The HomeVideodrome podcast returns with a meaty show this week, as Jim Dirkes and I discuss the movies we saw over our Christmas break, and of course, we catch up on the new releases.

Speaking of Jim, he was kind of enough to provide the review of “Moneyball” below. You can find more of Jim’s reviews, as well as his weekly podcast, over at The Film Thugs, as well as older episodes of HomeVideodrome. -Hunter

There are sports movies that aren’t really about sports. Some are pretty heavy-handed about it, like “Remember the Titans” (racism is bad), others are more subtle, like “Million Dollar Baby” (redemption), and others cast the sport in a very small supporting role, like “Brian’s Song” (the power of a friendship, and no, I’m not crying, the room is just dusty and I have allergies!).

“Moneyball” falls in the middle category. On the surface it is about the struggling Oakland A’s trying to compete against teams with much higher budgets. If taken just as that, it’s a solid underdog sports film. However, if that’s all you get from it, you are missing a fantastic and innovative movie.

Beyond the simple underdog angle, this is the story of a man who challenged the very foundations of one of the pillars of America itself. Baseball doesn’t cotton to change. The idea of doing something new or different in baseball is… well, it’s easier to change the U.S. Constitution. To give you an idea, the designated hitter (being able to substitute a person to hit in place of the pitcher without removing the pitcher from the game) was introduced in 1973, and there are still people who view it as cheating. Basically, you don’t mess with baseball. (more…)

The year letdowns flowered and scenes were planted for future letdowns. 1999 Letdowns:

The Biggest Letdown Ever!

A Reclusive Genius Returns … for a Letdown!

The Internet Helps a Micro-Budget Movie Score Big and Unless You Saw It Early…It Was a Letdown!

They Finally Made “Friday Night Lights” Into a Movie — Oh, Wait, No They Didn’t – What a Letdown!

Seeds for Future Letdowns:

Brothers Reinvent Sci-Fi!

What a Great Twist!

The nominees:

“American Beauty” – As pretentious at it is at times, I like the movie. I remember an argument with a conservative friend who hated the Chris Cooper storyline — abusive military type who’s secretly gay. Thing is, I had a guy a lot like the Chris Cooper character in my neighborhood growing up. Only his kid wasn’t the brooding poet Wes Bentley was in the movie. I also remember a liberal feminist friend of mine arguing that the movie was misogynist. Personally, I’m inclined to like a movie that gets people from all sides of the socio-political spectrum in a tizzy.

(more…)

What’s to Like:

McG, who previously directed ‘Charlie’s Angels’ and ‘We Are Marshall,’ is at the helm of this new film about two CIA agents who realize they are dating the same woman (Reese Witherspoon). This action comedy looks like a bromantic version of ‘Mr. and Mrs. Smith.’ In fact, one of the film’s writers is ‘Smith’ screenwriter Simon Kinberg. However, in this film, Chris Pine and Tom Hardy will be the ones battling it out instead of Brad Pitt and Angelina Jolie. I enjoyed ‘Smith,’ so I think ‘War,’ which seems to follow a similar format, has potential.

What’s to Dislike:

The trailer strikes a tired note when it shows the two agents flipping their computers around to reveal they are dating the same woman. The whole love triangle angle feels a bit tired, especially for Witherspoon, who was caught in a love triangle in her recent pic ‘How Do You Know.’ Also, Chelsea Handler’s presence in the film makes me want to steer clear. (more…)

Paris Hilton is celebrated for a sex tape. Kim Kardashian is thrown in our face for the same, almost daily. And recently it was reported that “Laurence Fishburne’s 19-year-old daughter Montana is making a serious push to break into Hollywood — and she’s doing it with a hardcore sex tape.” Gawker reports: “I’ve watched how successful Kim Kardashian became and I think a lot of it was due to the release of her sex tape.” I think

I felt a collective shudder from parents everywhere when they heard about this.

