Lupe Velez, The Mexican Spitfire.

The lives of Hollywood stars are frequently tragic and messy tales of absent fathers, cruelly ambitious mothers, and madly dysfunctional families.

Mexican-American actress, Lupe Velez (July 18, 1908 – December 13, 1944) “The Mexican Spitfire” was a beautiful, passionate, emotionally unstable woman best known for a series of 1930’s B movies in which she plays a delightfully scatter-brained character who speaks broken English mixed with streams of rapid fire Spanish.

Her first feature-length film was in the Douglas Fairbanks blockbuster, The Gaucho (1927), where she plays a high spirited Spanish dancing girl. Velez performed in a further eighteen films before settling into comedy—she had a Carol Lombard vibe, a  flair for screwball situations, but her accent limited her appeal—most notably in the seven “Mexican Spitfire” series of films (1939-1943). (more…)

Don’t let the unwatchable sequels diminish how imaginative and heartfelt the original was. And though I’m not a big fan of Tim Allen’s film choices of late, in the right role like this (and Galaxy Quest), he’s very good. Also going for The Santa Clause is a perfectly cast Judge Reinhold, the hottest of all hot moms, Wendy Crewson, some terrific special effects, a warm Christmas spirit and, uhm, well, Wendy Crewson.

Most of the credit, however, belongs to the screenwriters who seized upon the beloved and well known story of Santa Claus and turned it into an original story that still very much respects what came before. The Santa Clause doesn’t rewrite or deconstruct, it builds upon the legend basing itself on all those lingering unanswered questions, such as: How does Santa fit down the chimney? How does Santa visit every home in one night?  It’s a genius premise and don’t forget that the divorced-dad-who-learns-how-to-be-a-better-father comedy wasn’t as tired and played out in 1994 as it is today. (more…)

Don’t believe for a second that the History Channel — which should now be called The Revisionist History Channel — will be the end of Matt Damon and Howard Zinn’s cinematic ode to trashing America. The obvious next step for the adaptation of Zinn’s “A People’s History of the United States,” will be taken up by nitwit, pseudo-intellectual, America-loathing teachers and professors everywhere – many of them paid by the taxpayers of GodDamnAmerica – who are no doubt panting in anticipation for their first chance to screen this toxic mix of guilt and victimization in classrooms everywhere stocked with young, captive, impressionable minds. 

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And the film’s producers are showing academia the way with “The People Speak College Tour,” which launched at Boston University November 4th and ends right here at UCLA this coming Friday.

Turning Zinn’s textbook poison into an even more powerful brew of sound and fury has been a goal of producer Damon’s for going on a decade now. When I first heard that this skewed, leftist dwelling on America’s sins (some real, most imagined, all delivered without historical context) had received the seal of approval from the History Channel it was a shocker – until I remembered the History Channel is owned by NBC – a network now working like a propaganda war machine to boost every leftist cause imaginable. (more…)