANNNN”

Thunderous Applause.

“Star Trek II: The Wrath of Khan” co-starring Ricardo Montalban is widely viewed as the standout in the movie series and with good reason. The storyline draws from Moby Dick and it would be the last time that classic tale of revenge and obsession would figure into Star Trek. The
television show: “Space Seed” the film is based on is also worth viewing.

“He really was [the best villain] wasn’t he? I mean those pecs alone were heroic. Never mind his abs, but his pecs. Women would kill for those pecs. And he was a wonderful gentlemen.”Apparently, Montalban was also a great friend and supporter of National Review
magazine. Right on!

Another key personality Shatner has encountered in his travels is conservative talk show host Rush Limbaugh. Shatner had an interview program called “Raw Nerve” that includes a lengthy interview with El Rushbo where the two discuss health care policy and other topics. Shatner was full of praise.

“I got to talk with Rush Limbaugh and found out all kinds of wonderful things about Rush,” he said. “In fact… even brought to tears to his eyes as he remembered things from his past, and I thought what a neat guy.”

The Shat invited Limbaugh over to his home for Monday Night Football after the interview where the talk show host encountered one of Shatner’s liberal friends who was a bit put out. But it was clear from Shatner’s take on his interview with Rush that he’s open and receptive to
various viewpoints.

But there was one Star Trek co-star who did not make out so well during the Q & A.

When Shatner was asked to name his heroes audience member shouted out, “George Takei!” – That would be the actor who plays Hikaru Sulu in the original series. Apparently, Takei has an axe to grind with Shatner.

Comedy Center did a “Roast of William Shatner” involving many of his friends where he rides in on a horse to start the program.

“The line is in the air, everyone knows the line, and it’s just a matter of who they are going to give the line to,” Shatner explained. “Now George hates me, I don’t know why he hates me, and he’s also not funny. So they give him the line and he says “F… you,, and the horse you rode
in on,” and it’s not funny, and I roll the film back, and his face is contorted. That’s not a funny face. So yes, George, was at the Roast.”

The Star Trek universe appears to have come full circle now that the movie series has reverted back to the original crew of the Enterprise but with a new cast of actors. Shatner said he was very impressed the latest film directed by J.J. Abrams and with actor Chris Pine who plays the
young Captain Kirk. Shatner interviewed Pine as part of a documentary he did called “The Captains,” which includes all of actors who filled in the center seat in the different programs.

“He’s a lovely young man, who is really talented, and looks really good,” Shatner said of Pine. “He’s got the demeanor, the body and the voice. So along with being a good actor he’s got all the right equipment.”

Shatner told the crowd that JJ Abrams is moving ahead with the sequel.

The actor who started it all sees a wide-open future for Star Trek and for anyone with imagination and initiative.

Our mission at BigDawg Music Mafia is to unite and encourage conservatives with creative abilities to get engaged in the culture revolution – to promote American exceptionalism through the arts.  While many of us are using our talents to draw attention to the destruction of liberty by the current administration and those on the far left, there are times when we can use our creativity to bridge that partisan divide, even if only in a light-hearted way. This was one of those times.

Taking a cue from Senators Harry Reid and Chris Dodd who recently visited the late Sen. Ted Kennedy’s grave site to channel his bipartisan spirit by pouring whiskey on his grave and reciting a prayer in hopes the Super Committee would reach an agreement on the budget cuts, BigDawg Music Mafia decided to answer their call for bipartisanship in a mission we dubbed “Operation Jelly Bean.”

Having heard radio’s Rush Limbaugh talk about the Super Committee’s failed attempt to reach an agreement and how the two Senators contributed to the process by their visit with Kennedy; and having heard the challenge Limbaugh posed to one of his callers to visit Kennedy’s grave site on his behalf, BigDawg Music Mafia Co-Founder, Andrew (a.k.a. BigDawg) convinced me we needed to take that challenge since the caller indicated she was not local.  My friend Reese and I, however, are.

Here’s what Rush asked of one of his callers:

If you’re ever in Washington and you stay at a hotel, grab a bottle of scotch, one of those mini-bar bottles of scotch, and go to Ted Kennedy’s grave and pour it on the grave.

