“I wash my hands of this.”

The mainstream media will spend ten days losing their ever-loving minds blaming a Sarah Palin campaign map a killer never saw for that killer’s actions, but this news about a confessed terrorist admitting that a clip from Brian De Palma’s “Redacted” “prompted” him to murder two American airmen gets buried at the bottom of a Salt Lake City newspaper article:

Uka gave a teary confession as his Frankfurt state court trial opened in August, saying that the night before the attack he had seen a video on Facebook that purported to show American soldiers raping a teenage Muslim girl. It turned out to be a scene from the 2007 Brian De Palma anti-war film “Redacted,” taken out of context.

Uka told the court the video prompted him to do anything possible to prevent American soldiers from going to Afghanistan. Under German law, the court is still required to hear all evidence in the case, even though Uka has confessed.

The defendant had already killed two U.S. airmen when he turned his pistol on Brewer, a 23-year-old from Gray, Tennessee, who was on the bus waiting with others to be taken to nearby Ramstein Air Base to fly to Afghanistan.

Remember how, during the lead up to the release of the “Passion of the Christ,” the leftist media was on high alert waiting for synagogues and crosses to be burned? And yet, not a word in the national media about how this particular Hollywood film “prompted” the murder of two American servicemen.

Buried. Memory-holed. Never happened. Carry on.   (more…)

You’d think after “Rendition,” “In the Valley of Elah,” “Redacted,” “Stop Loss” and “Lions for Lambs,” film studios would be leery of projects depicting U.S. troops in an unflattering light – or much worse.

Not so! The calendar might say 2012, but there’s another Iraq War-themed film heading our way.

“The Boys of Abu Ghraib,” starring Sara Paxton, Sean Astin and John Heard, sounds like a culmination of all the previous films out to undermine the war effort.

You won’t find a ton of information about the film online, nor does “Boys” seem to have a release date at the moment. Still, a news page for actor Garret Dillahunt, whose name doesn’t appear on the imdb.com page but is linked to the project via Variety, serves up a plot description that sounds like a greatest hits package of past anti-American flops:

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For years, pundits have been trying to connect violent movies and video games with actual crimes.

The arguments typically end up more theoretical than reality based. In one famous instance, the 1994 Oliver Stone film “Natural Born Killers” supposedly inspired a young couple to kill a person and leave another paralyzed.

More recently, celebrities like Elizabeth Banks, Roger Ebert, Patton Oswalt and Michael Moore twisted the blame game for partisan reasons, using their Twitter accounts to accuse Sarah Palin of inspiring the Tucson shooter without a shred of evidence.

Now, we have a direct tie between an anti-war film and the murder of two U.S. soldiers. So … will the media cover the story? Will it change how the film industry treats the subject matter? And will Miss Banks and co. rush to Tweet their condemnation of the movie in question?”

Yes, I’m being rhetorical on all three fronts, but let’s plow on all the same.

“Redacted” by Brian de Palma (“The Untouchables,” “Scarface”) cast U.S. soldiers as racist, violent thugs. The film flopped in spectacular fashion, earning $65,388 for its entire theatrical run. Apparently, audiences weren’t too keen on seeing the men and women of the Armed Forces smeared.

But “Redacted” impacted Arid Uka, a Balkan Muslim who saw the film and went on to kill two U.S. Air Force servicemen in March. Uka told a judge this week he was inspired by “the movie’s graphic depiction of U.S. soldiers raping a girl in Iraq,” says The Daily Caller citing a BBC report.

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Very early, very sketch, and mostly an assumption at this point, but since we now live in a world where liberals and the MSM believe a shooter in Tuscon can somehow be motivated by a cross-hairs map he’s never seen — I’d say the New Tone Rules demand this question be asked:

John Rosenthal at Pajamas Media:

As reported here on Pajamas Media, Arid Uka, who shot and killed two American servicemen at Frankfurt Airport on Wednesday, has told German police that he was motivated in part by a video that he saw showing American soldiers “plundering a house and raping a girl” in Afghanistan. According to Germany’s deputy Attorney General Rainer Griesbaum, Uka is supposed to have viewed the video on YouTube.

An Islamist propaganda video roughly matching Uka’s description is in fact to be found on YouTube. On November 20, 2010, a German-language YouTube user going by the name “24jasmina” uploaded the video under the title “American Soldiers Rape our Sisters! Awake Oh Ummah.”

The video begins with roughly 80 seconds of footage apparently showing American soldiers marauding in a family’s home and raping a teenage girl. The footage appears to be filmed with a night vision camera and comes complete with vulgar and incriminating dialogue. At one point during the rape scene, gunfire can be heard off-camera and then a soldier on camera says: “I f****** killed them all.”

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There are few things I hate more in life than movie trailers that give away the entire plot of a movie. One of the things I do hate more is the modern Hollywood war movie, which is invariably anti-war and, worse, reflexively anti-American or anti-troop.

So when I saw the previews for the new film “Brothers,” I was doubly annoyed. Starring Jake Gyllenhaal, who starred in the egregiously offensive anti-American film “Rendition” (2007), as well as fellow liberal loudmouth Natalie Portman in addition to Tobey Maguire, “Brothers” had a trailer that seemed to scream out the entire plot: A soldier (played by Maguire) was presumably killed in battle in Afghanistan, which lead to an affair between his widow (Portman) and ne’er-do-well brother (Gyllenhaal) as the brother steps up to help her and her children recover from their loss.