When did woman start reaching so low to find their heroes, giving up what the feminists fought so hard for in the 60s and 70s? Wouldn’t it be nice to go back just 10 years or so, before reality TV and the Internet, before any Josephine was celebrated for displaying slut behavior? It seems like the norm for women in Hollywoodland and pop culture is to use their sexuality, savvy and gifts to seek celebrity with an abandon of self-respect, integrity and class. Whether Lindsey Lohan’s endless partying, drinking, drugs, and prison; to Ashley Judd’s belligerent, political tirades.

Whatever happened to women showing character and integrity when making choices and exhibiting decorum in debate? Wouldn’t it be nice to see them exercise the brain God gave them and work at the top of their intelligence? Granted Paris Hilton, Kim Kardashian and Montana Fishbourne wouldn’t have careers if they had character, but TMZ would be much more palatable.

Rather than feeding these lower life forms with any more of the publicity that provides their sustenance, I thought I would celebrate a few exceptions to the rule. (more…)

Rebooting Bond with Daniel Craig was Bold. Christopher Nolan’s Reinvention of Batman was genius. But some thought it was overly-ambitious, even audacious, to attempt to restart the Star Trek franchise. It has begun to pay off already for Paramount Pictures, and there will dividends for years to come.

A shiny new Enterprise is luring in a new generation of STAR TREK fans

J.J. Abrams is officially the Lazarus of movie directors as his all-new Star Trek has gone “Boldly Gone Where No Star Trek Movie has Gone Before.” With a cast of relative unknowns, the 42-year-old has resurrected a franchise that had been killed by insular “nerdyness” and timid imagination. The Gene Rodenberry creation didn’t so much bomb as it died slowly over a period of years. First, the 2002 movie Star Trek: Nemesis starring the Next Generation cast disappointed with a meager $43.3M domestic. Then, the final TV series Enterprise, which starred Scott Bakula, was not embraced by core fans or broader audiences and was canceled after four seasons, ending May 13, 2005.

(more…)

Several sources at competing studios have told me that J.J. Abrams’ all-new reboot of Star Trek (Paramount), which debuted last night at 7pm at many of its 3,849 locations, may have grossed as much as $6.5M-$7.5M. Studio honchos are “locked down tight” about actual numbers, but that is in the same ballpark as Transformers (Dreamworks/Paramount), which grabbed $8.8M in its previews starting at 8pm on Monday, July 2 during the summer of 2007. (What portion of ticket sales fall into Thursday and what percentage fall into Friday will likely be an open question even after final numbers are in.)

William Shatner (left) with Captain Kirk 2.0 Chris Pine

Keep in mind that Paramount never changed its Star Trek marketing to promote the 7pm Thursday start, so the opening night audience was likely heavy on Trekkers or Trekkies (not sure which term is “politically correct” anymore). So this was a “soft” opening and what amounts to a night of word-of-mouth screenings. Keep in mind that Transformers premiered during the summer when kids are more available while Star Trek has made its premiere during the school year.

(more…)

The all-new J.J. Abrams reboot of Star Trek (Paramount) will win the second weekend of the Hollywood Summer Box Office season by at least a couple of light years over Fox’s fast-fading X-Men Origins: Wolverine, but some of the astronomical numbers I’ve seen floating around in the blogosphere are very over-heated. Make no mistake, this movie will open extraordinarily well, but it’s not going to play out as a typical front-loaded blockbuster. Moviegoers need time to shake off the disappointment of the final TV series Enterprise (starring Scott Bakula and canceled after four seasons) and the disastrous 2002 final film Star Trek: Nemesis ($43.3M domestic). It will take time for a new generation of fans to discover the magic of Gene Rodenberry’s vision of the future through Abrams’ magical lens.

As of Wednesday night, Star Trek is cruising with 94% Fresh (positive) reviews on Rotten Tomatoes, and critics are slinging some seriously glowing hyperbole.

