Posts Tagged ‘oscar’

James Hudnall

Time to Recall Al Gore’s Oscar

by James Hudnall

Al Gore, Jr. has a history of trying to juke stats to get results he wants. In the 2000 election, he wanted the Florida recount to only look at ballots in three counties with large Democrat populations and he wanted to block military votes from soldiers overseas. The reason for this was simple. He wanted the results that would make him a winner, he did not want to risk that by including all the votes in the state, especially from conservative areas like the Panhandle.

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After a court in England decreed that there were 11 “inaccuracies” in “An Inconvenient Truth”, many of which could be classified as outright lies and false claims, Gore did not recut the film. So when film director Phelim McAleer asked him if he would fix the problem, Gore refused to answer and McAleer’s mic was cut.

It’s not surprising that Gore is being evasive. When a “peer reviewed” study of tree rings used in the UN’s IPCC reports referenced by people like Gore, was revisited by scientists, guess what they discovered? (more…)

John Nolte

The Polanski Culture: Hollywood’s Push to Normalize Sex With Children

by John Nolte

The vocal, sanctimonious Free-Polanski uproar is merely a symptom of an entertainment culture infected with a moral cancer – a culture that regularly practices up on the screen what we’ve heard them preach this last week on behalf of a confessed child rapist.

Last year Miramax released “Doubt,” a high-profile piece of Oscar-bait starring Academy Award winners’ Meryl Streep and Philip Seymour Hoffman. Streep plays a puritanical nun on a moral crusade to expose a Priest (Hoffman) who she believes is sexually abusing a 12 year-old boy. Both characters are portrayed as unsympathetic (especially Streep’s) but in just a couple scenes the boy’s working-class mother (Mrs. Miller, played by Viola Davis) is established as the moral center of the film – the only one truly interested in the welfare of her child. When Mrs. Miller’s informed that her son’s being molested, the Moral Center Of The Film responds that her 12 year-old boy is gay, a social outcast, and beaten regularly by his homophobic father … so maybe the best option for him is a sexual relationship with a forty-something child predator.

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Starring Aaron Eckhart, Maria Bello, and written and directed by Oscar-winner Alan Ball, last year’s Towelhead” is a film Roman Polanski might have seen many, many times while wearing a rain coat. The protagonist is 13 year-old Jasira (played by the then barely eighteen Summer Bishil) and the story surrounds her sexual abuse at the hands of a number of men, including Eckhart’s Gulf War Vet. Rather than the repeated abuse damaging the young girl, the filmmaker portrays the rapes and molestations as a healthy and sexually liberating experience. More than once the audience is “treated” to lingering shots of Jasira’s bare legs as she discovers the joys of the orgasm while masturbating to photographs of naked women.

Kate Winslet won last year’s Best Actress Oscar for her role in “The Reader,” in which she plays a “sympathetic” Nazi guilty of mass murder who seduces and then engages in a steamy sexual affair with a 15 year-old boy. The sex scenes between this mature woman and a child lean heavily on the erotic, as opposed to the creepy. (The “sympathetic Nazi” issue we’ll save for another post.) (more…)

John Nolte

Polanski Vs. Kazan: A Tale of Two Oscars

by John Nolte

Some are under the mistaken impression that Hollywood’s rallying behind behind Polanski because he’s a a fellow artist. That has nothing to do with it. Polanski made a few classic films but his resume pales in comparison to the great Elia Kazan — a man who, until his death in 2003, remained something of a pariah in Hollywood even though sixty years had passed since he named names before the House Un-American Activities Committee.