As both Andrew and I are retired military, and Reese’s husband is a vet, Arlington National Cemetery is sacred ground to us so we wanted to ensure we maintained proper decorum in what we did.

Instead of just pouring some scotch on Kennedy’s grave (respecting the fact that we were on hallowed ground) we decided to concoct a brand new “bipartisan” adult beverage.  We thought since Kennedy liked Chevis, and Reid and Dodd already poured some on his grave, why not answer their call for bipartisanship and mix some of that Chevis with something enjoyed by many of us on the right?  What better than Rush’s fabulous Two If By Tea … and what better garnish than President Ronald Reagan’s favorite sweet treat, Jelly Belly Jelly Beans?

Two If By Tea Manhattan
1 part Chevis
2 parts Raspberry Two if By Tea (regular or diet)
3 Jelly Belly jellybeans (garnish)

• Blue jelly bean representing the left
• Red jelly bean representing the right
• White jelly bean representing unity/bipartisanship

We brought the sealed bottle of Chevis and a small cooler of Two If By Tea with us … placed the bottle of Chevis and a bottle of Two if By Tea in front of Ted’s headstone … along with one of each color of the Jelly Belly jellybeans (that came with Rush’s Two if By Tea gift set as a tribute to President Ronald Reagan) to channel Ted’s “spirit” … or love of spirits as it were.

Since Virginia has an open container law and alcohol consumption is not allowed on the National Mall and surrounding federal park lands we made sure we kept the Chevis sealed until we got home.

So, in honor of our fallen brothers and sisters, we did not follow Rush’s challenge as posed to his caller. Instead, we waited until we got back to my house, then mixed the drink and offered the following toast – in honor of Mr. Kennedy:

We heard you were visited by Dodd and by Reid
In the spirit of bi-partisanship you’ll be pleased
Rush sends his regards but we’ve added a twist
Your Chevis, his Tea make a tasty new mix
A drink in your honor that’s smooth as satin
Reagan Jellybeans with a Two If By Tea Manhattan

Cheers to ‘The Lion of the Senate’, ‘The Doctor of Democracy’, and ‘The Gipper’.

Believe it or not, this is a very smooth, sweet and refreshing drink!

Mementos for Corporal Ira Hamilton Hayes

While at Arlington, Reese and I also paid a visit to the grave site of Corporal Ira Hamilton Hayes, one of the six men immortalized in the iconic photograph of the flag raising on Iwo Jima during World War II, and left a bottle of Two if By Tea, some Jelly Belly Jellybeans, and a copy of a CD from the  great new patriotic rock bands at our site, Madison Rising, who just hit the top 100 rock albums on Amazon, and will be doing a cover of “The Ballad of Ira Hayes” in the near future.  The story of Ira Hayes is one that needs to be told as it highlights the effects of Post Traumatic Stress Disorder which so many of our veterans are suffering from today.  Who better than a band whose lead singer, David Owen Bray, is a veteran himself?  Their debut CD, Madison Rising, has a song called “In The Days That Reagan Ruled” which ends with the following chorus:

Tearing down an iron wall
Acting in his greatest role
Made all his critics look like fools
‘Cause even jelly beans were cool!

We truly enjoyed executing this mission; the weather was gorgeous, the symbolism of what we were doing there was priceless, and we ended up with a great new cocktail to enjoy just in time for the holidays!

President Reagan would be proud.

Cheers!

The intense actor, best known for his work in ‘The Kids Are All Right’ and ‘You Can Count on Me,’ is under the delusion his fellow actors could lose gigs if they embrace liberal causes like Occupy Wall Street. He told The Hollywood Reporter that celebrities who show up at the protests in New York City could be putting their paychecks at risk:

Ruffalo suspects a large number of celebrities who privately support the Occupy Wall Street critique are wary of publicly expressing that sentiment. They are “afraid for their job, afraid to speak out, afraid they’re going to lose work.” Plus, he adds, “Who needs the headache of being attacked by Fox News or Rush Limbaugh?”

