On this week’s highlight show (listen in below the fold), we start with John Nolte talking about the incredible back-and-forth he had this week with Roger Ebert over his semi-coherent Twitter ramblings.

We also have an interview with Andrew Breitbart and Adam Baldwin on location in a bar in Hollywood.  They speak about the current political climate and how Big Hollywood is moving the conversation forward and motivating the tea party movement.

Internet sensation Demon Sheep joined us on Wednesday and provided a lot of laughs.  Big Hollywood contributor Gary Graham also joined us and discussed life in Hollywood as a conservative as well as his recent mission to Haiti.

Finally, Big Hollywood’s Patrick Courrielche was our guest for a thorough interview on the NEA conference call story as well as his life and career before the story broke last year. (more…)

I was a bad boy in 2009. I promised at the beginning of the year at the time of Big Hollywood’s launch to get back into movies and some television. But it’s one year later, and I still have not seen a single episode of The Sopranos (even though I know I’d like it). I wasn’t much better on the film front either. I went to maybe 6 movies in the theater last year, and the same 3 DVD’s from NetFlix sat in our house for the entire year, only to be finally returned and unwatched.

How about that Bruno!

That doesn’t mean I completely tuned out – thanks to Big Hollywood.

On the one year anniversary of the site, I thank God that I chose John Nolte to be the editor in chief. It’s not just because he knows everything about film – though he does. It’s because the man has an impeccable moral compass, and it’s unbelievably refreshing to read his analysis of pop culture not through the typical NY TIMES/VARIETY/VANITY FAIR post-modern prism but through the ancient lens of right vs. wrong, decency vs. indecency, entertainment vs. nihilism.

And it has resonated. Everywhere I go in Los Angeles — and beyond — people come up to me and congratulate me for… well, hiring him. He’s the heart and soul of Big Hollywood.

On this first anniversary, I’d also like to thank from the bottom of my heart our contributors and readers. I am deeply grateful for each and every one of you.

A special thanks to Patrick Courrielche for his Pulitzer Prize Winning* (if Pulitzers were still awarded for great journalism) expose of the NEA/White House propaganda initiative. And a special acknowledgment to Stage Right, who came out as Larry O’Connor. I hope there are more who follow his lead.

And a last, but certainly not least, thanks to Alex Marlow, who is Mr. Big. He is the man juggling all the Bigs at all times. (more…)

It has been almost one year since I began writing here at the Big Blogs of Breitbart.com.  When it all began, I was motivated by the events that brought down Sacramento Music Theatre executive Scott Eckern.  Ironically, his story, which inspired this new avocation also served as a real-life lesson in the new political world we inhabit.  You see, Mr. Eckern was forced to resign his position because it was discovered that he donated money to the anti-same sex marriage Prop. 8 campaign.  Knowing that, I would have been a fool to put my name on the things I’ve written here.  So, “Stage Right” was born.

Since then, I have been fortunate enough to have free-reign on all things theatre at Big Hollywood (gently guided by the collective wisdom of Andrew Breitbart and John Nolte) and I’ve had a fantastic time writing about the industry, about the non-profit world… even about my favorite shows.  But now, things have changed just a bit.

It started with Patrick Courrielche’s now famous expose’ on the NEA Conference Call.  Just like the Scott Eckern story, what bothered me most at the time was the media and especially the left-leaning theatre writers’ attack on Patrick.   Instead of showing any level of skepticism over the appropriateness of staff members of the NEA and the White House coordinating discussions with artists about how they can help move the President’s agenda by creating works of art in favor of specific issues, Patrick was attacked and libeled for the sin of telling the truth and bringing the subject to light.

Next came the media’s reaction to James O’Keefe and Hannah Giles’ blockbuster series of videos exposing the corruption at ACORN offices from sea to shining sea.  Again, the venom and outrage is directed at the messenger while the message gets rationalized and obfuscated.  This story raised my ire to such a degree that I began posting at Big Government. (more…)

When Big Hollywood correspondent Patrick Courrielche exposed the infamous NEA Conference call, where members of the NEA staff and the White House encouraged artists to use their talents in promoting causes that were closely associated with President Obama’s aggressive, left-wing agenda, apologists and defenders on the left and in the media began to parrot the Administration’s defense as if it were Gospel Truth.

