Posts Tagged ‘oscars’

Christian Toto

Blu-ray Review: Powerful & Compelling ‘Soraya M.’ Arrives on DVD

by Christian Toto

The 2010 Oscar ceremonies have come and gone without a word spoken about “The Stoning of Soraya M.” The searing drama, based on true events, follows the torture of an innocent Iranian woman charged with adultery. It’s the kind of message movie Hollywood doesn’t much care for, stories showcasing horrors that can’t be directly blamed on western culture.

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But the drama, released today on DVD and Blu-ray, deserved a smattering of Oscar buzz all the same. What other movies bring the issue of Sharia law to light in such fashion? More importantly, why didn‘t Shohreh Aghdashloo’s blistering performance earn her a place in the Best Actress category?

“Stoning,” directed and co-written by “The Path to 9/11” screenwriter Cyrus Nowrasteh, takes us to a remote Iranian village under the thumb of Sharia law. Young, attractive Soraya (Mozhan Marno) is raising four children with little help from her husband, Ali (Navid Negahban). When Ali decides he’d rather be married to a 14-year-old Iranian girl, he tries to pressure Soraya into granting him a divorce. (more…)

Tom Shillue

‘War is a Drug’: The Quote That Fooled Leftist Critics

by Tom Shillue

Usually when I’m moved to write a searingly original piece for Big Hollywood, I do a quick search of the Internet to see if my thoughts might not really be as groundbreaking as I thought. More often than not, I come across an article that says exactly what I was trying to say, only more clearly and eloquently. I then post a link to it on Twitter with the caption “good read!” and I’m done.

Blogging is easy!

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Such was the case with my analysis of  The Hurt Locker. I loved the film. After watching it, however, the thing that bothered me was the quote at the beginning, “War is a drug.” In the end, it serves as the theme of the film, but I found it to be way off the mark, and not even supported by the film itself. To me, The Hurt Locker seemed to be clearly not about addiction, but about purpose. What would motivate someone to return to a horrific war zone, to face death and dismemberment on a daily basis? A sense of purpose. That is what motivates people, not “a rush.”

I set to writing. Then I read Walter Owen’s piece in Vanity Fair, who put it together better than I would have: (more…)

Jeffrey Jena

Look For More Hollywood PC at This Year’s Oscars

by Jeffrey Jena

As we move towards tonight’s granddaddy of all awards shows, I am starting to wonder several things: First, after seeing an editorial in the New York Times and a very drab and unhappy looking professor of women’s studies on Fox News call for just one best actor and best supporting actor award to end sex discrimination in Hollywood, I am starting to think lots of people are reading my blogs. Over a year ago I poked a little fun at the politically correct Screen Actors Guild for not using the word “actress” but still give and award for a “female actor.” The left has now jumped on my bandwagon so maybe there is hope for America and Hollywood!

The second thing that has been on my mind is which brand of political correctness will prevail this year’s Oscars. Will the “I’m voting for ‘Avatar’ because it ridicules America and its military” faction be stronger than the “It’s time a woman won best director” faction?

There are other political considerations in this year’s voting but this got me to thinking about past years and whether or not the nominations and awards really are all about the art. It seems that all sorts of considerations, political, social, personalities and career get mixed in and often the storytelling gets left on the cutting room floor. In the interest of brevity I will limit my comments to the years I can actually remember, which, if I am honest, would rule out several years in the early seventies and mid-eighties. (more…)

Andrew Leigh

Predictions: Who Will Win, Who Should Win, & Oscar Baiting

by Andrew Leigh

It’s that time of the year again — Oscar time!  (Cue “Hooray It’s Hollywood!” music.)  I know it’s supposed to be uncool to care, but I grew up watching the Oscars with my mom every year, and just can’t kick the habit.

Like some grim tribal ritual whose original meaning is lost in the mists of time, I will most probably sit down in front of the tube at the appointed hour, and brace myself for the onslaught of awkward acceptance speeches, corny jokes, and interminable dance numbers (please, God, no dance numbers!).

OSCARS PREP

The experts agree there are two main contenders for Best Picture.  (What would we do without experts?)  One is a movie about a peaceful, idyllic land invaded by an evil military force trying to steal their resources.  The other one is called Avatar.

The struggle between Avatar and The Hurt Locker has gone back and forth.  Avatar was an early favorite, but Hurt Locker seems to have enjoyed a late General Petraeus-like surge.

