Posts Tagged ‘political correctness’

Robert J. Avrech

Patsy Ruth Miller and F. Scott Fitzgerald: Politically Incorrect in Hollywood

by Robert J. Avrech

img263.jpgActress and author Patsy Ruth Miller.

In 1924 while shooting a film in New York, actress Patsy Ruth Miller (1904-1995) developed a close friendship with author F. Scott Fitzgerald and his wife Zelda. Frequently, Fitzgerald and Patsy Ruth would go out for dinner while Zelda remained home pleading fatigue. Patsy Ruth eventually realized that Zelda’s fatigue was acute alcoholism.

Observes Patsy Ruth:

It didn’t seem to me that Scott drank more than most of the men I knew. He seemed intoxicated on words, and sometimes we would sit, our after-dinner coffee growing cold, while Scott tried to make me see some fine point of writing, or understand why an emotion had been ill or well portrayed. But often I had the feeling that he was unsure of himself as a writer, that he was afraid of that one day he’d have nothing left to say, and I also had the impression that Zelda did little to build his confidence, even sometimes, in a perverse way, seemed to enjoy his battle with self-doubt.

Fitzgerald’s agonies of self-doubt are common among writers. The fear of having nothing left to say will, inevitably, be paralyzing. And a non-supportive spouse can act as a fatal poison to a vulnerable writer. Most witnesses observe that Fitzgerald was an alcoholic by the time he attended Princeton. There is no doubt that by the time he landed in Hollywood he was a hopeless drunk. It’s a measure of how common was alcoholism in early Hollywood that Patsy Ruth didn’t think Fitzgerald’s intake was all that unusual. (more…)

Mark Tapson

Political Correctness, Ft. Hood, and Hollywood

by Mark Tapson

Almost before the echo of gunfire from the massacre at Ft. Hood had faded, the news media launched a pre-emptive rationalization for the slaughter committed by Muslim traitor Nidal Malik Hasan. To divert attention from the shooter’s inconvenient name (“I cringe that he’s Muslim,” said Newsweek’s Evan Thomas), the talking heads began speculating sympathetically about the fragile mental state of poor frazzled Hasan, who had never seen combat but nonetheless must have “snapped.” After all, surely there could be no rational, ideological motive for the mass murder, which President Obama labeled “incomprehensible.”  And “it’s certainly not about his religion, Islam,” denied Senator Lindsey Graham. Indeed, from listening to such “experts” as irrelevant diet book author Dr. Phil (“this is not a well act”), you’d think that Hasan was the victim, not the fourteen dead* and the nearly thirty seriously wounded that he left in his heartless wake. Even as a mountain of accumulating evidence irrefutably exposed Hasan’s act as premeditated violent jihad against the U.S. military, stubborn left-leaning commentators clung to their theory of mental derangement.

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George Clooney in 2005’s  Syriana

Meanwhile the national discussion has segued to our own collective insanity, political correctness, which we are now discovering paved the very way for the massacre. It is this cultural and mental straightjacket that forced a U.S. Army general to say diversity is more important than losing American lives; that compelled our Homeland Security Secretary to reassure the Arab world that we’re doing everything we can to protect against a mythical Muslim backlash; that prevented people from speaking out about red flags that could have saved the lives of everyone murdered at Ft. Hood; and that prevents our officials from even naming the enemy. No such ailment afflicts the jihadists, however, who are celebrating Hasan as a hero, who have no problem acknowledging his ideological intent, and who recognize our political correctness as a self-inflicted fatal wound. Unlike our leaders and media elites, they don’t sap their wartime focus with hand-wringing and navel-gazing. (more…)

Adam Baldwin

‘The Demands of Political Correctness’

by Adam Baldwin

In reply to a recent political and cultural controversy involving “Sesame Street,” Sesame Workshop Executive Vice President Miranda Barry wrote:   

Jim Henson, Jon Stone, Frank Oz and others set a witty and silly tone for Sesame Street that our current writers work to maintain despite the demands of political correctness

What then, specifically, are the demands of political correctness that Ms. Barry’s taxpayer-funded organization operates under? 