(more…)

In my Final Weekend Tracking column posted on Wednesday, I predicted that X-Men Origins: Wolverine (Fox) would reach $92M on opening weekend, despite soft reviews (now only 38% Fresh on Rotten Tomatoes). My first fearless forecast of the 2009 summer blockbuster season appears to be close to dead-on (missed by only 5%).

Star-turned-producer Hugh Jackman has scored his second-biggest opening ever and, easily, his biggest as a solo star. Wolverine has mauled the competition with a massive $34.75M opening day (including $5M or so in Thursday midnight sales). That could translate to a 3-day of $86.8M, getting Hollywood’s most lucrative season off to a spectacular start.

(more…)

The great thing about a sequel is that it has a built-in audience. The problem with sequels is that, as the numbers after the title go up, so does the production budget. Very hard to know for sure, but sources have told me that the production budget for X-Men was in the $75M range. X-2: X-Men United may have had a budget of about $110M, while the cost of X-Men: The Last Stand was, in all likelihood, as much as $210M. Why doesn’t it make sense to just churn out X-Men 4?

Look at these numbers.

(more…)

Recording superstar Beyonce Knowles is building a bankable resume for herself as an actress with Sony Screen Gems’ Obsessed as the latest title burnishing her resume. Co-starring the excellent Idris Elba (The Wire), this low budget, PG-13 genre pic has scored a far-above-expectations $11M on Friday, and it will likely reach $27.5M for the weekend. That is the best opening yet for the former Destiny’s Child lead vocalist as an above-the-title star, topping 2003’s The Fighting Temptations and Cadillac Records from late 2008.

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

OPENINGS FOR BEYONCE MOVIES
1. Austin Powers: Goldmember – $70.3M opening
2. Obsessed – $27.5M opening (projected)
3. Pink Panther (2006) – $20.2M opening
4. Dreamgirls – $14.1M wide break (after a platform start)
5. The Fighting Temptations – $11.7M opening
6. Cadillac Records – $3.4M opening

(more…)

The final weekend of April has never been Hollywood’s favorite release date. In fact, it is generally considered to be among the worst release dates on the calendar. Whatever opens on the final weekend of April gets absolutely crushed by the official start of the summer blockbuster season on the first weekend of May.

The 4 new wide releases and 1 major specialty release set to debut this weekend will face an onslaught of mega-hits over the next month. How can Obsessed (Sony), Earth (Disney), The Soloist, (Dreamworks/Paramount), Fighting (Rogue) and The Informers (Senator) possibly find an audience with X-Men Origins: Wolverine (Fox) and Ghosts of Girlfriends Past (Warner Bros) arriving next weekend followed by, in successive weeks, Star Trek (Paramount), Angels & Demons (Sony), the combo of Night at the Museum 2 (Fox) and Terminator: Salvation (Fox) and Disney/Pixar’s Up?

(more…)

She has a hit TV show on the Disney Channel, a pair of albums that have debuted at #1 on the Billboard charts, a concert tour with 69 sold-out arenas in North America, and now a second #1 movie in as many years. Miley Cyrus is the biggest teen star in the world.

With most of Hollywood (including myself) expecting an opening in the mid-$20M’s for Hannah Montana The Movie (Disney), Miley has surprised “grown-ups” with her box office clout once again. The picture opened with a heavily front-loaded $17.39M on Good Friday then dropped 40% on Saturday to an estimated $10.34M, and it will reach an estimated $34M by the end of Easter weekend, making it the all-time #2 opening for the bunny holiday weekend. My Friday night early 3-day projection was for $33.6M, but then I raised my number to $39M on Saturday. As it turns out, I should have stuck with my first pass. These young skewing movies are tricky to project, and the Easter Weekend, where Saturday traditionally drops from Friday, makes it even more complicated.

(more…)

Easter weekend 2009 will almost certainly be an all-time record-breaker for Hollywood with a pair of new releases that could be among the top six bunny holiday openings of all time. Although neither Hannah Montana: The Movie (Disney) or the new R-rated comedy Observe & Report (Warner Bros) will challenge 2006’s all-time Easter weekend opening champion Scary Movie 4 ($40.2M), both new offerings look very solid in pre-release industry tracking, and they will be joined by some strong holdovers.

