Good Morning, Vietnam (25th Anniversary Edition) (1987)

25 years ago, Robin Williams was already a household name and television star, but at the time, while I was sitting in the theatre watching this box office hit unspool, I knew Williams had arrived as a full-blown movie star. 25 year later, watching the Blu-ray over the weekend, nothing has changed. The highly fictionalized story of story of Adrian Cronauer, an Air Force disc jockey in Vietnam between 1965-1966, is still just as entertaining, hilarious and clever.

Because director Barry Levinson handles the story’s political undertones with such a deft touch, none of the humor or plot points feel in any way heavy-handed or anti-military. In fact, like Robert Altman’s brilliant “M*A*S*H,” the war and the military feel more like devices used to explore a much larger and more universal theme about individuality and thumbing your nose at authority. And that, my friends, is good stuff.

“Good Morning, Vietnam” is also an opportunity to spend some time with two exceptional character actors no longer with us: Bruno Kirby and as  Cronauer’s primary foil, The Mighty J.T. Walsh. Williams deservedly earned an Oscar nomination for his work, and I think he’d be one of the first to admit that the greatness surrounding him helped to make him great.

This is still one of the best films Williams has ever done, and never let yourself or anyone forget that the real Cronauer is a lifelong Republican who openly supported George W. Bush in 2004.

Dead Poets Society (1989)

Everything about director Peter Weir’s handling of an Oscar-winning script written by Tom Schulman about his own personal experiences at a fancy preparatory school for boys is letter perfect. The production design feels like 1959, the young cast is believable in their roles as repressed, wealthy Caucasians who are really artists and poets looking for the opportunity to shine, and as the teacher who inspires them with poetry to “seize the day,” Robin Williams is all warmth and humor.

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Director George Miller’s “Happy Feet Two” is neither happy nor as hip as his original Oscar-winning predecessor. Without the strong presence of a few add-on side characters, “Two” would have been one slippery mess.

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“Two” welcomes Brad Pitt, Matt Damon, Pink, Hank Azaria and Sofia Vergara to the celebrated cast, while Elijah Wood and Robin Williams return (and Nicole Kidman and Hugh Jackman float on).

Tap-dancing penguin Mumble (Wood) is back and is now a group leader in his community. He is also a new father to cutie penguin Erik (Ava Acres), who is desperately trying to fit in by following his father’s footsteps but is stumbling along the way.

Once an outsider for his dancing, Mumble discovers quickly that coaching Erik to unleash his own talents isn’t easy, nor is being a parent a snap. Mumble’s mate Gloria (a singing showcase for Pink) encourages him to give their little guy some time before pressuring him to find himself.

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Disney’s new film “Old Dogs” features two great friends and business partners as the lead characters. They manage clients together, laugh together and when one of them needs consolation, the other one is willing to help provide a carefree and wild night to help his friend forget about his troubles. After such a wild night unfolds in a flashback, the consequences come back to one character nearly a decade later as he finds out that he has two children that he did not even know existed. The plot of the movie revolves around the two friends trying to trying to take care of these children with their very little experience in the parenting department. However, although “Old Dogs” has some funny moments, the movie ultimately has more bark than bite.  

In the film, Robin Williams plays Dan, a divorced man who is great friends with his business partner Charlie, played by John Travolta. After Charlie takes Dan out for the aforementioned wild evening, that night becomes fodder for business clients during sales meetings. However, several years after the event takes place, Dan is told suddenly that he has two children that he has to take care of as their mother serves a couple of weeks of prison time for a minor offense. The premise of a father bonding after time apart is nothing new and unfortunately, the movie does not provide a lot of laughs from the idea. (more…)

Some guys never seem to catch a break in life. Lance Clayton is one of them. 

In “World’s Greatest Dad,” the recently-released, extremely dark and sometimes perverse new comedy from writer-director Bobcat Goldthwait (we know, we’re just as surprised as you), Clayton (Robin Williams) is the epitome of the put-upon, browbeaten modern middle-class American man. He’s a high-school poetry teacher with hardly any students, a girlfriend who’s afraid to be seen in public with him, and a son named Kyle (played with an amazing level of scorn by Daryl Sabara) who surely must rank as the foulest, most awful teenager in the history of movies. 

Lance does have dreams of greatness, however. In fact, he’s in the middle of sending off his fifth novel for agent consideration, even though he’s never been published before. But ** SPOILER ALERT ** one night, after finding his son dead from a bout of autoerotic asphyxiation that occurred while watching porn on this computer, Lance suddenly feels a unique burst of inspiration: in order to cover up the shame of his son’s actual cause of death, he moves Kyle’s body, re-hangs him in his closet and writes the perfect suicide note so that the policeman who finds him will think that it was just another, normal teenage suicide.  (more…)

Looking back at The Karate Kid (1984), which turned twenty-five years old this week, a thought keeps recurring.

Wow. . . Avildsen made it work twice.

John G. Avildsen is, in some ways, a director of little distinction when compared with well-known marquee names like Spielberg, Scorsese, Nolan, and Tarantino. The vast majority of his movies are utterly forgotten by the average filmgoer — indeed, he’s been nominated for Worst Director at The Razzies three times. And yet, like Victor Fleming decades earlier with his twin successes The Wizard of Oz and Gone with the Wind (both 1939 — read a great recent article on Fleming here), Avildsen has twice punched way above his weight, netting himself an Oscar for Best Director and giving birth to some of the most memorable moments in motion picture history. (more…)

Picture it.  After passing through the Pearly Gates, Ed McMahon spots his long time friend and TV partner.  With a wide grin and outstretched arms, he greets him. “Heeere’s Johnny!” The affable, genial, self-described “Second Banana” to Johnny Carson on the “Tonight Show,” has passed away at age 86.

In a November 2007 radio interview I did on The Andrea Shea King Show with McMahon to talk about his then newly published book “When Television Was Young, Live, Spontaneous and in Living Black and White,” we talked about his life, and what it was like to share the NBC “Tonight Show” set with The King of Late Night.

McMahon was dealing with a bout of layrngitis, but it didn’t stop him from opening the interview with the famous words that announced to American viewers it was time for their eagerly anticipated nightly entertainment — “Heeere’s Johnny!” (more…)

What do you do when you lose a punchline? While Will Ferrell and Robin Williams try to squeeze every last joke out of an administration that left office over a month ago, Late Night hosts struggle to find something funny about the new guy. (In other news, Rich Little is still doing an impression of Richard Nixon.)

Two weeks ago, I did a story about how the Broadway show “Avenue Q” held a contest to find a lyric as funny as “George Bush is only for now.” Calls to the theater assured me that keeping the lyric Presidential wasn’t even an option. Your Mother in Law, This Show, Prop. 8 and Recession were the lines the producers were hoping to pay off. (more…)