GetAttachment

What is Political Correctness? 

For an exacting scholarly analyses of Political Correctness we can turn to Free Congress Foundation & William Lind’s The History of Political Correctness. 

As Mr. Lind distills:

If we look at [Political Correctness] analytically, if we look at it historically, we quickly find out exactly what it is. Political Correctness is cultural Marxism. It is Marxism translated from economic into cultural terms.  (more…)

Mark Tapson

‘The Simpsons’, Islamophobia and CAIR: The Price of Freedom

by Mark Tapson

This past January, London’s Daily Star tabloid announced urgently that an upcoming episode – “the most controversial episode ever”! – of The Simpsons on the Sky1 network “pokes fun at Islam” and “is certain to enrage Muslim fanatics.” As anyone who morbidly follows this sort of thing (as I do) knows, enraging Muslim fanatics is hardly an accomplishment of Halley’s Comet-like rarity. It doesn’t take much: books, cartoons, teddy bears named Mohammad, posters of puppiespiggy banks, a Burger King ice cream swirl and the Nike logo (both of which apparently too closely resembled the Arabic script for “Allah”), are just a few of the recent Western offenses that have sparked their frothing outrage worldwide.

Simpsons

Yet despite the Daily Star’s perversely hopeful tone, there was no violent reaction in the UK from said fanatics, nor was there one in the United States after the episode originally aired here last Thanksgiving weekend (in a grimly ironic twist, the same weekend as the devastating mass murder and mayhem committed in Mumbai by a band of – wait for it – Muslim fanatics, or as the culturally sensitive media preferred to call them at the time, “gunmen”). So why no Muslim fury over The Simpsons? (more…)

S.T. Karnick

Fox’s ‘Glee’ Mocks Political Correctness

by S.T. Karnick

As overly serious police procedurals have begun to saturate the primetime network TV schedules, the FOX network has quietly but wisely been exploring alternatives. Introduced a few years ago, the highly popular House varied the formula by moving it to a medical setting, and last year Fringe interestingly revived the delight in adventure characteristic of mid-1960s network TV dramas. 

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The new drama Glee (Wednesdays, 9 p.m EDT) represents another approach and a bolder break with current trends–and it may point the way toward a welcome increase in variety among network TV dramas. 

Produced by Ryan Murphy (Nip/Tuck), Glee tells the story of high school teacher Will Schuester (Matthew Morrison) a married high school teacher in his thirties, who wants to restore McKinley High School’s glee club to its former glory, achieved when he was a member during his high school years and the club won the nationals.  (more…)

Michael S. Rulle Jr.

‘Mad Men’ Season 3 Premiere Disappoints

by Michael S. Rulle Jr.

I became a “Sopranos” fan about three or four years after the show first aired. I thought it was great. I went back to rent the first four seasons to catch up and thought they were great too. I would write reviews of each show for fun and follow certain blogs. One theme of the blogs was how the show “changed” and it was no longer as good. I did not understand what they were talking about. I figured they were over thinking the show.

Welcome to my first reaction to Season 3 of “Mad Men.” I was surprised they skipped seven or eight months in time. The opening flashback scene of Don Draper’s childhood was linked to Betty’s pregnancy, but seemed perfunctory. They have a big firing scene about the head of accounts who had never been on the show before. He must have been hired after “Duck Phillips” was fired. But this made no sense, because it means the Brits would have already approved it and been involved. Pete Campbell’s wife undergoes a personality transplant and is suddenly a power person. The usually sharp eyed Betty misses the meaning of the Stewardess’s pin her daughter finds, as Draper pretends it is a gift. (more…)

Carl Kozlowski

Review: ‘District 9’–An Alien Internment Camp?

by Carl Kozlowski

Is it possible for a film to be both a brilliant, exciting piece of entertainment, and also a completely illogical piece of heavy-handed political propaganda? It is, if the new science-fiction oddity “District 9” is any indication.