Then in the final days, an ugly controversy struck Hurt Locker as one of its producers had the gall to ask people to vote for his movie.  Imagine that!  Doesn’t he know that Hollywood is a respectable place where aggressive self-promotion and crass commercialism are strictly off-limits? (more…)

John Nolte

Factually-Challenged Bill Maher to Conservatives: Leave the Oscars Alone!

by John Nolte

UPDATE: Welcome Farkers! Be sure to leave your snark-doesn’t-equal-intellect comments below, and we’ll forward them to the editor’s at Gawker who are always on the lookout for snark-doesn’t-equal-intellect talent. End Update

At least Bill Maher didn’t wish rectal cancer upon us. But The Least Self-Deprecating Man On The Planet does use his unlimited supply of smarmy circular logic to suggest we conservatives stop criticizing Hollywood, especially during the Oscars. His reasoning? Well, in his mind, it has something to do with liberals being smarter than us because they don’t elect unqualified celebrities to national office…or something. And how he manages to summon enough denial to spend a few hundred words on the subject of unqualified celebrities holding elected office without mentioning the words “Barack” or “Obama” is beyond me.

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In order to hold tight to this theory, Maher has to dismiss Ronald Reagan as “Bonzo’s buddy” and Sarah Palin as “Miss Wasilla.” Someone might want to remind the former comedian that in order for jokes to be funny they should illuminate truth not attempt to hide it. But here are a couple of my favorite lines from his Variety article, the ones that reveal so much about their author:

Politics has become the safety school for show business washouts who are just looking for a way to stay in front of the camera[.]

Maher thinks he’s talking about people like Ronald Reagan and Arnold Schwarzenegger who seek elected office. What he’s really doing, though, is engaging in the art of projection. Unfortunately, Bill Maher doesn’t have a fraction of the self-awareness necessary to realize how well that statement describes him and his. After all, where would Maher be if he hadn’t turned into a nasty leftist politico — if the show business washout hadn’t become just another Hollywood Frat Boy who turned to politics in order to — how did he phrase it? — oh, yes: stay in front of the camera. (more…)

Alicia Colon

The Impossible Blindsiding of Hollywood

by Alicia Colon

For the past few years I’ve avoided watching the Academy Awards having finally gotten the message that they’re just a big fat marketing tool that have nothing to do with quality filmmaking. My self-imposed boycott of the televised event was difficult in the beginning for this diehard movie buff but became easier after the dismal fare gave me no films to root for. This year I will be watching just to witness the outcome of what has truly been an amazing year in films. Forget the two billion dollar box office for “Avatar.” No-the big question is does Hollywood have the cojones to pick “The Blind Side” as Best Picture? Nah! 

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C’est impossible for the far left industry to award a film that actually has a Republican lifetime NRA member as its heroine. I just recently managed to catch the film that was budgeted at $29 million and has earned over $240 million so far and was blown away by Sandra Bullock’s performance. This savvy actress supposedly took a pay cut and opted for a percentage. I hope it was for the gross as Hollywood accountants tend to bilk those who choose a percentage of the net. 

Bullock has been nominated for Best Actress but if she wins I’ll be pleasantly surprised-no- I’ll be shocked. Her competitors are more in line with the ideologues who vote for their peers. There’s uber-liberal Meryl Streep whom I loved as Julia Child in “Julia & Julia”; Helen Mirren a great actress who had no problem playing lewd in her earlier career. Then there’s Gabourey Sidibe for “Precious,” who represents the victimized black girl who ironically could have used a savior like Leigh Anne Tuohy, Bullock’s real life character in “The Blind Side.” (more…)

John Nolte

2009 Academy Awards: Predictions, Anyone?

by John Nolte

How did the film industry get so screwed up and turned upside down that the only feeling the annual watching of the Academy Awards elicits from me is dread? Every year, three things hover on my calendar like a big black rain cloud: prostate exam, tax season, Academy Awards — and the  metaphorical similarity between all three is somewhat striking.

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Obviously my career choice makes viewing the ultimate Hollywood award orgy necessary, otherwise I would return to what is my default emotion for most things: utter indifference. But how sad that it’s come to this. Going back to Johnny Carson’s hosting straight through to Billy Crystal’s, the Oscars were once one of the top three high points of the television viewing season, right after “Battle of the Network Stars” and “Dick Clark’s Bloopers and Practical Jokes.”