Ruffalo embraces the same false narrative echoed during the Bush era – actors who speak out could somehow be punished for their comments. Celebrities did just that for eight solid years against President George W. Bush in clear defiance of Limbaugh. Did we hear any sob stories about, say, Danny Glover or Susan Sarandon losing lucrative assignments for speaking “truth” to power over the last decade? The worst that happened to outspoken liberal Tim Robbins was being booted from a Baseball Hall of Fame ceremony.

Ruffalo is actually right in one respect. Audiences will turn away from actors who embrace extremist causes. The Hollywood Reporter’s own staff proved this recently. If consumers decided not to support stars who insult their politics, well, that’s another matter.

But can you imagine a studio, director or casting agent pondering a particular actor for a role and dismissing them for being chummy with anti-capitalist types?

A new kind of film emerged in the late ‘80s and first half of the 1990s to as an alternative to the mind-numbing noise of the Boomer Blockbusters. Smaller studios like Miramax rose to champion independent films. Generation X auteurs shaped by obsessive home video viewing – Quentin Tarantino, P.T. Anderson, Robert Rodriguez, Kevin Smith, and Darren Aronofsky – passed on the Hollywood path and instead built careers through low budget, DIY productions. “Reservoir Dogs,” “Sydney,” “El Mariachi,” “Clerks,” and “Pi” launched careers that would lead to Academy Awards and some of the most exciting films of the 1990s and 2000s.

These filmmakers’ origins are true to the generational temperament of their peers.

Children born in the ‘60s and ‘70s did not grow up in the affluence and tranquility of the 1950s consensus. Instead they took a backseat as the Consciousness Revolution of the 1960s raged. It was now when the younger Silent and Boomer Generations rose up to challenge the cultural institutions built and maintained by the GI Generation who fought World War II.

The children of this era were forced to become independent, entrepreneurial, and innovative early on. Unlike the Boomers growing up in the ‘50s and the Millennials in the ‘80s and ‘90s, Gen-Xers were not protected. The adults were too busy with the cultural chaos of the ‘60s and ‘70s to be the parents they should have been. Thus, Gen X knew that they had no one to rely on except for themselves. According to William Strauss and Neil Howe in their histories of American generations, this is standard for “Reactive” generations – and equips them for crises come middle-age. George Washington, John Adams, Ulysses Grant, Dwight Eisenhower, and Harry Truman were all part of “Reactive” generations too.

We can see how this mentality applied itself to Gen-X filmmakers. When these future auteurs wanted to make a film they maxed out their credit cards (Smith,) or volunteered for medical experiments (Rodriguez) and shot with the cheapest supplies available.

For Andrew Breitbart the path tread has been comparable. How can one reform a corrupt media complex that’s in the Democrats’ back pocket? Become the Media. Control of NBC is not necessary to launch stories that result in the defunding of ACORN or a congressman’s resignation.

Breitbart was born in 1969 – almost the middle of Generation X. The first 100 pages of Righteous Indignation, his hybrid memoir-manifesto, trace a trajectory not uncommon to others now in their mid ‘30s to late ‘40s. Breitbart’s college years were a time of high grade slack, irresponsible gambling, chemical self-destruction, and Marxist indoctrination. Emerging out of the haze with a worthless degree Breitbart set about rising from the bottom of the Hollywood pecking order.

His job as a script deliverer meant shuttling packages around town while listening to the radio. This drew Breitbart into politics and the media, with the first blow to his anti-intellectual Hollywood leftism dealt during the Clarence Thomas hearings. The coup de grace came in the subsequent search for alternative answers when Breitbart dared tune his radio dial to someone he thought was a “Nazi,” Rush Limbaugh.

Then began a media voyage through the late ‘90s and first half of the ‘00s including apprenticeship with Matt Drudge during the Clinton years and constructing The Huffington Post while George W. Bush was in office. Righteous Indignation then shifts into manifesto form with two chapters that should be released as stand-alone pamphlets. Chapter 6 is “Breakthrough,” an accessible summary of the Left from Rousseau through Marx to the Frankfurt School and Saul Alinsky. In chapter 5 Breitbart lays out his rules of political warfare in his “Pragmatic Primer for Realistic Revolutionaries.”