Led by a stunning performance by Sharlto Copley, who is not only unknown to audiences outside South Africa, but who had never acted in anything but short films before, “District 9” blasts through its running time with a furious mix of action and satire. Yet its central plotline, focusing on what might happen if space aliens approached Johannesburg and were then held in a segregated district for nearly three decades, is riddled with holes and bangs viewers over the head with its allegories of racial discrimination harkening back to the evil days of that nation’s apartheid policies.

The film kicks off with a fast-paced blend of fake newscasts and faux-documentary footage shot by a camera crew that’s been assigned to cover a mass evacuation of aliens from their home in the city’s District 9. The aliens had come in a giant mother ship back in 1982, but no one has ever figured out why they arrived and left the ship to hover eternally over Johannesburg. (more…)

Chris Yogerst

GI Joe: An Obamanation

by Chris Yogerst

By now, everyone should know that the new film, GI Joe: Rise of Cobra, is a despicable excuse for a movie. It was harshly panned by Big Hollywood as well as by me. For an action film, it is horrible, but for an American film, it is a disgrace.

Director Stephen Sommers said, “this is not a George Bush movie — it’s an Obama world.” Sounds to me that since Bush is no longer president it is supposed to legitimize the disintegration of patriotism for our armed forces. That would explain why the Joe’s are no longer the all American heroes they once were. Instead, they are a multinational task force that picks up the pieces after the USA fails.

This film represents everything President Obama worshipers stand for, which explains the lack of Americanism.GI Joe has always been a vehicle of unapologetic patriotism. What happened? Obama happened. For some reason, it now feels like multiculturalism was not acceptable until Obama was elected into office?

(more…)

Cam Cannon

What Political Correctness Reveals About the Politically Correct

by Cam Cannon

John Nolte’s review of “Brüno,” a film I haven’t yet seen, tackles Sasha Baron Cohen’s previous film “Borat,” a film I have seen about twenty times. That being said, Nolte is dead-on in his appraisal of the film: it found favor with the left-wing elitists because it poked fun at us regular folk. But in praising “Borat,” they revealed something about themselves, something I’ve known to be true since the summer of 1994.

That was the best year for movies that I can recall. That summer alone we had “Forrest Gump,” “True Lies,” “Speed,” and everyone was eagerly awaiting the arrival of Cannes winner “Pulp Fiction.” And we also had “The Lion King.” I remember the critic for my campus newspaper, The Red & Black (Go Dawgs!), panned the film, noting that the “Circle of Life” song, sung by a gay man, was really about keeping groups of people, particularly minorities, in their place. I thought this was bizarre and brought it up with some of my classmates. (more…)

S.T. Karnick

Malden Brought Depth, Morals to Film Roles

by S.T. Karnick

Actor Karl Malden, who died at age 97, was a fine performer who stood for good principles and conveyed a sense of moral responsibility in his performances.

Malden was instrumental in pushing the Motion Picture Academy to give a lifetime achievement award to writer-director Elia Kazan, who directed Malden in perhaps his best and most memorable role, that of Father Berry in “On the Waterfront.”

Kazan had been an outcast in Hollywood for several decades before the 1999 award, because of his opposition to communism. Malden’s support of him carried a great risk of ostracism by Hollywood’s political correctness police.

A measure of Malden’s integrity is that he was married to the same woman for seventy years and was surrounded by family members when he died. (more…)

Eric Golub

Review: Corked

by Eric Golub

I had the pleasure of seeing an independent film named “Corked,” a movie that satirizes the pomposity and smugness of the culture of Sonoma Wine Country.