The most linked-to and referenced defense came from Ben Davis at the well-respected artnet Magazine.  After spending many paragraphs attacking Patrick and questioning the nefarious motives behind his unforgiveable act of betrayal (I’m not referring to Patrick recording the conference call, the real betrayal was Patrick appearing on “The Glenn Beck Show”), Davis goes on to repeat the Obama talking point:

This notorious conference call, in other words, was essentially a pitch for artists to make glorified PSAs about volunteer work. As far as I can tell, the truth is exactly the opposite of the ominous attempt to yoke artists to the Obama Agenda that critics suggest; if anything, the call was an effort to take the inspiration for radical change that led many creative types to vote for Obama and channel it into low-level, local activism.

This article has been rallied behind and taken as the final word on the subject as far as the left-wing blog world is concerned.  Only problem:  it’s spin and obfuscation.  First, through the Freedom of Information aAct, Courrielche further proved that artists responded to the call with tangible, policy-oriented ideas that went way beyond a call for volunteer work. (more…)

Last week under mounting pressure from protesters, the Iranian Government promised a new and deadly crackdown.  “From now on, we will show no mercy” to protesters or their families, the government’s chief prosecutor, Gholam-Hossein Mohseni-Ejei, said Tuesday. It is par for the course in a totalitarian regime to not only threaten protesters, but to also target their families for punishment.  This acts as a cruel yet effective means of intimidation in silencing dissent.

Which brings me to Hollywood Producer Jane Hamsher.

‘Hollywood Jane’  Hamsher

After cutting her teeth in the business by producing what many feel is the most offensive and degrading main-stream film of the past twenty years (and, some would say, screwing Quentin Tarantino in the process) Hamsher seems to have finally found her calling as a more abrasive, and dangerous version of Arianna Huffington.  With her oddly named blog FireDogLake (named after her three favorite things, sitting by the fire with her dog watching Lakers games) she has created a left-wing haven for bloggers not merely content with attacking their opponents with words, but with some serious action. (more…)

Images have power. Propaganda and marketing are based on the power of the image and the thoughts and feelings that the image conveys. A photo op pulled off well can make a politician’s career. A photo op done badly will torpedo it.

Michael Dukakis riding around in a tank destroyed his presidential run. So is the power of imagery.

When I was a teenager a street artist named Robbie Conal put up grotesque pictures around Los Angeles of Ronald Reagan and his cabinet members like James Watt and Ed Meese.

These images had power over the long term and many street posters by Conal, other artists, a left-wing media and academia all worked in aggregate to change West LA which was Reagan’s home district to the left-wing bastion of “people’s republics” communities it is today. I am not asserting that Conal alone had this affect, but in interviews from the mid-eighties, Conal clearly stated that it was his goal to change public perception and public opinion with his art. (more…)

My favorite part of this debate is how the NY Post’s Linda Stasi, when referring to the infamous leaked memo, mentions the “military family” part of the memo twice, but never once “health, or “environmental conservation.” And, of course, this is why, in the laundry list of suggested topics, “support for military families” was added (last) — so that people like Stasi could parrot that particular talking point as bipartisan cover:

My second favorite part is Stasi’s statement about how the memo “doesn’t talk about Obama’s health care…”

What a canard. Like the NEA conference calls, there’s no need to force feed fish marked “ObamaCare” to an audience of partisan seals. All you have to do is toss the issue out there. The White House knows this and so, I suspect, does Stasi. In her own circular logic she actually makes that point when arguing ”Old Christine” produced a pro-ObamaCare episode without even being asked. Thank you, Linda — this is exactly why the memo didn’t have to mention “Obama’s health care” specifically… Minions don’t need GPS. Just point. (more…)

Patrick Courrielche will appear on Glenn Beck’s FNC show today to discuss his latest article, “The Big Truth: Selling White House Policy Through Art.”