The remaining chapters tell Breitbart’s narrative putting the Rules and the Breakthrough knowledge into practice to fight ACORN and defend the Tea Party.

What won’t you find in Righteous Indignation? Some manifesto of Breitbart’s political beliefs.

Breitbart is not driven by creating some “right-wing” utopia. He’s not obsessed with Liberalism vs. Conservatism as David Mamet is. He’s focused on disrupting and exposing the practical and concrete effects of the Left.

The takeaway from Righteous Indignation is that citizen journalists now have all the tools needed to bring down corrupt politicians, bad laws, and destructive organizations. Breitbart has bypassed the mainstream media gatekeepers just as his Gen-X cinema peers overcame the boomer blockbuster mentality.

The endowment of Generation X Hollywood Apostates is pragmatic independence: Ideology is not important. Dealing with the problems themselves in an effective way is what matters. Results matter. New institutions can and should be built.

In Part 5 of the Hollywood Revolt, we’ll conclude with a look at the future of both film and politics as a new generation rises and an old one is reincarnated.

Within seconds of Michele announcing she’d decided to launch a bid for the Republican nomination for President of the United States, it became clear that not one iota of liberal negativity toward conservatives has abated.

Over the past few days, the rock world has joined the fun by publicly stepping forward in an effort to send a message to the latest object of targeted political ridicule, Michele Bachmann. The goal is to drive home the point that liberal rock musicians disapprove of both Bachmann’s politics and her audacity in thinking she actually has a chance to send honorary rock star Barack Obama back to Chicago.

Following Alec Baldwin’s Twitter tirade, Tom Petty, a Mad Hatter in sunglasses, decided it was his turn to deny Bachmann, without explanation, the use of one of his hit songs. Petty is so anti-GOP he forbade Michele Bachmann from playing  “American Girl” as a musical backdrop to her announcement to run for president.

Apparently, the last thing Tom Petty wants to be associated with is writing the signature anthem that could accompany a female Republican candidate on the trip from Minnesota to the White House.  So, to prevent that from happening, the rocker sent a three-word message to Michele: “Cease and desist.”

It’s doubtful that Tom Petty would decline $275 per person ticket proceeds based on who concertgoers supported in the last election. Yet, rock musicians who refuse, due to partisan politics, to let conservative candidates use songs for campaign backdrops forget that many of their fans are conservatives.

It’s no secret: Tom Petty isn’t a fan of the Right. When George W. Bush ran for governor of Texas, the genial GWcomplimented the songwriter by using “I Won’t Back Down” as a campaign song. The unappreciative Petty had his publisher warn the campaign that using the ballad could send a false impression (Heaven forbid) that Petty endorsed Bush, and ordered the gubernatorial team to pull the song.

Tom Petty is one of a large herd of liberal singers and songwriters who sell their wares like capitalists on steroids to anyone and everyone, but when a conservative candidate identifies with one of their songs, out of fear of being perceived as leaning to the right hawkers of concert T-shirts and tacky glassware suddenly become all partisan and possessive.

Yet when Democrats like Black Socks Spitzer of New York and John “My-Wife-Has-Cancer-While-I’m-Having-an-Affair” Edwards used Heartbreaker music as campaign anthems, Tom the Petty fully endorsed both Lotharios using the extremely apropos “Won’t Back Down” ditty.

The “You Can Call Me Al” and “Don’t Stop” crews are proud to have signature songs associated with Al “Crazed Sex Poodle” Gore and impeached adulterer Bill Clinton, but Sarah Palin shaking hands and hugging babies in time to “Barracuda” irked female rock group Heart so much that the duo threatened a lawsuit if Sarah didn’t pick another tune.

Truth is, in the world of rock and roll, the liberal malady is endemic. In the 1980’s, Bruce Springsteen took on the Gipper over Reagan’s use of the song “Born in the USA.” During the 2004 presidential election, in an effort to save the USA from a second Bush term, Bruce partnered with über-liberal left-wing group MoveOn.org to headline a star-studded caravan of whiners in a Vote for Change Tour.