As somebody who does not drink alcohol, does not go to independent films, and does not drive my car outside the West side of Los Angeles (it’s an old car), I forayed into Downtown LA to watch a “mockumentary“ where adult beverages were served. (more…)

Andrew Breitbart

No More Apologies from Sotomayor

by Andrew Breitbart

This week’s Washington Times column:

With Barack Obama, many Americans had hoped to get a post-racial president. With Mr. Obama’s pick of Judge Sonia Sotomayor to replace David H. Souter on the Supreme Court, it looks less and less like they got one.

President Obama – a man we still hardly know – clearly subscribes to the notion that we should judge each other not just on the content of our character, but also by the color of our skin.

We’ve had warning signs before. Remember the Rev. Jeremiah A. Wright Jr.?

As for the outrage du jour, the call for Sotomayor to apologize for making a racist comment in a 2001 speech is silly. She said what she meant, and she meant what she said: “I would hope that a wise Latina woman with the richness of her experiences would more often than not reach a better conclusion than a white male who hasn’t lived that life.” (more…)

James Hudnall

What’s ‘Latina’ Got to do With It?

by James Hudnall

When you favor someone because of their race over others who are equally or more qualified, that’s racism. Except in America where an old policy that was supposed to help people in an age of real separatism is still on the books and enforced.

The appointment of judge Sonia Sotomayor by President Obama to the Supreme Court is a classic example of how absurd affirmative action has become. And she unwittingly said it all in the following statement:

“I would hope that a wise Latina woman with the richness of her experiences would more often than not reach a better conclusion than a white male who hasn’t lived that life.”

First of all, that is a foolish statement. Wise people don’t call themselves wise. And anyone who thinks their ethnicity (Latinos aren’t a race) or race makes them somehow more wise is not very smart. There are clueless people of every race. Life experience only imbues wisdom if you actually learn something from it. A lot of people don’t. (more…)

James Hudnall

How to Kill Political Correctness in Five Easy Steps

by James Hudnall

Last week I told you why political correctness must die. There are plenty of reasons, but I gave five. Today I want to tell you how to kill it for good.

PC is something everyone seems to hate, yet it pervades our culture and lives. The only people who seem to like it are the ones who use it to impose their will on everyone else. The abusers. But we don’t have to put up with it anymore. It’s time we stood our ground and said “no more.”

Of course, to be un-PC doesn’t mean going out and insulting everyone. Bad behavior isn’t going to win you friends. But a lot of the alleged outrage out there from the PC clowns is bogus and it should not be allowed to pass anymore.

How do we do that? Simple. (more…)

James Hudnall

Political Correctness Must Die

by James Hudnall

In the early 20th century Marxism seemed like a good idea to many of the poor and downtrodden the world over. It hadn’t yet resulted in the untimely deaths of more people than all the wars of the 20th century combined.

Even so, radicals then were as annoying and crazed as radicals now. So the people weren’t universally jumping on their bandwagon. The Marxists couldn’t flip governments without the masses. So they worked on a system to undermine unity in society. The old adage “United we stand, divided we fall” was on their mind. They had to divide the people in order to tear society apart and remake it their way. Thus, political correctness was born.

This documentary does an excellent job of telling its story. PC is designed by German Marxists of the Frankfurt School to destroy Western culture. (more…)

Andrew Breitbart

Political Correctness is Torture

by Andrew Breitbart

This week’s Washington Times column:

Here we go again. The latest poster conservative for political-correctness-run-amok in a country careening downhill on left-wing, Democratic cruise control is Republican congresswoman Virginia Foxx.

Mrs. Foxx’s impropriety: The thought crime of arguing against “hate crime” laws by pointing out that Matthew Shepard – the tragic icon attached to the legislation – represents a salient argument against enacting them.