Universal’s Fast & Furious is likely to cross the finish line first for a second consecutive weekend, following up last weekend’s almost $71M with about $30M, which would mark a 58% drop. Still, it must be considered a triumph that the re-teaming of Vin Diesel, Paul Walker, Jordana Brewster and Michelle Rodriguez may have $120M in US sales after just 10 days. That will mean that Fast & Furious will have almost doubled the domestic gross of The Fast & The Furious: Tokyo Drift (the last film in the franchise), and this souped-up thrill ride could be headed for $160M US.

(more…)

With 400,000 Americans showing up every year at the Indy 500 and 200,000 more buying tickets to see NASCAR’s premiere event The Daytona 500, you would think that the most creative minds in Hollywood would be looking for a way to cash in with more movies about car racing and car culture. NASCAR has an estimated 75 million fans, and it is second only to the National Football League in terms of television ratings, so where are all the good racing movies?

Jordana Brewster is reunited with Vin, Paul and Michelle in FAST & FURIOUS

Universal seems to have answered that question by getting its successful street racing franchise back into the fast lane this weekend with Fast & Furious. The movie, which reunites Vin Diesel, Paul Walker, Jordana Brewster and Michelle Rodriguez for the first time since 2001’s original surprise blockbuster, has exploded to a high octane $30.11M or so on Friday and that could mean a $70M opening weekend. That would make it the all-time #1 opening for a car racing movie.

(more…)

Universal’s Fast & Furious will be “burning rubber” this weekend at America’s multiplexes as the original street-racing cast reunites after some sub-par chapters of the franchise.

The original The Fast & The Furious hit theatres in 2001 under the direction of Rob Cohen who had shown a knack for action with Dragon: The Bruce Lee Story ($35M US cume) and Sly Stallone’s Daylight ($33M US cume) and a savvy feel for bigger-than-life characters in his Golden Globe winning biopic The Rat Pack (which, if you’ve never seen you should put in your Netflix cue and prepare to be amazed by Don Cheadle’s turn as Sammy Davis, Jr.). In tow, he had a 34-year-old Vin Diesel in only his second starring role following the surprise low budget hit Pitch Black ($39M cume) and 28-year-old Paul Walker, who had just starred in Cohen’s forgettable The Skulls. Also in the cast was Jordana Brewster (As the World Turns) and a pre-Lost Michelle Rodriguez, whose most notable credit was a gritty little indie called Girlfight.

Vin Diesel returns for FAST & FURIOUS

The result was box office jet fuel. Seemingly out of nowhere, The Fast & The Furious scored a scalding $40M opening weekend and reached $144.5M domestic and over $200M worldwide. But Diesel, whose signature line in the original movie is “I live my life one quarter of a mile at a time,” didn’t like the script for the sequel (or they wouldn’t pay his asking price depending on who you ask). That led to the 2003 sequel 2 Fast 2 Furious directed by Academy Award nominee John Singleton (Boyz n the Hood) starring Walker along with rapper Tyrese Gibson and Eva Mendes. Despite Diesel’s conspicuous absence, 2 Fast still delivered $127M in the US. (more…)

I took my five-year-old son (Ed) and seven-year-old daughter (Ahmi) to see “Monsters vs. Aliens.” We got our Elvis Costello 3D glasses and wore them at all the wrong times during the television commercials that come on before the movie trailers. My kids didn’t know but I was mostly interested in their response to the 3D imagery. That’s right, I went to “Monsters vs. Aliens” primarily for human experimentation. They reached out to grab objects that appeared to float in front of them, but the greatest of all expressions came to their faces every time I looked over at them: smiles.