Maybe I’m the one who’s changed. Maybe the ceremony was always filled with a striking lack of class – with sanctimonious preening and political abuse hurled at me and mine. Regardless, over time those nine hours have simply gotten more and more torturous to sit through. You’re either on edge waiting to be insulted or on edge hoping one of the few movie stars you still hold some affection for doesn’t disappoint in some way. (more…)

John P. Hanlon

Sandra Bullock: The Best of Both Award Worlds

by John P. Hanlon

On Sunday, March 7th, 2010, the best picture winner at the Academy Awards will be announced. Although there are ten nominees in that category this year (up from the usual five), they will likely not include the following:  “Twilight,” “The Hangover,” “Harry Potter and the Half-Blood Prince,” “The Proposal,” or “Star Trek.” Undoubtedly, none of the “Twilight” pictures will ever be recognized by the Academy, though one of them was named best movie of the year at the People’s Choice Awards (PCA) last week.  Looking at the list of acting nominees and winners from that award show,  it seems unlikely that many of those nominees will receive Oscar nods, but one person who might be able to get nominated for both is Sandra Bullock.

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This year, Bullock won “Best Movie Actress” at the PCA. On the PCA website it does not clarify if she won for a specific movie or for her total work last year as a whole (where she appeared in movies like “The Proposal” and “The Blind Side”), but her performance in the latter has garnered her both commercial and critical success. In fact, “The Blind Side” may actually help to win Bullock an Oscar nomination.  (more…)

Leo Grin

For Conservative Movie Lovers: King Vidor, Wallace Beery and ‘The Champ’ Part 2

by Leo Grin

The Champ marks the third time in a row — after John Wayne and Burt Reynolds — that I’ve chosen a movie starring an actor many deride as a “natural,” a “ham,” someone who gained stardom not by skill but mere charisma. The sort of rough-hewn appeal epitomized by Wallace Beery (1885–1949) isn’t something that can be taught by Stanislavski or faked with The Method. It comes from within, and evokes American qualities and ideals that have never gone out of style.

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Beery was born and raised in Kansas City, Missouri, the youngest son of three. He dropped out of school in fourth grade (”I was too dumb to get any farther”) and ran away for a few months, bumming around the Midwest, spurred onward not by a hatred of family but by a sense of pure adventure. At sixteen he lied his way into a job as an elephant handler with a circus, spending the next three years traveling across the country, and even crediting himself with being the first to train elephants to use their trunks to grab the tails of the elephants in front of them in order to keep them all in line. But eventually he realized that, where bull handling was concerned, “my ambition had been no ambition at all, that I was just drifting.” When Beery heard that his older brother Noah was working on Broadway in New York, he hurried there to try his hand at the acting game. (more…)

Christian Toto

Newsweek Blames Depressing Movies On… Bush

by Christian Toto

The Oscar-nominated movies in recent years have been enough to make a grown man cry… Or worse. Consider “There Will Be Blood,” “No Country for Old Men” and “The Reader” as a sampling of the morbid films jockeying for Oscar glory. This year, add Oscar wannabes “The Road” and “Precious” to the list.

Newsweek scribe Ramin Setoodeh writes about the trend in the liberal magazine’s latest edition. Setoodeh bemoans the fact that some of the best films lately take a too sober view of society. On that we can agree.

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Then, Setoodeh whips out his trusty Bush bashing cudgel and starts a whacking:

You can blame Hollywood’s doom and gloom on the Oscars, but I’m not going to. Instead, I think it’s George W. Bush’s fault. Most liberal directors felt restless under his presidency, and they pushed the envelope with over-the-top, operatic tragedies. (more…)

Christian Toto

Let the Media’s Michael Moore Lovefest Begin

by Christian Toto

Director Michael Moore has a new movie coming soon – “Capitalism: A Love Story.”

It could only mean one thing – OK, many, many things:

  • Rave reviews from at least 80 percent of film critics. And I’m being conservative.
  • More press coverage than any documentary filmmaker could ever dream of.
  • Few, if any, labels associated with him in the press. Liberal? Nah, he’s a muckraker, an iconoclast, a rebel, a truth teller…
  • Oscar buzz aplenty. Feel badly for any other documentary filmmaker who did great work this year. Chances are you won’t be taking home the Oscar for your troubles. Better luck next year.
  • More softball questions thrown his way by alleged journalists – this time, Oprah herself will get in on the action.

Moore, who won the Best Documentary Oscar for “Bowling for Columbine” and gave us the factually challenged “Fahrenheit 9/11,” has helped shape the film industry for better and worse. (more…)

Edward Azlant

‘Slumdog Millionaire’: A Leftist View of a Globalized World

by Edward Azlant

Well after its phenomenal success of eight Oscars, four Golden Globes, seven BAFTA’s, and $350 million at the boxoffice, “Slumdog Millionaire” has managed to stay alive. As much an amazing longshot victor as its hero, an urchin from the Mumbai slums cum tea server at a phone call center who wins a fortune in an Indian version of “Who Wants to Be a Millionaire?,” “Slumdog” has kept making news in ways deeply rooted in its own depiction of the world.