Mr. Shepard, the gay Wyoming teenager robbed and savagely beaten to death by drug-addled thugs in 1998, is the emotionally charged posthumous force behind the movement to pass hate crime laws. He got that way after a relentless, decade long mainstream media, Madison Avenue and Hollywood propaganda campaign to make his death a symbol of just-beneath-the-surface sadistic intolerance toward homosexuals. (more…)

John Nolte

Review: Andrew Klavan’s ‘The Last Thing I Remember’

by John Nolte

The primary attraction to any Andrew Klavan novel is a well-constructed, breathlessly paced story that grabs hold within a paragraph and never lets you go. In this respect, Klavan’s a narcotics dealer, a deliverer of addictive, satisfying escapism created to transport you from reality — which in a way makes his latest thriller, “The Last Thing I Remember” a gateway drug for young adults.

Opening sentence: “Suddenly I woke up strapped to a chair.”

Strapped to that chair is Charlie West, a typically bright and motivated high school student who has no idea how he got there. The last thing he remembers is a good though unexceptional school day but nothing that connects to the where, how or why of his present and immediate circumstance. Not only has he been tortured, but voices in the hall have just decided to kill him … slowly.

From here Charlie will have to escape, out run and out-wit his deadly, resourceful captors and unravel what happened in-between scoring a first date with his dream girl and waking up in, well,  an Andrew Klavan page turner. The plot never stops moving or thickening and as the pieces come together, Charlie finds himself the only hope between … and that’s all you’re getting from me. (more…)

John Nolte

Interview: Andrew Klavan on His Latest Thriller and Conservatives Creating Their Own Culture

by John Nolte

Note: This is the second part of a two-part interview. Part one can be found here.

Big Hollywood:  Where did the idea for “The Last Thing I Remember” come from? I know there’s an evolution to a good story, well told. How did this evolve from that first spark to final draft?

Andrew Klavan: Some of it in this case was a matter of putting my money where my mouth is.  For years, I’ve been complaining that there are no books with real boys in them, that when we want to write about manhood or patriotism or battling evil, we suddenly have to write about fantasy lands and dragons or Gotham City or whatever.  There’s real evil in the world, real people who do real evil, and they need to be fought and there’s no appeasing them.  So I started from that point of view.  Let me just speak plainly about what we’re fighting for, what kind of people do the fighting and what they believe that empowers them and why.  And I guess it started from that.

BH:  I know the secret to your success is having your wife read everything first. Are you like me? Do you get angry at her criticism, especially when she’s right?

AK: LOL.  I know your wife, you have the sweetest wife on earth and shame on you for getting mad at that good, good woman when she’s only trying to help.  But yeah, I do exactly the same thing.  You know how it is.  We pour our hearts and souls into these things and at the point when we show them to our wives, we’re still raw with it, the wound is still bleeding.  And she says, “This is the greatest novel I’ve ever read but on page 116, you misspelled whirligig,” and you’re, like, “How dare you, you harridan!  Don’t you realize I’m an ARTIST???  I meant to spell it that way!!!”  Luckily, my wife knows I worship the ground she walks on.  (more…)

John Scott Lewinski

Somali Pirates Too PC for Hollywood and Obama

by John Scott Lewinski

In a dangerous and dramatic throwback to eras long thought dead, pirates are once again actively threatening lives and property of honest seafaring men along the African coast.

The situation presents a perfect opportunity for:

A. Hollywood to produce an exciting action/adventure film based on real world events.

B. The American president to make a rousing and pointed statement on his firm support of the rule of international law on the open seas and how he’ll defend the safety of his citizens if endangered anywhere on Earth.

I predict you have a better chance of being abducted by said pirates at your local McDonald’s than you have of seeing either of the above actually occur. Why?  Both Hollywood and Obama are held hostage by the same childish, simple-minded worldview that curses all hard left art and politics (a refrain I’ve sung before and will chirp about again): “The strong are always bad. The weak are always good.” (more…)

Big Hollywood

Chief Obama Defender Jon Stewart Takes on Breitbart

by Big Hollywood

Breitbart response to come…

Charles Winecoff

Play That Funky Gay Card, White Boy

by Charles Winecoff

I’ll never forget a dinner party I attended in the early ’80s, where I first heard the term “African-American.”  I got a big laugh at the table when I declared, “Oh, that’ll never catch on.”  It was way too much of a tongue-twister for everyday use.

