Posts Tagged ‘orson welles’

John Nolte

Memorial Day Top 5: Great WWII Films You Might Have Missed

by John Nolte

These may not be the best known or most famous of WWII films, but they deserve to be. Keep an eye out. You’ll be glad you did.

1. Command Decision (1948) – Made just after WWII, this Air Force drama set in 1943 when the outcome of the war was still in doubt, is one of the most intelligent examinations of the burden of command ever put on film. Clark Gable is absolutely outstanding as Casey, a Brigadier General forced to give orders that on their face appear cold and even monstrous, but in truth are just the opposite. Caught between the Washington brass who have a war to sell and the men under him who see only a General ordering their comrades to certain death, Casey is a leader willing to be hated and even lose his command in order to do the greater good. What Casey cares about before anything is saving American lives. That means winning the war as quickly as possible, something which can only be accomplished if unspeakable sacrifices are made in the here and now.   (more…)

Schizoid Mann

The Most Powerful Weapon

by Schizoid Mann

During the Cold War, a slew of movies came out that dealt with the possibility of a nuclear exchange with the Soviet Union. This is not surprising since the atom and hydrogen bombs were the most powerful weapons ever devised by man. Well, almost.

I’ll get to that somewhat nervy assertion in a bit, but first a little background.

Among the cinematic slew released during those years of cold, are two of my favorite films, Dr. Strangelove and Fail-Safe. Both dealt with strikingly similar themes, unintentional nuclear holocaust, yet in entirely different tones.  But cold war themes weren’t that varied by their very nature, since inevitably the worst case scenario was the best case plot device and nothing brings down the house like bringing down the house.

With that said, still, there’s so much similarity between the two stories that law suits were indeed filed and production schedules slowed. This worked out to Stanley Kubrick’s advantage as his Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb was released almost a year ahead of Sidney Lumet’s Fail-Safe. In my opinion Kubrick’s is a better film than Lumet’s and not due to slowed schedules, either. But both are magnificent, and because of their approaches to the topic, very different  and essential part of the genre. (more…)

Leo Grin

Remembering a ‘Sweet’ Little Birthday

by Leo Grin

“Wax on, wax off.” “He slimed me.” “Fortune and Glory, kid.” “I’ll be back.” “Don’t get him wet. Keep him out of bright light. And never feed him after midnight.”

It’s hard to believe that a quarter century has passed since that magical movie summer of 1984. The calender year of George Orwell’s dire dystopian nightmares had arrived, but instead of a nation writhing in servitude to Big Brother, America was delighting in the prosperity engineered by Big Gipper. Throughout the summer of ‘84, the greatest president of the twentieth century was cruising to the single largest electoral total ever amassed by a presidential candidate in our history, and “It’s Morning Again in America” commercials were playing on TV’s across the land to widespread approval. (more…)

Charles Winecoff

Confessions of a Recovering Anti-Semite

by Charles Winecoff

Whenever someone asks me if I’m religious, I always say I’m Jewish by osmosis.  Back in Manhattan, my mother was known to order in Chinese food seven nights a week - even for Thanksgiving and Christmas dinner.  For an Anglo-centric WASP worshipper who idolized Jackie O, she was very Mama Rose.

But there was always that awkward moment when she had to give the Chinese restaurant our name over the phone: “Winecoff.  W-I-N-E-C-O-F-F.  And it’s not Jewish.”


Orson Welles “The Stranger”

People usually just assumed we were Jewish.  Sometimes they even refused to believe it when we said we weren’t – “Oh, come on.  You’re kidding, right?” – which made me mad.  But this was New York City, and we were surrounded, outnumbered.

We were supposed to be Episcopalian – or as my mom occasionally put it, Protestant.  I had no idea what that meant.  We never “protested” anything.  We never took communion at the landmark church we went to now and then.  My mother, who was really more of a frustrated pagan, thought the symbolic eating the body/drinking the blood of Christ was akin to cannibalism. (more…)

Charles Winecoff

Platitudes are not Healthy for Children and Other Living Things

by Charles Winecoff

The other day I was stuck in traffic behind a young woman whose rear bumper sported three popular cries for help: Hope, Free Tibet, and Save the Planet.  Her ass was covered.

For some reason, it made me think of my late grandmother, an English rose with a backbone of steel – what us Americans call a “tough cookie.”  As a young divorcee, she single-handedly raised my mother, and took care of her own mother, through the Great Depression and beyond.

I used to love asking her about all the events she’d seen take place in her lifetime: the rise of the automobile, the night of Orson Welles’s famous War of the Worlds broadcast, the blackouts during WW2, the “Stars Over America” war bond blitz (which even Hollywood nonconformist Bette Davis threw herself into), the arrival of television, and on and on.

As a boy, it seemed to me my grandmother had lived many lives, and seen more sweeping, historical changes than I could ever dream of.  I had missed the boat. (more…)

John Nolte

TCM Pick O’ The Day: Tuesday, January 27th

by John Nolte

3pm PST - Trial, The (1963) – In this adaptation of Kafka’s classic, a man in a nameless country stands trial for an unnamed crime. Cast: Anthony Perkins, Jeanne Moreau, Romy Schneider, Elsa Martinelli Dir: Orson Welles BW-120 mins, TV-14

You can decide if you want to see it again, but everyone should see Welles impressive adaptation of Franz Kafka’s classic nightmare at least once, if only for the film’s stunning look and atmosphere. “The Trial” is a challenging film. There’s no real story, a whole lot of slow spots and an overall pace with little respect for the audience. But it is a wonder to look at and fans of the novel are likely to appreciate how close Welles came to filming what was widely believed to be un-filmable (or they might stand by that opinion). (more…)