People have asked me my opinion of the Rev. Terry Jones’ threat to burn the Quran this past weekend. Personally I think the best thing to do with this story is to not give this insignificant media-hound with all of fifty parishioners a voice. But it’s way too late for that now. So, of course I find the action in poor taste – I would never burn any religion’s sacred parchment. That is just wrong and disrespectful to millions trying to practice their faith and go about their daily lives in peace.

But (there’s always a “but” in such testy cases), when I juxtapose this one twisted symbolic gesture against the disregard—and I would argue contempt—being shown by so-called “moderate” practitioners of Islam who insist on building their mosque almost on top of the ashes of 9/11 victims against the wishes of so many Americans, I can understand the frustration that creates a Jones and his ilk. And the fact is, as Mayor Bloomberg offered up, if there is freedom of speech for the fanatical Muslim goose, it must also be for the crackpot Christian gander.

Still, as a matter of common decency I hope this guy tables forever his plans—and there are no copycats. And as a practical matter, I agree with General Petraeus in that the last thing our men and women in the field need is another faux propaganda storm putting them in greater harm’s way… although I do believe that fear of retaliation should not be a reason to quell free speech but rather to fight harder for it. (Easy for me to say as I am not humping a pack in Kandahar I freely admit!)

However, something did occur to me this weekend. Jones is going about this all wrong. If he really wants to burn the Islamic holy book, I know a way that he could do it while at the same time have every left wing pundit and mainstream news outlet not decry his act but rather defend and even celebrate it. He should burn it on the steps of the Museum Of Modern Art up here in New York. And instead of calling it a protest, or a statement, he should just call his Quran torching “art.” In the interest of consistency, artistic integrity and fairness, maybe he can even do it in the building, right on the same spot where in 1989 the infamous “Piss Christ” photo was proudly exhibited. You remember that? The piece of “art” that showed a crucifix submerged in urine? As artist Andres Serrano explained his artistic vision in an open letter to the National Endowment for the Arts: (more…)

The left has a long tradition of bowing down to dictators and others they fear. No, I am not talking about President Obama stooping to kings and other foreign leaders. That is just another example of a long tradition of silliness that is often seen from liberals. What I am talking about is how many on the left live in fear. They try to mask it as respect or cultural reverence but it is fear.

The latest example comes from the Metropolitan Museum of Art in New York.  It seems that these liberal defenders of the freedom of artistic expression, who would never listen to a conservative complaint about a display, have removed a number of depictions of Mohammad from the collection formerly known as the Islamic Galleries. The name “Islamic Galleries” has been changed “Arab Lands, Turkey, Iran Central Asia and Later South Asia.”

Man, that is a mouthful! (more…)

I must admit that when I first heard about the National Endowment for the Arts conference call to enlist the arts community in propagandizing the White House’s agenda, I was a little mystified as to why it was so controversial.  After all, the NEA, through its funding choices, has been actively undermining American values for many years.  Way back in 1986 we were treated to the scandal of Andres Serrano getting $15,000 from the NEA for his mediocre photo of a plastic crucifix in his own urine – “Piss Christ.”  That is just one of a myriad of egregious examples of NEA funding going to support dubious “art” that functions solely to corrode the fabric of civilized society.

Sure, the NEA gives money to major established arts organizations – symphonies, ballet companies, repertory theater groups, and the like — but that is how they maintain their veneer of staid respectability, all the while promulgating their Leftist, nihilistic agenda through their smaller grants.  For example, I know a truly great American artist, Harry Carmean, who, among his other credits, was the Chairman of the Fine Arts Department at the Art Center College of Design  in Pasadena, California and taught there for 43 years.  He applied for NEA grants repeatedly to help fund his work but was rejected each time because his paintings were deemed “not edgy enough.”   Translation: he actually possesses artistic talent, skill, and discipline, which he uses to create beauty instead of pseudo-artistic, politicized claptrap.  We all know he would have had a far better chance of getting a grant out of the subjective and ideologically driven apparatchiks at the NEA had he used dog feces to paint images of female genitalia. (more…)