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In Hollywood there’s something worse than being a communist (or a child rapist) and that’s being an anti-communist. Kazan, a former member of the Communist Party of America, died a die-hard liberal but once he came to understand the crimes against humanity committed under Stalin he left the communist party and eventually went before HUAC where he named Stalinists, not innocent liberals. He also never apologized: (more…)

Carl Kozlowski

BIG HOLLYWOOD INTERVIEW: Quentin Tarantino, a Glorious ‘Basterd’

by Carl Kozlowski

Editor’s Note: After the publication of this piece we made an internal discovery that this interview was not a one-on-one interview between our writer and Quentin Tarantino, and that some of the questions attributed to “Big Hollywood” were asked by other journalists in what was a roundtable interview.
 
Upon discovering this, we temporarily removed the piece from the site until all the facts were known and a proper correction could be added.

Quentin Tarantino exploded on the world film scene in 1992 with “Reservoir Dogs,” a brutally profane yet ingeniously plotted and often funny deconstruction of the heist-film genre. He took things to a whole other level in 1994 with “Pulp Fiction,” reviving the foundering careers of superstars John Travolta and Bruce Willis while launching the star careers of Samuel L. Jackson and Uma Thurman while winning a Best Screenplay Oscar himself. 

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Yet in the 15 years since that classic, Tarantino hasn’t been able to score quite as big an impact. 1997’s “Jackie Brown” made just $39 million, while the two “Kill Billfilms scored $70 million each yet were considered hyper-violent trifles compared to what he was really capable of. And he really bottomed out with 2007’s “Death Proof,” which made up half of “Grindhouse,” a three-hour homage to the trashy drive-in films of America’s past. Its 21st-century audience didn’t get the joke and largely ignored it, earning just $27 million at the US box office.  (more…)

Carl Kozlowski

Review: ‘World’s Greatest Dad’ Summer’s Greatest Movie?

by Carl Kozlowski

Some guys never seem to catch a break in life. Lance Clayton is one of them. 

In “World’s Greatest Dad,” the recently-released, extremely dark and sometimes perverse new comedy from writer-director Bobcat Goldthwait (we know, we’re just as surprised as you), Clayton (Robin Williams) is the epitome of the put-upon, browbeaten modern middle-class American man. He’s a high-school poetry teacher with hardly any students, a girlfriend who’s afraid to be seen in public with him, and a son named Kyle (played with an amazing level of scorn by Daryl Sabara) who surely must rank as the foulest, most awful teenager in the history of movies. 

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Lance does have dreams of greatness, however. In fact, he’s in the middle of sending off his fifth novel for agent consideration, even though he’s never been published before. But ** SPOILER ALERT ** one night, after finding his son dead from a bout of autoerotic asphyxiation that occurred while watching porn on this computer, Lance suddenly feels a unique burst of inspiration: in order to cover up the shame of his son’s actual cause of death, he moves Kyle’s body, re-hangs him in his closet and writes the perfect suicide note so that the policeman who finds him will think that it was just another, normal teenage suicide.  (more…)

John P. Hanlon

Interview: ‘Soraya M.’ Star Shohreh Aghdashloo

by John P. Hanlon

“Accompanied by thousands of women” is what Shohreh Aghdashloo told her friends about how she felt attending the Academy Awards in 2004 as the first Iranian nominated for an acting award for her performance in “House of Sand and Fog”. Since that nomination, Aghdashloo has appeared in numerous television shows and in many movies, including her newest film, “The Stoning of Soraya M.” 

Several weeks ago, I wrote an article for “Big Hollywood” about the importance of that new film and Aghdashloo’s work as an actress who speaks up for voiceless women. As a follow-up to that article, I had the opportunity to conduct a phone interview with the Oscar nominee who, one day before I spoke to her, was nominated for an Emmy award for her role in the miniseries “House of Saddam.” During the interview, Ms. Aghdashloo spoke about the current situation in Iran, her work in the film “The Stoning of Soraya M.”, and what attracts her to certain projects. (more…)

John T. Simpson

Will ‘The Stoning Of Soraya M.’ Get An Oscar Nod?

by John T. Simpson

Just when I thought I was out, they pull me back in.