Today, “African-American” is as ubiquitous as “the” (and used to describe all US blacks, no matter where they come from).

 

Flash forward to 2002: Halle Berry pulls out all the stops, dedicating her Oscar win to “every nameless, faceless woman of color that now has a chance” (as the camera cuts to her white mom sitting in the audience).  The next morning, I’m in the office of a TV honcho when I overhear a curious voice mail on his speakerphone. (more…)

Tim Slagle

Response to Ben Shapiro’s ‘Rap is Crap’

by Tim Slagle

I just finished reading Ben Shapiro’s Rap Is Crap and I can’t let it go.

I am not a huge fan of rap music. It is not the top rack choice on my iPod, and yet, I can appreciate its contribution to music and pop culture. Very few of the top 40 songs today don’t have at least a small rap section in bridge of the song.  It has now been over thirty years since rap made the leap from the inner city streets to the top of the pop charts, so it’s not going away anytime soon.

All of Ben’s complaints were once said about rock and roll: lack of melody and harmony, overemphasis on rhythm, vulgar, overly sexual lyrics… Rock and roll was also called a corrupter of youth and predictions of it’s quick demise abounded. There were record burnings and organized protests against this Satan music, and today, footage of these protests are viewed comedically. Do we really want this stigma attached to Republicans any longer?  Are we tired of being the punchline yet? (more…)

Riley Hunter

Obama’s War on English

by Riley Hunter

In an age when a waiter is a server, an actress is a female actor, and a dubiously-competent socialist cult leader is an American president, it was only a matter of time before the “Global War on Terror” became an “Overseas Contingency Operation” (OCO).  Thus Spoke Zarathustra this week via a memo sent to the Pentagon and select speech writers, officially establishing Team Obama’s redesigned terminology.  The War is over, long live the Operation! This should show the road-side bombers, suicide bombers, bombers-in-burqas, snipers-for-Allah, and other assorted, blood-thirsty, Jihadist savages that the US really means business now.  Victory through euphemism!

The unveiling of OCO capped-off a terror euphemism trifecta for the administration.  Previously, the Justice Department scrapped the ghastly “enemy combatant” to describe war prisoners in favor of the much more uplifting, “detainee.”  Additionally, Secretary of Homeland Security Janet Napolitano─who may be the only member of the administration more intellectually troubled than Tim Geitner─rebranded terrorism as “man-caused disaster.” (To review:  mail carrier; police officer; business person; but man-caused disaster… maybe the errant sexism has something to do with Ms. Napolitano’s romantic leanings.)   (more…)

Big Hollywood

‘Political Correctness Is Cultural Marxism’

by Big Hollywood

Steven Crowder

Lonewolf Diaries: Only Conservatives Can Be Racists, You Morons…

by Steven Crowder

“Obama looks like a Chimpanzee…” That’s the exact reaction elicited from Liberals in response to Sean Delonas’ recent comic strip in the New York Post. Granted, they prefaced it with, “Conservatives are trying to say…” in an attempt to play off their own prejudice while projecting it onto conservatives. Is anybody out there truly fooled by, or scared of, these blatant attack patterns? What can I say; the liberal playbook is as bland and predictable as a Vin Diesel sequel. “How can we better handle said attacks?” you may be thinking. Oh, Big Hollywood… I’m so glad that you’ve asked. Assemble the troops!

The aforementioned comic was meant to poke fun at the recent shooting of a chimpanzee amidst a chardonnay and Xanax bender in Connecticut, while simultaneously taking a jab at the stimulus bill. Liberals of course took the opportunity to show their consistent obsession with race, while at the same time trying to leverage their PC agenda in an attempt to silence any criticism of the current administration. (more…)

Tim Slagle

The Dangers of Political Correctness

by Tim Slagle

Clint Eastwood, the iconic, American actor who was robbed last Sunday, came out against political correctness. In an interview with the Daily Express he said, “People have lost their sense of humour. In former times we constantly made jokes about different races. You can only tell them today with one hand over your mouth or you will be insulted as a racist.”