Reese Witherspoon voices Ginormica, a 49-foot-tall woman with an awesome figure. More to love. But her fiance is a sleazy weatherman from Modesto, as if there’s any other kind. Ginormica is the straight person in the adventure; she carries the hero’s burden of bringing any kind of depth or drama to a 90 minute farce. Her comedy relief side-kicks are fish man, cockroach man, a big Mothra maggot and the show stealing gelatinous B.O.B. voiced by Seth Rogen. (more…)

Jeffrey Katzenberg and Dreamworks Animation have definitively proven that Digital 3-D is a blockbuster format. Not only has Monsters vs. Aliens seized a monstrous $58.2M in opening weekend ticket sales, Real-D (the technology provider) and Dreamworks have revealed that $25M or so of that gross was generated specifically from 3-D and IMAX 3-D. Fox is reporting that fully 43% of the total take was from the estimated 2,218 Digital 3-D screens.

MONSTERS VS. ALIENS tore up the box office this weekend - especially in 3-D

That means that the Per Screen Average for the movie in 3-D was about $11,700, while the 4,800 or so traditional 35MM 2-D engagements had a Per Theatre of just an estimated $4,780. Exhibitors who figured out a way to overcome the credit crunch and pay the estimated $100,000 to convert a traditional theatre into one that can show Digital 3-D made a killing this weekend.

(more…)

It is an excellent weekend for Dreamworks Animation. Although the credit crunch prevented financing that would allow exhibitors to undertake the digital conversion of more of its theatres, Monsters vs. Aliens is benefiting spectacularly from the 2,075 or so standard Digital 3-D engagements and the added 143 Digital IMAX runs. The audaciously ambitious animated send-up of 50’s B-movies has used the “bleeding edge” of technology to milk an estimated $16.7M in opening day ticket sales. The which could translate to $58M or so for the 3-day weekend.

MONSTERS VS. ALIENS towers over previous 3-D releases from Hollywood

If that number holds, and, if anything, they could drift higher as family audiences flood America’s multiplexes, Monsters vs. Aliens will be the all-time third-best opening in the month of March.

(more…)

DreamWorks Animation has created a niche all their own; great looking, high-concept computer animated films with about as much thematic depth as an installment of “Josey and the Pussycats.” It’s as if Pixar created DreamWorks Animation just to make themselves look good.  

“Monsters vs. Aliens” has an awfully great title going for it – who doesn’t want to see that? – but is merely adequate in the execution. Considering the potential of the idea and that there are five credited screenwriters, you would expect a memorable sequence or two and a few clever characters, but lacking in every story element is an inspired imagination.

Susan Murphy (Reese Witherspoon) is about to get married when she’s hit by meteor. The good news is that she’s not hurt, the bad news is that she grows to be about fifty stories tall and is promptly captured by the military and imprisoned in Area 51, where all “monsters” are locked away to keep the public from panicking. The warden is the oh-so cleverly named General W.R. Monger (Kiefer Sutherland), and he explains to Susan, code name Ginormica, that she will never see the light of day again.

Yes, another film aimed at your kids that paints the military as oppressive, robotic and reactionary. (more…)

Jeffrey Katzenberg has been the film industry’s strongest proponent of 3-D over the past few years, and this weekend his advocacy will start paying dividends for Dreamworks Amimation. Monsters Vs. Aliens will debut with 4,104 playdates. That makes it the 13th-widest release in modern film history, and it becomes the biggest non-summer debut of all-time.

Jeffrey Katzenberg - The Pied Piper for Digital 3-D

ALL-TIME WIDEST NON-SUMMER RELEASES
- with summer defined as May 1 – August 30 -
1. 3/27/09 – Monsters Vs. Aliens – 4,104 playdates
2. 11/07/08 – Madagascar 2 – 4,056 playdates
3. 10/01/04 – Shark Tale – 4,016
4. 3/31/06 – Ice Age: The Meltdown – 3,964
5. 3/14/08 – Dr. Suess’ Horton Hears A Who – 3,954

(more…)