I must admit that when I first heard about the National Endowment for the Arts conference call to enlist the arts community in propagandizing the White House’s agenda, I was a little mystified as to why it was so controversial. After all, the NEA, through its funding choices, has been actively undermining American values for many years. Way back in 1986 we were treated to the scandal of Andres Serrano getting $15,000 from the NEA for his mediocre photo of a plastic crucifix in his own urine – “Piss Christ.” That is just one of a myriad of egregious examples of NEA funding going to support dubious “art” that functions solely to corrode the fabric of civilized society.

Sure, the NEA gives money to major established arts organizations – symphonies, ballet companies, repertory theater groups, and the like — but that is how they maintain their veneer of staid respectability, all the while promulgating their Leftist, nihilistic agenda through their smaller grants. For example, I know a truly great American artist, Harry Carmean, who, among his other credits, was the Chairman of the Fine Arts Department at the Art Center College of Design in Pasadena, California and taught there for 43 years. He applied for NEA grants repeatedly to help fund his work but was rejected each time because his paintings were deemed “not edgy enough.” Translation: he actually possesses artistic talent, skill, and discipline, which he uses to create beauty instead of pseudo-artistic, politicized claptrap. We all know he would have had a far better chance of getting a grant out of the subjective and ideologically driven apparatchiks at the NEA had he used dog feces to paint images of female genitalia. (more…)
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