‘My Beautiful Dark Twisted Fantasy’ Review: Kanye West Almost Nails It… Almost
by Ezra DulisTaylor Swift.
Now that that’s out of the way, Kanye West has a new album out, and it’s pretty darn good. Not as good as all the other critics are managing to say once their spit glands dry up, but pretty darn good. Entitled My Beautiful Dark Twisted Fantasy, aka “The Kanye album with the naked armless chick,” which everyone will call it in 6 months cuz that title is just truly dumb, West’s latest work is, as always, an ode to himself, his career, and how much his success invalidates the people who hate him. That’s narcissistic, you may say, and you’re right. West’s music has always been about the tension between his pride and vulnerability, the brief flickers of soul and morality from his Christian upbringing vs. the pleasures and temptations brought on by his considerable skill.
The latter has caused him a ton of personal trouble, from simultaneously dealing with a broken engagement and seeing his mother die from cosmetic surgery complications to becoming Public Enemy #1 after his VMA rant launched the “I’mma let you finish” meme. And for how admittedly flawed he is, this latest album further cements how skilled he is, working as both producer and vocalist– quite a rarity in the hip-hop world. He claims to “do the rap and the track– triple, double, no assist” on “Monster,” but in reality, he often does concede the mic to guests, acting more as an emcee or ringmaster than a spotlight hog. More contradictions– one of the biggest egos in rap is also one of the most generous collaborators. (more…)







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