Returning once again to the land beneath the Big Hollywood sign for a most important poll question. “The Stoning of Soraya M.” has received powerful rave reviews across the political spectrum. The buzz is hot. From the leftie pundits at HuffPo (who only seem to be discovering the true human rights horrorshow nature of that regime now, most curious) to the Righties at Big Hollywood and elsewhere, SORAYA M. is a must-see movie that will linger with you long after you’ve left the theater.

Strangely enough, Amnesty lnternational’s Elise Auerbach doesn’t like it. Because stonings in Iran are so rare, don’t you know. No suspension of disbelief for Ms. Elsie. I’m sorry, what’s her job again? Oh yeah, Iran Specialist for Amnesty International. Go figure. Personally, I happen to think one stoning is one too many. And it wasn’t the only one, not by a country mile! But that’s just me. I’m not an Iran specialist for AI. Like, say, Ms. Auerbach. Nice work if you can get it, huh, Ms. Elsie? (more…)

John T. Simpson

The Stoning Of Team Hollywood

by John T. Simpson

The crime is complete. Judgment has been passed. The killing stones are in hand. As per the harsh stoning penal code of Iran’s Islamist thugocracy (for however long that lasts) where the crime took place, my stones are not so big as to kill right away, not so small you can’t call them stones. And I’m winding up like Nolan Ryan. Feel free to pick up a stone of your own. But wait for it!

And let me make this perfectly clear, even if they do say Jehovah!

Sentence must be read before being carried out. And unlike Soraya M., the board members of the Asylum of Motion Picture Airheads and Stooges will deserve every rock that’s thrown their way. I also believe that, in light of events in Iran today, the following commentary will stand out in much starker prominence than it did when I first started reporting on them in early March, when Team Oscar first set off for the Unfriendly Skies of Islamist Iran. (more…)

John T. Simpson

Why Reagan Was a Better Friend to Gays Than Obama

by John T. Simpson

I really thought my Republican platform piece here at BH would have been my last for awhile. Plenty for readers of all stripes to chew on. And I got too many other things to do. The reason for my reluctant return is yet another critical issue the Obamamedia and our LibDem government are completely flat-lining on: the officially sanctioned exterminations of LGBTs in Iraq, and on our dime. Not to mention State’s cold and lame response. More on that later. Too much more, actually.

First, the one of the main points of this fact-based opinion piece. And I know I’m going to catch hell from the Streisand and Brolin crowd on this one! Ronald Reagan was a hero to gays, and Obama has not been to date. I know, I know. The Evil Ronald Reagan, who practically invented AIDS? Reagan, the Adolf Eichmann of the Gay World? Not true. Not by a country mile!

In fact, Ronald Reagan was a better friend to gays and lesbians in his age than Barack Obama has been to gays in his. But don’t even go by what I say. I’m a right wing extremist, and very biased to what I believe. I admit it. Who isn’t these days? The press? LOL! But here are some irrefutable facts on The One and The Gipper I thought I’d throw out there. A gay buffet for thought, if you will. With swimming pools. And movie stars. (more…)

John T. Simpson

Some Tough Questions For Team-Oscar’s Iran Follies

by John T. Simpson

When Team Oscar lands on the Red Carpet at LAX, they’ll tell us what a joy it was sharing tea, finger cookies and film seminars with the hostage-takers, women-stoners, blogger-killers and gay butchers of Iran. As a public service of the VISIBLE Press, I will ask the tough questions Team Oscar will never hear from the Invisible Press. See, Invisible Press, I kill myself! Okay, people, presser coming up.

On With The Show!

EXT. RED CARPET AT UNFRIENDLY SKIES AIRLINER, FLIGHT 666, LAX RUNWAY – DAY (more…)

John Nolte

Top 5: Oscar Highlights and Lowlights

by John Nolte

A 23.3 rating this year, compared to last year’s record low of 21.9. The headlines read, ”Oscar Ratings on the Rise.” If George W. Bush ran the Academy they would read, ”Oscar Viewership Barely Keeps Up With Annual Increase in U.S. Population.”