Clint Eastwood is one of the last real men in Hollywood. I can’t see any of his lesser heirs to the cinematic throne willing to make such a bold statement. (Aside from the misspelling –I don’t think an American like Clint would have ever pronounced it ”humour.”) Clint is pointing out something important ”free speech” advocates are unwilling to broach: Political Correctness is Dangerous. (more…)

Derek Broes

Press #1 for Reverse Logic

by Derek Broes

If you call 411 or customer service for almost any service-related company today, you’re greeted with, “Thank you for calling. Press #1 to continue in English.” Excuse me, but when did English cease being the default language in this country?  And this is just one of the politically correct or (PC) aspects invading our culture and stifling free speech.

Today, PC attacks are the foundation of the left’s approach to politics and policy. Examples are everywhere. If you didn’t vote for Obama you’re racist, if you oppose gay marriage you’re homophobic, and if you voted for Bush or McCain  — according to Janeane Garofalo  — you’re an anti-intellectual a**hole (and she said this in such an intellectual way, too).

This is where we have failed and where the left has succeeded. Conservatives ideas are simply branded as politically incorrect and when we fear a backlash to speak up about Obama releasing a terrorist who killed American soldiers, we have not only lost all intellectual thinking, we have all but surrendered the US to whoever might want to destroy it.  (more…)

Mike Long

Eat Yer Peas, Drink Yer Milk

by Mike Long

Surely many gay Americans have seen Gus Van Sant’s Milk through tears of joy because it marks a long-hoped-for arrival. For the first time in mainstream entertainment (at least, this is the picture that got all the fanfare), the history of the gay rights movement is presented as an elemental and welcome part of the story of the U.S., and not as a sidebar or novel supplement to the Great Historical Narrative.

Gays deserve equal rights. As a human being, that’s the only position I can possibly hold. However, you can be in complete solidarity with the cause of gay rights and not care much for Milk. (Whether you will be allowed to claim that distinction sincerely is yet another question. During the last election, Slate’s Jacob Weisberg wrote that the only reason you might oppose Obama is that you are a bigot. Is that the only reason one might dislike the similarly politically correct Milk?) (more…)

Mike Long

‘Taken’ Is Justice–And It’s About Time

by Mike Long

There is little justice in this world.

Probably because the bad guys have so many apologists.

Taken, on the other hand, is an all-out revenge fantasy in which — finally — the Go-Slow Gang and their Root Causes Orchestra are relegated to playing the music behind somebody else’s movie. Taken is entertainment and catharsis in which the good guys win, the bad guys die (and painfully), and justice is achieved on the basis of what Right and Wrong are to anyone with that rarest of 21st century entities, common sense. (more…)

Charles Winecoff

Platitudes are not Healthy for Children and Other Living Things

by Charles Winecoff

The other day I was stuck in traffic behind a young woman whose rear bumper sported three popular cries for help: Hope, Free Tibet, and Save the Planet.  Her ass was covered.

For some reason, it made me think of my late grandmother, an English rose with a backbone of steel – what us Americans call a “tough cookie.”  As a young divorcee, she single-handedly raised my mother, and took care of her own mother, through the Great Depression and beyond.

I used to love asking her about all the events she’d seen take place in her lifetime: the rise of the automobile, the night of Orson Welles’s famous War of the Worlds broadcast, the blackouts during WW2, the “Stars Over America” war bond blitz (which even Hollywood nonconformist Bette Davis threw herself into), the arrival of television, and on and on.

As a boy, it seemed to me my grandmother had lived many lives, and seen more sweeping, historical changes than I could ever dream of.  I had missed the boat. (more…)