‘L.A. Times’: Hollywood Prepares for Inevitable Post-DVD Era
by John NolteIf Nikki Finke hadn’t invented it and wasn’t so fond of litigation, I would’ve thrown a big TOLDJA! in the headline. Years ago I was writing about this inevitability and being laughed at. And at the end of this snippet, I’m going to go even further out on a limb and touch the third rail neither Hollywood nor the entertainment media that loves them dares touch (hint: movies suck today).
Also, I’m well aware that I frequently touch on this subject, but from the moment I realized video distribution was inevitably headed online, I also realized that this was as seismic a change in the industry as the invention of home video itself. You see, this is where the power of a very few ends — this is where the revolution really begins. Anyone can make a film nowadays, but the bottleneck is still distribution. You have a handful of distribution forces — all of whom are hostile to our beliefs and values, and I’m convinced that what we’re seeing unfold on an almost daily basis is going to change all of that. Not today and not even tomorrow. But online video streaming (like the ability to self-publish a novel) means that the prohibitive costs of distribution are about to be a thing of the past. The very few with the power are about to lose that power. The Man is going down.
We live in an amazing era where the ideal of democracy is becoming more of a reality. Music and the news media have already been splintered by the ability of the Internet to undermine the corrupt guardians of those institutions. And now it’s happening in the Left’s most lavish and cherished stronghold: The sound and fury of the motion picture.
This isn’t a technological revolution, it’s a freedom revolution powered by technology, where every twist and turn fascinates and must be encouraged.
Across Hollywood, a quiet revolution is brewing that’s about to transform living rooms around the world.
After desperate attempts to prop up the industry’s once-thriving DVD business, studio executives now believe the only hope of turning around a 40% decline in home entertainment revenue lies in rapidly accelerating the delivery of movies over the Internet.







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