The 2004 MoveOn.org/rock-and-roll effort failed and Bush won reelection, which proves there are more Republican voters than liberals realize.  If, as a group, conservatives boycotted downloading music from iTunes and stopped buying concert tickets, many artists who feel comfortable insulting Republicans for sport would definitely take a hit in the pocketbook.

Then again, one has to wonder if someone like Bruce Springsteen even comprehends the concept that the people he slurs with his political invectives have the monetary power to affect The Boss’s bottom line.  After all, didn’t Springsteen say Obama “speaks to the America I’ve envisioned in my music for the past 35 years”?

Even still, the liberal Step Away From the Song list goes on and on: Pretty boy Jon Bon Jovi told Sarah Palin not to use “Who Says You Can’t Go Home.”  The Foo Fighters and Van Halen dissed John McCain; Bruce Hornsby felt Sean Hannity’s use of his song “The Way it Is” shouldn’t be the way it is; and rock group Rush informed Rand Paul he’s no “Tom Sawyer.”

By now, Republicans should know better than to provide ammunition for the left by failing to stringently follow copyright laws and respect property ownership rights. Yet, a politically partisan situation still presents an opportunity to learn a profound lesson for those on both sides of the political aisle.

Liberal musicians should understand that having a fan base largely made up of those without the ability to pay $1.99 to download a song or lay out close to three bills for a concert ticket isn’t going to ensure their rock star lifestyle for very long.

For those heartbroken by Petty Heartbreaker, conservatives must take their eyes off the “Yes We Can” free-for-all where liberal politicians sway and wave in time to music amidst showers of balloons filled to capacity with Democrat hot air.  It’s time to realize the same standard does not and will never apply to Grand Ole or Tea Party candidates. Just because liberal musicians become gazillionaires with the help of Republican fans doesn’t mean those same rich rock stars will show appreciation by treating conservative candidates with respect.

For those on the right, the salient point is this: liberal politicians are never denied rights to artists’ theme songs; quite the contrary, they are encouraged to use them. Conservatives politicians should not be so naïve as to assume similar rules apply to the likes of Herman Cain and Michele Bachmann.

With that in mind, Bachmann and Harley-riding Barracuda Palin should rethink forgoing the mud wrestling fight Michele claims the media is itching for and hit the ring to work out which lady will seek permission to claim Carrie Underwood’s “All-American Girl” and whose anthem will ultimately be conservative rocker Kid Rock’s “Born Free.”

Troopathon brings together famous celebrities from radio, television, the movie, musicians, journalists, and more to create a one-of-a-kind event with one purpose – to support our troops on the front lines in the war on terror and honor their service and sacrifice for our nation.  Guests include: Rush Limbaugh, Laura Ingraham, Congresswoman Michele Bachmann, Mark Levin, Kelsey Grammer, Former President George H.W. Bush, Gary Sinise, Dennis Miller, Former Ambassador John Bolton, Greg Gutfeld and many more!

Click here to send your care package or call 866-866-6372.

Troopathon 2011, as it is called, has the focused goal of sending as many care packages as it can get sponsored during an eight hour event. It its first year (2008) Troopathon brought in over $1.5 million for care packages for our troops in Iraq and Afghanistan. A $25 donation buys and delivers one care package.

One of the scheduled speakers is war hero and marine Nick Popaditch. Nick (a frequent guest on FOX’s “Red Eye”) was the tank commander and platoon sergeant in Baghdad during the historic fall of the statue of Saddam.

Recently Nick and his wife April joined me to talk about Troopathon and the significance it has for our troops serving in the Middle East. The YouTube video of the interview is below:

Troopathon Facts:

What: Troopathon 2011, the largest care package drive in America in support of our troops.

When: Thursday June 23rd, 4pm-midnight EDT / 1pm-9pm PDT

How You Can Watch: Right here at the Bigs!

How To Donate: Donation page.

Hosts: Andrew Breitbart and Melanie Morgan

Who Will Be Participating?: Several famous celebrities including actors Jon Voight, Gary Sinise and Robert Davi, media personalities Rush Limbaugh, Mark Levin, SE Cupp, and many others including yours truly.

Nick Popaditch will be speaking at Troopathon.