The affair is then disrupted by the fact that Maguire is alive after all, his return heralded in the ads by horror-movie music that makes it look like the entire rest of the movie will center on him being a psychopathic animal, ultimately having a showdown with police in which he screams, “Shoot me!” (more…)

The budget for ”Brothers,” per director Jim Sheridan, is $25 million, which probably doesn’t include marketing for promotion and … well, tell me again how Hollywood is driven by profit and not ideology? We’re a month away from 2010 so it’s hard to argue “Brothers” went into production before everyone was well aware that every single war film flopped miserably.

But who does the snob Sheridan choose to blame in advance should his war-themed film flop? Not his own bonehead decision to jump into a genre with a 100% failure rate, not the investors who dove in with him … no, he blames We The American People: 

Midway through a conversation with director Jim Sheridan about his latest film, “Brothers,” he abruptly asks, “Do you think anybody will go see this movie?”

I say what I think he wants to hear – that a cast led by Tobey Maguire and Jake Gyllenhaal is sure to draw people. But we both know that movies that so much as touch on the wars in Iraq and Afghanistan have turned out to be tough sells. …

“I think the American people just don’t think there is a war on, so why should they have to go to a movie about something that doesn’t exist? Their state of denial is hard to overcome,” Sheridan said.

Unbelievable. (more…)

Almost before the echo of gunfire from the massacre at Ft. Hood had faded, the news media launched a pre-emptive rationalization for the slaughter committed by Muslim traitor Nidal Malik Hasan. To divert attention from the shooter’s inconvenient name (“I cringe that he’s Muslim,” said Newsweek’s Evan Thomas), the talking heads began speculating sympathetically about the fragile mental state of poor frazzled Hasan, who had never seen combat but nonetheless must have “snapped.” After all, surely there could be no rational, ideological motive for the mass murder, which President Obama labeled “incomprehensible.”  And “it’s certainly not about his religion, Islam,” denied Senator Lindsey Graham. Indeed, from listening to such “experts” as irrelevant diet book author Dr. Phil (“this is not a well act”), you’d think that Hasan was the victim, not the fourteen dead* and the nearly thirty seriously wounded that he left in his heartless wake. Even as a mountain of accumulating evidence irrefutably exposed Hasan’s act as premeditated violent jihad against the U.S. military, stubborn left-leaning commentators clung to their theory of mental derangement.

George Clooney in 2005’s  Syriana

Meanwhile the national discussion has segued to our own collective insanity, political correctness, which we are now discovering paved the very way for the massacre. It is this cultural and mental straightjacket that forced a U.S. Army general to say diversity is more important than losing American lives; that compelled our Homeland Security Secretary to reassure the Arab world that we’re doing everything we can to protect against a mythical Muslim backlash; that prevented people from speaking out about red flags that could have saved the lives of everyone murdered at Ft. Hood; and that prevents our officials from even naming the enemy. No such ailment afflicts the jihadists, however, who are celebrating Hasan as a hero, who have no problem acknowledging his ideological intent, and who recognize our political correctness as a self-inflicted fatal wound. Unlike our leaders and media elites, they don’t sap their wartime focus with hand-wringing and navel-gazing. (more…)

Kicking back listening to Bonnie Tyler belt out “Holding Out For A Hero” made me think of a recent visit to Hollywood where I had the opportunity to speak with a few producers and screenwriters, truly good people all. 

Their big message: military films aren’t working. The country is weary and doesn’t want war films as entertainment. Rather, they say, the good citizens of our nation want to escape with the fictional heroes in movies such as “Transformers,” “X-Men,” and “Spider-Man.” 

Military movies may not be working because Hollywood presently refuses to capitalize on the real life heroes in combat everyday. Everyone loves a good hero and for Hollywood to embrace the notion that there might be a valorous man or woman worthy of a feature film may lend creditability to the cause for which they are fighting. And we can’t have that. 

Instead, their latest war films are partisan propaganda as opposed to realistic and balanced. Somewhere between the screenplay and the final edit group therapy takes place and movie houses release message films as opposed to realistic action movies.  (more…)

Please go to this link first – click here – to understand what I’m about to rant about and why I’m so pissed.

Almost 90% of Americans believe the war in Iraq is and was a waste. The Hollywood media feeds the public wasteful, depressing, and horribly fabricated stories. When did the U.S. military become the bad-guys? We are stereotyped “Generation Kill.” I guess that is all we do. All we do is go to Iraq, hunt innocents and slaughter them. I guess that is what I did for eight months while I was there.

I guess I really didn’t save Iraqi families from being tortured by foreign jihadis. I didn’t set up the first ever Iraqi elections. Or see my brothers blown up, shot, maimed, and killed. Getting attacked from Mosques and hospitals–and you know what?  We just took it, day after day we took it and we kept going. An IED blowing up underneath me each day.  We couldn’t fight back; we were ordered not to. No matter how much vengeful, pent up aggression I felt, or how much I wanted to kill, I didn’t act on it. We have a code, Rules of Engagement. “RULES,” rules that are followed.

But according to then Senator and now President Obama, all I did was air-raid villages and kill innocent civilians.  This is a video I will never forget:

People like Pat Dollard and Micheal Yon tell the true stories.

Please watch these clips and tell me if you buy into what is portrayed. Honestly, tell me what you believe. (more…)