My personal Top 15 are ranked as my favorites always are — based on nothing more than re-watchability. “Rocky Balboa” might not be better written, photographed or acted than any number of films not on this list, but I’m going to watch it a helluva lot more, that’s for sure.  

1. The Assassination of Jesse James by the Coward Robert Ford (2007) – Ever since the lights came up after that first screening, like a drug this lyrical, gorgeously photographed piece of myth-making has tugged me back for another taste. This isn’t easy to admit, but I think I admire Andrew Dominik’s directorial debut even more than John Ford’s “Young Mister Lincoln” (1939), which it resembles in so many ways. Were this also a listing of the greatest performances of the new millennium, Casey Affleck’s portrayal of Robert Ford would rank #1, as well.

2. The Passion of the Christ (2004) – Easily, the purest and rawest emotional cinematic experience I’ve ever had. The Left’s bigoted, venomous attacks combined with the film’s eventual blockbuster success were almost as satisfying as the re-election of George W. Bush.

3. The Dark Knight (2008) - Watching liberal critics gush over a not-so-thinly disguised thank you to President Bush and then harumph and find fault after conservatives calmly explained what this epic of action, character and allegory is really about, was nearly as much fun as the movie.

4. Up (2009) - As far as pure film-making and storytelling goes this exquisite, touching story of the adventure required to help a widower move on after losing the love of his life, is the most perfect picture on the list. In fact, it is perfect. Simply, beautifully perfectly perfect.

5. The Lives of Others (2006) – I’ve read that this unflinching look at the corrosive effects of Big Oppressive Government on the human soul was one of the late great William F. Buckley’s favorites. How’s that for an endorsement? There’s talk of an American remake, which I’m in favor of, because there’s no doubt it will come out as a disastrous failure in every respect. Liberty=good is an idea that no longer computes among those still interested in producing the adult drama. Movies may not be anywhere near as good as they were even ten years ago, but watching Leftist propaganda — which this will surely be twisted into — flop makes for a nice consolation prize.

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6. Mulholland Drive (2001) – Director David Lynch’s masterpiece was reportedly an aborted television pilot, and yet he somehow turned it into something that out-dreams dreams and out-nightmares nightmares. Mesmerizing, sexy, frightening…. and all driven by a visionary director who created a hypnotic puzzlebox unlike anything we’ve seen before or will again. My eternal thanks to my movie-watching buddy Jim Sprader for bringing it over that day…

7. 300 (2006) – God bless director Zack Snyder for not gutting and nuancing Frank Miller’s brilliant take on the Battle of Thermopylae. Hopefully, someday, Hollywood will become a tolerant place where the conservative, pro-Western themes of “300″ won’t have to be disguised in this way. Not that I mind. Visually, “300″ was not only richly rewarding, but proof that in the hands of a genius director CGI can enhance the story as opposed to distract.

8. Once (2006) – A poignant, affecting and unforgettable musical romance made in Ireland for next to no money. The song’s are stirring, the performances impeccable, the script witty… But more than all of that is a tenderness and gentle humanity rarely found in theatres these days. The perfect rainy afternoon comfort food.

9. Napoleon Dynamite (2004) - Normally my opinion of quirky is that it’s nothing more than irony gone retarded, but in a remarkable debut, co-writer/director Jared Hess strips the cynicism that usually defines quirk and replaces it with old-fashioned heart and sentiment.

10. Pirates of the Caribbean (2003) – Unflustered as he steps from a sinking ship onto a pier, Johnny Depp’s Captain Jack Sparrow also stepped into cinema lore and earned enough goodwill to carry two lacking sequels to box office glory. At least through 2003, we lovers of classic cinematic adventure could no longer say, “They don’t make ‘em like that anymore.”

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11. Ratatouille (2007) – Man, I loves me that little rat. Most people choose “The Incredibles” as their favorite Brad Bird entry in the Pixar canon, but Anton Ego’s monologue about the difference between those in the arena and those, like me, who snipe from the bleachers (”But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so…”) might be the best piece of dialogue since Orson Welles’ take on the cuckoo clock in “The Third Man.”

12. No Country For Old Men (2007) - This Coen Brothers Best Picture winner passes the test of a timeless classic: Each viewing is richer than the one that came before.

13. Shaun of the Dead (2004) – Funny, scary, imaginative and about as original as they come.

14. Gone Baby Gone (2007) – What “Mystic River” wanted to be and its defenders said it was can be found in Ben Affleck’s stunningly mature and emotionally devastating directorial debut. Everything from the character accents, the subtly of the performances and the many, many complicated moral questions raised are handled with precision and confidence. Best of all, Affleck leads us to one final and unforgettable closing shot where Casey Affleck silently proves he’s willing to do more than make the terrible decision which cost him everything, he’s willing to take responsibility for it. 

15. Rocky Balboa (2006) – Who would have ever thought writer/director Sylvester Stallone could pull this off? But he did. And I love it more each time I see it.