Make sure to tune in.

The National Endowment for the Arts (NEA) is always one of the hottest topics in the theatre community.  A huge amount of theatre in the US is created or presented at non-profit theatres that operate under the protection of or were first started with grants from the National Endowment for the Arts.

The latest NEA controversy broken here at Big Hollywood by Patrick Courrielche has become a fascinating Rorschach test within the theatre community.  The response has been disappointing yet predictable from the left-leaning proponents of the NEA and this administration.

Robert Mapplethorpe

To fully expose the inconsistencies and intellectually dishonest positions they have taken in their knee-jerk defense of everything Obama, we first need a little background for the Big Hollywood readers who might not remember all of the details in the recent history of controversies with regard to NEA funding in the theatre community.

NEA Primer: Now I don’t pretend to suggest that the following breakdown of the NEA struggles dating back to 1990 is a definitive or even thorough explanation of the recent history of left vs. right combat over the NEA.  I encourage all of my readers to research and read about this issue.  And, I especially want them to read the perspective of liberals/progressives/leftists who were in the middle of the struggle on the other side.  It is informative and enlightening to read how they really feel about the subject. (more…)

Big Hollywood today reveals the extensive proof that shows the White House used the National Endowment for the Arts to push a political agenda favorable to President Obama. But it gets worse: the Administration lied about it, and tried to cover it up.

You already know the background: an NEA spokesman participated in a conference call designed to encourage artists to further Obama’s legislative agenda. This was revealed back in August at Big Hollywood. What is new today is the full transcript of the call — and how clearly the NEA was involved in urging artists to propagandize for Obama.

Naturally, the NEA and the Obama administration denied this. According to the Los Angeles Times (in a blog post, of course, and not an actual newsprint story), the NEA denied any purpose to further a legislative agenda:

The NEA issued a statement saying that it took part in the conference to help inform arts organizations about opportunities to sponsor volunteer service projects themselves, or have their members take part in other volunteer efforts. “This call was not a means to promote any legislative agenda, and any suggestions to that end are simply false,” the statement said. (more…)

At first glance, the National Endowment for the Arts (NEA) conference call of August 10th, 2009 sounds innocent enough because it’s supposedly been organized by Michael Skolnik, political director for Russell Simmons and someone not officially associated with any government agency. Skolnik appears to be acting independently as a concerned citizen and to have taken it upon himself to gather together a group of artists and art organizations hoping to move them towards “national service.” And how nice of the White House, the federal government and the NEA to make the time to participate in the call and aid this group of American artists motivated to help their country and community.

But this is only how things appear.

All evidence points to the fact that the conference call was a ruse, a front for a White House using Skolnik as a kind of beard in order to put an innocent spin on their abuse of the NEA and two non-partisan volunteer organizations (United We Serve – an initiative overseen by The Corporation for National and Community Service – a federal agency, and the White House’ Office of Public Engagement).

The goal: To motivate a group of hand-picked pro-Obama artists (grant recipients or those wanting grants) to push the President’s flagging agenda, especially health care — and to funnel this promotion through the ACORN related- Serve.gov website. 

***

Documentation gathered by Big Hollywood’s Patrick Courrielche and the Washington Times, coupled with a newly revealed audio recording of the full conference call, points to eight troubling facts that put the full context of the call in a very disturbing light. (more…)

On August 25th 2009, Big Hollywood’s Patrick Courrielche broke the story of a conference call he attended with other “rising artist and art community luminaries”:

On Thursday August 6th, I was invited by the National Endowment for the Arts to attend a conference call scheduled for Monday August 10th hosted by the NEA, the White House Office of Public Engagement, and United We Serve. The call would include “a group of artists, producers, promoters, organizers, influencers, marketers, taste-makers, leaders or just plain cool people to join together and work together to promote a more civically engaged America and celebrate how the arts can be used for a positive change!” 

The email invite came directly from Yosi Sergant, then-Director of Communications at the National Endowment for the Arts (NEA), and it advised this hand-picked group that the call was about laying “a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.” 

Courrielche describes the call this way: (more…)