First the highlights: (more…)

Andrea Peyser

Celebutard of the Week: Bill Maher

by Andrea Peyser

You’d think they’d learn.

The Oscars have always been a venue where celebs bash presidents, governments and endorse leftist candidates. But this year the Oscars hit a low even for Hollywood – allowing Bill Maher to bitterly bash religion. For personal reasons. This earns him the title of Celebutard of the Week, in keeping with my new book: “Celebutards: The Hollywood Hacks, Limousine Liberals and Pandering Politicians Who are Destroying America.’’ (Kensington). (more…)

John Ridley

PC Whiners Aside, Downey Jr. Deserves His Oscar Nod

by John Ridley

On the heels of the Academy of Motion Picture Arts and Sciences announcing the nominees for their 81st shindig, there were the usual nontroversies over who was named and who was ignored.
Among all that, Hollywood trade paper Variety noted that Robert Downey Jr.’s nod for Best Supporting Actor in “Tropic Thunder” “marks the first time since Laurence Olivier’s 1965 “Othello” that an actor has been nommed for playing a role in blackface.”

Not quite true. Forrest Whitaker darkened his skin to play Idi Amin for his Oscar winning performance in “The Last King of Scotland.”

Slightly different circumstances, yes. But… (more…)

Joseph Lindsey

And The Victim Goes To:

by Joseph Lindsey

Year after year, Hollywood continues to make films that objectify the image of women in the name of art. This sends a dangerous message to young girls in this country and around the world at a time when they need healthy role models outside their mothers. Kids need healthy role models from Hollywood because it’s fun for kids to fantasize about the limitless possibilities of living in a free society.

If I told you the tales I know of, of what some actresses have gone through to get a job in Hollywood, your head would spin. You’d think The National Organization for Woman would be up in arms over the misogyny that is the underbelly of Tinseltown. But they aren’t, because feminism in Hollywood is now only liberalism. Hollywood and the media proved that in this last election with the treatment of Sarah Palin.  When liberal Hollywood gives an award to an actress they don’t tell you what she went through to get that part, they only show you what she played to get that award. (more…)

Steve Mason

Warner Bros reaches $1.74 billion domestic surpassing Sony’s record set in 2006!; MARLEY & ME headed for $51.8M 4-Day with BEN BUTTON at $39.1M & BEDTIME STORIES at $38.6M!; REV ROAD with Best PTA of 2008!

by Steve Mason

Steve Mason is on Facebook and now also on Twitter.

SUNDAY MORNING: Dog lovers everywhere united to make Fox’s Marley & Me the #1 Christmas weekend movie with an expected $51.18M in the Thursday-thru-Sunday period for a Per Theatre Average of $14,888. Pre-opening industry tracking pointed to a clear win for Bedtime Stories (Disney), but it was the lovable lab who finished on top.

As an aside, all of us who read John Grogan’s extraordinarily well-written novel should have seen this coming. The book is a joy, and anyone who has a dog, or has ever had a dog, could easily identify with the struggles and pleasures of having a 4-legged member of the family.

The success of Marley slightly mitigates a disastrous year for Fox. Its year started out well enough riding the huge success of 2007 release Alvin & the Chipmunks into January ($70M of Alvin’s gross landed in this calendar year). The January 18 release of chick-flick 27 Dresses scored for Katherine Heigl ($76.8M in the US), then Jumper was a good solid February hit, topping $80M, followed by the wildly successful Horton Hears a Who ($154.5M domestic). Little did Fox know that when the Ashton Kutcher-Cameron Diaz comedy What Happens in Vegas played solidly to the tune of $80.2M domestic starting in May, it would be its last legit hit until Christmas’ Marley & Me. This is a huge, redemptive win for Fox, and its sentimental tear-jerker of a dog movie could near $100M domestic by Sunday.

(more…)