I saw Fools Face open for John Hiatt in Madison, WI in 1982. I had their two vinyl LPs, Tell America and Public Places on the Talk label. Fools Face did not disappoint, putting on a galvanizing fifty minute show.

They have now released a live record, Fools Face Live at Last (Talk, 2005) that is among the greatest rock recordings ever made. The recording is superb, the audience is electric, and the music itself is timeless fist-pumping power pop, song after song after song.

I have seen the Rolling Stones, McCartney and Wings, Queen, Led Zeppelin, Jimi Hendrix and Santana to name a few, and I have sought live recordings of all of them. Live At Last ranks with the very best, apart from the reasons stated above, precisely because they are a relatively unknown band from the heartland. The record’s unexpected nature only enhances its greatness.  (more…)

I was doing a little channel surfing a few weeks ago and happened across some sort of music awards show. I believe it was The American Music Awards but judging from the level of the performances it could have been some sort of reality show. What caused me to stop for a moment was seeing who I thought was Madonna doing a little dance number in combat boots.

Madonna is famous for, among other things, reinventing herself. “Reinventing” is show business talk for falling to a new level of depravity. You never see the Hollywood press praising someone for finding faith or cleaning up their act but if they demean Christian values or morality, they get raves. So I was interested to see if this was some sort of political or religious statement or just the latest fashion craze.

So I watched the performance for a few moments. The woman who was the focus to the number then moved to a piano inside a glass case which later ignited in flames. I started to suspect that this wasn’t Madonna because to the best of my knowledge she doesn’t play the piano and is old enough to remember that the late Michael Jackson set himself on fire awhile back. At the end of the song the woman leaned back with outstretched arms as if to say I have exhausted myself as an artist by dancing and lip syncing for three minutes.

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For most non-Teutons the idea of German rock is not very appealing. The fatherland of Bach and Beethoven may well have produced many interesting experimental groups (Kraftwerk,  Einstürzende Neubauten etc) but on a global, top 40 level it’s an entirely different matter. Consider: 

1) The Scorpions- hair metal popular in the 80s, approximately as good as Winger.

2) KMFDM- plodding industrial metal from the late 80s/early90s.

3) That Nena chick of ‘99 luftballons’ fame. 

In short, a roster of acts so unnecessary that we could safely consign them to the same dark abyss as Croatian thrash or Russian hip hop and the human race would be none the poorer for it. And yet fortunately for the glory of popular Deustche musik this is not the end of the story- for in the mid 90s what rough beast slouched towards Germany to be born? Breathing flames and reveling in death and all manner of deviancy, its name was Rammstein. 

Formed in the early 1990s by veterans of several crap East German groups, Rammstein consisted of six men in their 30s who had grown up under communism. They took their name from Ramstein, a US military base where a terrible disaster had occurred during an air show in 1988, adding an extra ‘m’ to dislocate it slightly. With the Berlin Wall fallen, the band was now liberated to steal as many sounds and ideas as they desired. These included elements of classic heavy metal, industrial metal and gothic synth pop such as Depeche Mode; not to mention liberal appropriations from Laibach, a Slovenian group fascinated by the links between mass culture, pop music and totalitarianism. (If you have a few minutes I recommend you watch Laibach’s reinterpretations of Queen’s One Vision and Opus’ Life is Life: the originals will never sound the same again.) (more…)

If you haven’t heard of Adam Lambert, you will soon.  He is the flamboyant rocker who recently came in second on “American Idol” in a stunning upset by boy-next-door Kris Allen.  Adam, the judges’ obvious favorite throughout the show, is a 27-year-old actor-singer who was struggling to make it in the music business until “Idol” came along.  A former cast-member of “Wicked,” Adam worked in various Broadway touring groups and avant garde shows in order to pay his rent.  But his real dream was to become a pop-rock star.

Adam has an amazing vocal range and a falsetto so rich in quality that it is imperceptibly different from his chest voice.  His incredible ability to control his vocals enables him to hold his high notes seemingly forever.  His versatility is unmatched in “Idol” history.  With the arguable exception of country music (his rendition of “Ring of Fire” received strong emotional reactions both pro and con, as it was more like Johnny Cash doing Goth music with Middle Eastern undertones), Adam excels in every genre of music.  He sings soulful ballads to pop to heavy metal and glam rock, all with ease, style, and pitch-perfect tone. (more…)

Few shows illustrate how low the state of popular music has fallen than “American Idol.”  While AI regularly finds singers of talent, the songs they feature are mostly chestnuts.  The show also encourages the type of singing that is more at home on Broadway than in small smoky clubs.  The judges put an inordinate amount of focus on vocal pyrotechnics encouraging contestants to test the outer limits of their ranges.  The most exciting news to come out of the most recent season is the possibility that Adam Lambert might join Queen, replacing the ill-considered Paul Rogers.

I would love to see Adam Lambert join Queen.  I already know all the songs.  And that’s a problem.  Singer/songwriters have been moving off-grid since the nineties.  With the demise of the major music conglomerates, innovative talent understands it’s up to them to record and release their own material.  The internet makes this possible.  No one knows the extent of the effect downloading has had on the music industry, but if we are to judge from the reaction, it has been devastating.  The Recording Institute Association of America has brought suits against parents whose children illegally download songs. (more…)