Iran Is Not Film School
by Scott GravesOkay Class, stop sniffing your Sharpies in a futile attempt to reach a state of intoxication and try to take notes using that writing instrument and what brain cells you have left. Remember, if you can, that information you believe to be useless is, indeed, of no value whatsoever if you are unable to apply it in real-life situations, or at the very least for pc gaming “cheats.” Otherwise your very existence is no better than a work of fiction and bears no resemblance to any human being, past or present, living or dead. (Or in your cases, “living dead” or zombie, if you prefer, or the more inclusive term “differently animated.”)
Aristotle, in Poetics, slops the pearl that “art” is a “representation of reality.” By this definition, presentations of the creative sort contain something, if only a je ne sais quois, that can be recognized as a reflection of the human condition and the historical present. Reach back in time to The Epic of Gilgamesh, and out of the cuneiform pressed in clay comes the tale of a king’s hubris, lust for immortality, and ultimate understanding of his place in the world. Fast forward and select at random. “The Counsels of the Bird” by Rumi, Wilde’s The Importance of Being Earnest, Eliot’s “Quartets,” “The Short Happy Life Of Francis MacComber” by Hemingway. Consider Andy Warhol’s body of work as a commentary on the superficiality of modern culture; look at the content of films, popular songs and television programs, comic strips and “illustrated novels,” with their wide diversity of theme and thought. All these arts, of varying degrees of cultural significance, may be seen to generally adhere to Aristotle’s commentary. (more…)







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