Recently the film’s British director Danny Boyle, serving as jury president of the 12th Shanghai Film Festival, confided during a panel discussion that on “Slumdog” he had shed the patronizing, “imperialist” mentality, relying heavily on a local Indian crew. Boyle also observed that while it was “regrettable” that Beijing imposed censorship restrictions on its filmmakers, he’d nonetheless love to work in China, as it would be a “challenge learning Mandarin.” Boyle neglected to mention that on “Slumdog” he’d skipped the challenge of learning Hindi, necessitating an Indian co-director, and also skipped the patronizing practice of paying Western wages, and the low pay for local child actors would fuel most of the subsequent controversies. (more…)

John T. Simpson

One Critic’s Review of ‘Roxana: A True Story’

by John T. Simpson

Now that ‘Roxana: A True Story’ has come to a most satisfying and happy conclusion for Roxana Saberi, her parents, myself and millions of others around the globe (a conclusion not always assured, and which looked very grim in some scenes), it is now time for Your Most Humble and Obedient Critic to give you the full skinny on ‘Roxana: A True Story.’

Or, by its Hollywood acronym, RATS. Funny. I actually found that startling contraction fitting, not for Roxana (not hardly), but for all of the major black hats and clueless morons who populated this nerve-wracking Thugocracy Studios production, which had civilized people everywhere both riveted and outraged in its most grueling and suspenseful moments.

Not to mention for Roxana and her parents. But before we get to heroes and villains, let us look at the story to date with all its dramatic twists and underpinnings, many with significant international implications. Just like a good Hitchcock drama should. And I caught ‘em all!

By pure happenstance, Your Most Humble Critic and Boy Reporter was already hot on the job covering Iran (unlike some people) and hammering AMPAS for their tea and finger-cookie soirees with these guys, when I saw what Iran was pulling with Roxana and called it for what it was: a hostage crisis. And on the same day HRW called it the same in a press release on March 13th, which I didn’t find out until the 19th thanks to our on-the-ball Vein Stream Media. (more…)

John T. Simpson

Adventures in the Scream Trade, Take One

by John T. Simpson

If you’re wondering if I was about to opine on the craft of gut-twisting horror stories, you’d only be half right. I’m actually talking about real life here. As many of you may know from my earlier posts, I first flame-throwered onto the scene here at Big Hollywood about a month ago, on the occasion of Team Oscar’s could-not-be-more-ill-advised taking off for the unfriendly skies of Islamist Iran.

I knew they were going to get punked! They were going to Punkedville! In fact, I was so sure of it, I was the one who broke the story in the US off the French wires to Drudge and Nikki Finke.  One Hollywood Jihadi PR roadside bomb detonated. War Is Hell.

Look at their trip from my POV. I remember the whole balls-to-the-wall anti-Apartheid campaign from the mid-eighties. ‘I Ain’t Gonna Play Sun City,’ remember? By the way, wasn’t Little Stevie great in that video? Love him! Point being, if the racist South African apartheid regime was unworthy of cultural exchange, why was the gay-hanging, women-stoning, child-executing, blogger-killing, hostage-taking fascist regime in Iran worthy of a gold-plated Academy PR kiss? (more…)

Gary Graham

The Newsrape Emails – #1

by Gary Graham

My Dear Scudworm -

Congratulations on the fine work you did with the recent Hollywood hoopla thing.  What are those golden statues called again…Arthurs?  Oscars?  Ollivers?  No matter.  The fine art of idolatry is becoming your forte, my dear nephew.  With the powers of a willing media and the brilliance of commercialism prevalent, it’s no wonder the masses turn to your town for direction and meaning.  I chuckle with delight to see how real meaning and substance is more and more becoming passé, and overlooked for the sizzle and bling of the ephemeral.  You make your uncle proud to see that you are once again the year’s big producer for thirty years running…and gaining even more new customers every month.

Your work on the special interest groups is particularly impressive.  You are keenly aware that, pound for pound of effort, this is where we gain the most purchase in our clawing scramble over the human psyche.  Continue to stress their inherent oppression and victimization, so that our aims may be met.  Nothing makes a poor soul feel more empowered than believing itself to be a part of a large, aggrieved and neglected group.  Build on their individual sense of outrage and anger, along with their helpless sense of futility.  Remind them that they are being victimized, and must demand their rights!  I know you are laughing right now, as am I.  But drive the seriousness of their indignant and violated pride, and demand restitution for the wrongs perpetrated upon them.  (As for the specific nature of these ‘wrongs’, either real or imagined, simply fill in the blank; a group is a group, and we can use any and all of them for our purposes.) And good that you can work the golden idols into so many hands that help legitimize our work. That Penn character is an excellent poster boy.  In fact, increase the irreverence, step up the hatred of our Enemy and brighten the public celebration of him, as his flippant outrageousness masquerades as gravitas.    We can trade on his magnetic popularity, and draw the proverbial moth to the flame.  Continue your brilliant work in framing his disrespect and hatred of Judeo-Christian ethics and traditional values as hip and ‘progressive’.    (more…)

John T. Simpson

One Critic’s Review of ‘Mr. Ganis Goes To Tehran’

by John T. Simpson

If anyone wrote a script like this, no one would believe it.

