We’re all for freedom of expression and all that, but the airwaves are public and parents have a right to know what they’re sitting their children down to watch. And if it involves shoving “a male dancer’s face into his crotch, in an act that simulated fellatio,” I think we all do.

Today’s New York Post:

Adam Lambert shocked and surprised the American Music Awards Sunday night with what some viewers deemed a “lewd” performance of the title track of his newly-released debut album, “For Your Entertainment.”

The “American Idol” runner-up pelvic-thrusted his way through the four-minute, S&M-themed routine, taking time out from singing to grope a female dancer, kiss a male musician and, most shockingly, shove a male dancer’s face into his crotch, in an act that simulated fellatio. (more…)

For decades, Americans have been brainwashed into thinking the broadcast airwaves are public. Are they?  Or have we become so accustomed to thinking the airwaves are public that they have become so by default? By designating the airwaves as public domain, the government has become the referee of what we hear and see. And, when government has regulatory control of the media, potential danger lurks. Enforcement of the Fairness Doctrine until 1987 was one of the regulations that controlled the media, for example.

Listen to Ayn Rand

A little history behind the Federal Communications Commission and the notion that the airwaves belong to the public is in order. It all began in 1924 with Herbert Hoover when he served as Secretary of Commerce.  It was Hoover who fought for government control of radio and made repeated attempts to extend government power beyond the limits set by legislation of the time including attempts to attached detailed conditions to radio licenses.  (more…)