BIG HOLLYWOOD INTERVIEW: Quentin Tarantino, a Glorious ‘Basterd’

Editor’s Note: After the publication of this piece we made an internal discovery that this interview was not a one-on-one interview between our writer and Quentin Tarantino, and that some of the questions attributed to “Big Hollywood” were asked by other journalists in what was a roundtable interview.
 
Upon discovering this, we temporarily removed the piece from the site until all the facts were known and a proper correction could be added.

Quentin Tarantino exploded on the world film scene in 1992 with “Reservoir Dogs,” a brutally profane yet ingeniously plotted and often funny deconstruction of the heist-film genre. He took things to a whole other level in 1994 with “Pulp Fiction,” reviving the foundering careers of superstars John Travolta and Bruce Willis while launching the star careers of Samuel L. Jackson and Uma Thurman while winning a Best Screenplay Oscar himself. 

Yet in the 15 years since that classic, Tarantino hasn’t been able to score quite as big an impact. 1997’s “Jackie Brown” made just $39 million, while the two “Kill Bill” films scored $70 million each yet were considered hyper-violent trifles compared to what he was really capable of. And he really bottomed out with 2007’s “Death Proof,” which made up half of “Grindhouse,” a three-hour homage to the trashy drive-in films of America’s past. Its 21st-century audience didn’t get the joke and largely ignored it, earning just $27 million at the US box office.  (more…)

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Tags: "Jackie Brown", "Reservoir Dogs", ("True Romance, DePalma, Diane Kruger
Posted Sep 27th 2009 at 6:54 am in Featured Story, Film, News | 22927869 Commentshttp://bighollywood.breitbart.com/ckozlowski/2009/09/27/big-hollywood-interview-quentin-tarantino-a-glorious-basterd/BIG+HOLLYWOOD+INTERVIEW%3A+Quentin+Tarantino%2C+a+Glorious+%27Basterd%272009-09-27+13%3A54%3A36Carl+Kozlowski

The Leonard-Tarantino Axis of Pulp Fiction

“Inglourious Basterds” opened this weekend. It has the potential to be satisfying for Quentin Tarantino fans. I will definitely see it. It is an “alternative history” of WWII, but despite its setting, Tarantino characterizes the movie as a “spaghetti western.” My guess is a hint of the “pulp fiction” writer Elmore Leonard will, like a super fine mist, be present in the film.

On my Facebook profile page, I dutifully filled out my personal interests. Under favorite movies I listed “anything Quentin Tarantino”; under novels I listed “anything Elmore Leonard.” What I left out under “movies” was “anything Elmore Leonard which seem like Quentin Tarantino” and vice versa. To me, they are almost indistinguishable. I have read virtually all of Leonard’s books. I just purchased today his latest, “Road Dogs.” I have seen nearly all of Tarantino’s movies. I have read or seen many of their works multiple times. I still get surprised by a Leonard movie from time to time. I recently saw “3:10 from Yuma” on TV. There was something rivetingly familiar about it. It turns out it was adapted from a 15 page short story by Leonard that I had never read. (more…)

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Tags: "3:10 from Yuma", "Freaky Deaky", "Jackie Brown", "Kill Bill: Volume 1", "Reservoir Dogs"
Posted Aug 22nd 2009 at 10:57 am in Entertainment, Film | 20843048 Commentshttp://bighollywood.breitbart.com/mrulle/2009/08/22/the-leonard-tarantino-axis-of-pulp-fiction/The+Leonard-Tarantino+Axis+of+Pulp+Fiction2009-08-22+17%3A57%3A21Michael+S.+Rulle+Jr.

What Political Correctness Reveals About the Politically Correct

John Nolte’s review of “Brüno,” a film I haven’t yet seen, tackles Sasha Baron Cohen’s previous film “Borat,” a film I have seen about twenty times. That being said, Nolte is dead-on in his appraisal of the film: it found favor with the left-wing elitists because it poked fun at us regular folk. But in praising “Borat,” they revealed something about themselves, something I’ve known to be true since the summer of 1994.

That was the best year for movies that I can recall. That summer alone we had “Forrest Gump,” “True Lies,” “Speed,” and everyone was eagerly awaiting the arrival of Cannes winner “Pulp Fiction.” And we also had “The Lion King.” I remember the critic for my campus newspaper, The Red & Black (Go Dawgs!), panned the film, noting that the “Circle of Life” song, sung by a gay man, was really about keeping groups of people, particularly minorities, in their place. I thought this was bizarre and brought it up with some of my classmates. (more…)

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Tags: "Forrest Gump", "True Lies", 1994, Borat, Bruno
Posted Jul 10th 2009 at 11:57 am in Featured Story, Media Criticism, Political Humor, Politics | 180202211 Commentshttp://bighollywood.breitbart.com/ccannon/2009/07/10/what-political-correctness-reveals-about-the-politically-correct/What+Political+Correctness+Reveals+About+the+Politically+Correct2009-07-10+18%3A57%3A02Cam+Cannon

The All-Time Top 10 Movie Posters (one man’s opinion) – #1 JAWS, #2 CHINATOWN, #3 THE DARK KNIGHT

Over the weekend, I was pondering why the low budget, standard genre pic The Haunting in Connecticut (Lionsgate) has become a nifty little box office hit. The film added almost $9.5M over the weekend for a new 10-day cume of $37M, and the only conclusion I have been able to reach is that it’s all about the poster.

Creepy, right? I have not seen Haunting and will probably wait for DVD or pay cable, but that is a weird, startling, attention-grabbing image. As a movie junkie, I love good movie art. The best movie posters are evocative. They capture what a movie is all about without giving away the mystery. There are certain movie posters that instantly put me back in that theatre experiencing the film for the very first time. The best movie posters are not just promotional tools. They stand as a work of art on their own. These are my favorites, buit it is by no means a definitive list. Feel free to add your favorites (and subtract any of mine).

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Tags: 2001: a space odyssey, a clockwork orange, academy award, alan ball, alfred hitchcock
Posted Apr 6th 2009 at 8:27 pm in Entertainment, Featured Story, Steve Mason's Box Office | 9912253 Commentshttp://bighollywood.breitbart.com/smason/2009/04/06/posters/The+All-Time+Top+10+Movie+Posters+%28one+man%27s+opinion%29+-+%231+JAWS%2C+%232+CHINATOWN%2C+%233+THE+DARK+KNIGHT2009-04-07+03%3A27%3A28Steve+Mason