But I already read the book.

That they even went to Iran in the first place was an abomination, especially given their three-hour gay rights infomercial called The Oscars just five days earlier.

And it only kept getting worse. (more…)

Steve Mason

WATCHMEN with $25.2M opening day, but “ticking downward,” now targeting $57M 3-day & $145M domestic!

by Steve Mason

“Who is watching the Watchmen?” Just about everyone…or so it seems.

The brand new film adaptation of the classic graphic comic Watchmen is a hit of monstrous proportions on its opening weekend, but not everyone loves it. In fact, not only is there a prominent character named Rohrschach (played by Oscar nominee Jackie Earle Haley), the film itself is serving as a Rohrschach Test for critics, fanboys and the broader public.

The Zack Snyder-directed $120M epic started with $4.5M in Thursday midnight business which is outstanding. There was no way for Watchmen to approach the $18.5M midnight start for lat summer’s The Dark Knight. First off, it is March and not the middle of summer blockbuster season. Kids have school. People are working. These are not the lazy days of July when it is easier for many to see a movie at midnight on Thursday, and hit the office late on Friday. The other factor is the movie’s rating. This is an R-rated movie, not PG-13 like The Dark Knight. (more…)

Alexander Marlow

And the Oscar for Best Non-Sexual Nudity goes to…

by Alexander Marlow

The film industry in Hollywood is the most rewarded vocational field in the world. Having been a part of the “Big Hollywood” launch team, I followed roughly forty-eight award shows this year. Generally, I would characterize them as slightly self-aggrandizing. By the way, I’m not confused; awards are nice (consult my bio), but why are there so many award shows? The people who win awards are rarely underappreciated.  Take Kate Winslet for example, one of Hollywood’s most overrated actresses.  I always feel I’m watching her act. Peter Mayhew was more organic as Chewbacca than Winslet as a suburban housewife in the off-putting “Revolutionary Road.” But Hollywood seemingly invents awards to celebrate Winslet and her ubiquitous bare breasts.

What irritates most is that while the shows may differ, the awards are roughly the same.  In sports, there’s only one MVP, one Rookie of the Year.  Yet every year, we are bombarded with the Oscars, the Golden Globes, the SAG Awards, and the BAFTAs.  Not to mention all those snooty little film festivals in upscale ski towns. (more…)

Mr. Wrestling IV

Actors Don’t Create Themselves, They Just Think They Do

by Mr. Wrestling IV

I can’t watch the Oscars.  Before this year, I literally cannot remember the last time I did.  A few years ago my wife had to have an Oscar party because a visiting friend insisted, so I set up a television in the garage and watched “Team America: World Police” with a bunch of friends.  Of course, we had to watch it twice, since the slobbering, tongue-kissing self-congratulation went on for over 4 hours. 

This year was different. My friends and I wanted to see two things. I wanted to see Jerry Lewis get his award in the hopes he’d come out with thick glasses, buck teeth, and make a “Why didn’t I win for THE PATSY, you putzes!” speech. Needless to say, that didn’t happen. Instead, they treated Lewis like a Great-Aunt at a wedding nobody knows but is allowed to make a toast anyway.  I guess today’s egomaniacs don’t respect their elder egomaniacs.  (more…)

Burt Prelutsky

Favorite Movies, Least Favorite Award Show

by Burt Prelutsky

When I first thought about writing this piece, I was only going to list my all-time favorite movies, breaking them down by decade.  I was going to explain that these weren’t my idea of the greatest or most innovative films of the past 80 years or so, but merely the ones I have enjoyed the most, and in most cases have seen more than once.  

Because the choices are totally subjective, a lot of movies you might expect to find — movies such as “Gone With the Wind,” “Lawrence of Arabia,” “Dr. Zhivago,” “The Godfather II,” “Easy Rider,” “All That Jazz,” “One Flew Over the Cuckoo’s Nest” and “Bringing Up Baby” — aren’t included.  The reason is that I didn’t enjoy them. 

But before I got to it, along came the Oscars, and it would seem like a serious oversight not to comment.  (more…)