20 runners up in no particular order: Friday Night Lights, Dawn of the Dead, Kill Bill I & II, Watchmen, Iron Man, Gran Torino, Casino Royale, Pursuit of Happyness, Amelie, In the Bedroom, Million Dollar Baby, Taken, 28 Weeks Later, The Station Agent, A.I., Sexy Beast, Saving Silverman, Monster’s Ball and Match Point.

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1. The Pursuit of Happyness (2006) – A beautifully crafted uniquely American movie where, for once, the antagonist isn’t “the system” or “the racist system.” Chris Gardner (a superb Will Smith) wants something from life. He believes in this country and understands the key to achieving the dream is simple: never, ever give up. A superb script, based on a true story (the real Gardner has a touching cameo in the closing scene) never once takes the grinding pressure off, but aided by genuinely decent people (white Wall Streeters, no less) and driven by a love for his son, rather than play victim, Gardner keeps moving forward long after most of us would’ve surrendered to self pity. Movies don’t get much more conservative than this.

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2. Rocky Balboa (2006) – The second great patriotic/conservative movie of 2006 and the most pleasant surprise of that year. This movie should’ve sucked but after fifteen years in the wilderness (five of them in the straight-to-DVD bin) writer/director Sylvester Stallone went back to the basics of character, plot, the universal theme of what drives the human spirit, and crafted a movie that only gets better with each new viewing. There’s a second great moment in “Rocky Balboa,” this essential truism: “It ain’t about how hard you hit, it’s about how hard you can get hit and keep moving forward.”

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3. Dragon: The Bruce Lee Story (1993) – The scene’s closing line sums up the theme of this under-rated, very entertaining bio of The Mighty Bruce Lee. Driven to achieve great success, Lee understands that only in America can his dreams come true. So deep is his love for this country that the film’s crisis point comes when he loses faith in the American Dream after a number of setbacks (thanks mainly to racist Hollywood). But of course, Lee became and remains an American Icon, unfortunately he didn’t live to see it. Though there’s rumors he’s not dead: “They got him frozen in carbonite down under Chatsworth. They’re gonna melt him down as soon as the economy gets better.”

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4. Rudy (1993) – This movie has never made me cry. Not once. Ever. Really. I don’t lie about such things.

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5. Superman II (1980) – Just a little something to prime my blazing hatred for Bryan Singer’s despicable Truth, justice and all that stuff… “Superman Returns” (2006), which stripped our hero of both his masculinity and Americanism. Not only that, “Returns” is supposed to pick up where part two left off, but again Singer displays only contempt for what Superman is about: his valor. As you can see in this scene, the second chapter closes with Superman promising to never let us down again, but Singer’s sucktacular sequel opens after Superman’s abandoned us for a few years, off trying to find his meterosexual self.

And with that, Happy Birthday, America! Thank you for everything, especially our best; those fine men and women guarding the wall today.

As you’ve heard, over at National Review Online, we’re going through a list of the best 25 conservative movies of the last 25 years. If you’re a reader of our print edition, you might have seen the full list by now, which includes a list of movies that almost but quite didn’t make it. And here’s my problem.

Well – first – here’s the “Also Rans” list:

Air Force One, Amazing Grace, An American Carol, Barcelona, Bella, Cinderella Man, The Exorcism of Emily Rose, Hamburger Hill, The Hanoi Hilton, The Hunt for Red October, The Island, Knocked Up, The Last Days of Disco, The Lost City, Miracle, The Patriot, Rocky Balboa, Serenity, Stand and Deliver, Tears of the Sun, Thank You for Smoking, Three Kings, Tin Men, The Truman Show, Witness.

There are a lot of complaints one can issue but ROCKY BALBOA?  Here I know everyone who hasn’t seen the full list has been watching and waiting for the Sly one to appear. Maybe #1? No, try Not At All. Rocky, of course, is a man. And if you watch him from Rocky to Rocky B — you see the ups and downs and hits and misses and the heartaches. And where pop culture so often trivializes men – by making them buffoonish (the doofus dad, the over-testosteroned action hero, or feminized dude) – to have a guy who faces his responsibilities, insecurities, and trials … like a man … is something to celebrate.

And what twenty-something boy doesn’t need to hear this from his father?

Let me tell you something you already know. The world ain’t all sunshine and rainbows. It is a very mean and nasty place and it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t how hard you hit; it’s about how hard you can get hit, and keep moving forward. How much you can take, and keep moving forward. That’s how winning is done. Now, if you know what you’re worth, then go out and get what you’re worth. But you gotta be willing to take the hit, and not pointing fingers saying you ain’t where you are because of him, or her, or anybody. Cowards do that and that ain’t you. You’re better than that!

Actually, there is no reason to pick on twenty-something guys. Someone could tell that to everyone wanting to be bailed out right about now.