More on ‘The Goode Family’ – Lighten Up, Libs!

After seeing video trailers for Mike Judge’s new show The Goode Family online last week, I was looking forward to seeing the show. Who couldn’t appreciate jabs being taken at a vegan family who wanted to adopt an African baby to show how much they “care” but end up with a white South African baby and name him Ubuntu? (There’s an inside joke in there for computer geeks, which my husband got but I didn’t.) Whose poor dog, Che, also on a vegan diet, is so desperate for meat that he eats all the small animals in the neighborhood he can get his paws on? Who wonder “What would Al Gore do?” when Ubuntu wants his driver’s license even though driving cars and burning fuel is evil? It helped too that I liked Beavis and Butthead and King of the Hill.

My interest was piqued even more after reading John Nolte’s post about the New York Times review of the show. Apparently, reviewer Ginia Bellafante had a hard time appreciating the foibles of a family who try so hard to be perfect in how they live and how they relate to their black neighbors that their lives become highly stressful.  To quote The Times: (more…)

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Tags: "The Goode Family", Al Gore, Ginia Bellafante, Global warming, Mike Judge
Posted May 29th 2009 at 5:09 am in Entertainment, Featured Story, Media Criticism, Political Humor, Reviews | 145718No Commentshttp://bighollywood.breitbart.com/pmeister/2009/05/29/more-on-the-goode-family-lighten-up-libs/More+on+%27The+Goode+Family%27+-+Lighten+Up%2C+Libs%212009-05-29+12%3A09%3A47Pam+Meister

Haunted by the Memory of Her Song: Fifty Years of ‘Rio Bravo’

The sun is sinking in the west
The cattle go down to the stream
The redwing settles in her nest
It’s time for a cowboy to dream….

Exquisitely crafted, but never ostentatious. Pleasantly mellow, but never lazy. Thematically rich, but never preachy. Respectful of tradition, but never stolid. Deeply compassionate, but never descending into schmaltz. Five decades ago, a group of men now long-dead (and, it must be said, one smokin’-hot woman, still-living) followed an aged veteran director into the Arizona desert to make a humble, heartfelt western based firmly on quintessentially American notions of courage, decency, and good humor. The result of their collaboration, Rio Bravo (1959), remains one of the great visceral pleasures of cinema.

Howard Hawks’ masterpiece stemmed from his disgust with the joyless anti-heroics of uptight, melodramatic westerns like Fred Zinnemann’s High Noon (1952) and Delmer Daves’ 3:10 to Yuma (1957) — dark “message movies” that seemed to revel in smugly depicting small-town Americans as cynics and cowards. The man behind such classics as Scarface (1932), Only Angels Have Wings (1939), To Have and Have Not (1944), Red River (1948), and Gentlemen Prefer Blondes (1953) was in his early sixties in 1958, his career winding down after decades of constant production. He had interned for Famous Players-Lasky way back in 1916, and directed his first features in the mid-1920s. Thirty years later he was old and tired, and his last film, Land of the Pharaohs (1955), had been a disheartening flop. Since then, the previously prolific director hadn’t helmed a picture in three years, an unheard-of period of self-exile for a man who had cranked out movies regularly for decades. But the brazen slap across the face that High Noon had given America’s western mythology had bothered him. “I made Rio Bravo,” he later told an interviewer, “because I didn’t like High Noon. Neither did Duke. I didn’t think a good town marshal was going to run around town like a chicken with his head cut off asking everyone to help. And who saves him? His Quaker wife. That isn’t my idea of a good western.” (more…)

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Tags: 3:10 to Yuma (1957), academy awards, alfred hitchcock, Allen Barra, Angie Dickinson
Posted May 3rd 2009 at 5:30 am in Entertainment, Featured Story | 1221545 Commentshttp://bighollywood.breitbart.com/lgrin/2009/05/03/haunted-by-the-memory-of-her-song-fifty-years-of-rio-bravo/Haunted+by+the+Memory+of+Her+Song%3A+Fifty+Years+of+%27Rio+Bravo%272009-05-03+12%3A30%3A38Leo+Grin

Celebrating the 35th Anniversary of ‘Death Wish’

American Movie Classics is marking the 35th anniversary of the release of Death Wish, the controversial and highly influential 1974 film featuring Charles Bronson as a liberal architect in New York City who becomes a vigilante after a group of thugs murder his wife and rape his daughter.

The film was highly successful with audiences, making Bronson a big star and inspiring several sequels. Critics hated it.

Both reactions were caused by the same thing: the film’s uncompromising truthfulness. Death Wish marked the death of liberal illusions about crime and punishment: the idea that crime is caused by disadvantageous social environments and that the solution is to pour even more taxpayer money into bad neighborhoods in an attempt to buy submission from the poorer elements of society.

Death Wish showed that process to be an absurd sham. The film, based on a novel by Brian Garfield, clearly showed that giving in to such political extortion was making social conditions worse and exacerbating the nation’s already terrible crime problem.

Death Wish and its sequels refused to sugarcoat the villainy of the criminals the architect Paul Kersey pursues, nor did it state that he was justified in what he was doing. It simply showed the characters doing what they were inclined to do, making their choices and following the consequences. Such truth was impossible for Pauline Kael, Roger Ebert, and other elitist critics of the time to stomach.

As direct and truthful as Death Wish is, it is not simplistic or political, despite the ravings of critics at the time. It is a story that was all too plausible, and the characterizations and situations were accurately and insightfully portrayed.

(more…)

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Tags: Charles Bronson, Death Wish, Pauline Kael, Roger Ebert, vigilante
Posted Jan 8th 2009 at 6:14 pm in Entertainment | 1169723 Commentshttp://bighollywood.breitbart.com/stkarnick/2009/01/08/celebrating-the-35th-anniversary-of-death-wish/Celebrating+the+35th+Anniversary+of+%27Death+Wish%272009-01-09+02%3A14%3A25S.T.+Karnick