NEW ‘TERMINATOR’ FILM TO BE R-RATED

That’s the ONLY news on ‘Terminator 5.’ Nothing else is really happening, just a tweet from the woman funding the film.

This might be heresy, but I thought “Terminator 3″ was damn good and could care less about the rating. The story was tight, held my attention, surprised at the end, and contained all kinds of superb action scenes. “Terminator: Salvation,” on the other hand, was utter crap; a third act right out of a Sy-Fy Channel movie.

Worry about the storytelling. Let that process take you to the rating, not the other way around.

MONTY PYTHON MEMBERS SET TO REUNITE FOR SCI-FI COMEDY ‘ABSOLUTELY ANYTHING‘

“Life of Brian,” “Meaning of Life,” and “Holy Grail” are all brilliant, but something happens to these guys as they get older. They lose their comedic edge and just get meaner towards “safe” targets, and an obvious political correctness seeps into their work:

“a group of aliens who endow an earthling with the power to do ‘absolutely anything’ to see what a mess he’ll make of things — which is precisely what happens. There’s also a talking dog named Dennis who seems to understand more about the mayhem that ensues than anyone else does.”

Who knows where this could lead, but let’s hope that self-importance is off limits. As a Christian and Catholic, it’s an honor to get my butt kicked by the boys in the trio of films listed above because the films are clever, not mean-spirited, avoid preaching, and come from a  less fascist time when it was still okay to make fun of everyone.

Because liberals ruin everything, that’s just not the case today.

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ABC has relented to objections from the Gay & Lesbian Alliance Against Defamation and cancelled the unbelievably bad comedy “Work It” after only two episodes.

It’s my guess that with the protests from GLAAD gearing up, ABC felt it would be hopeless to try and defend (note to Canada, you can probably take Detroit).

It also bespeaks a certain prejudice inside of GLAAD who has never said a word about Tyler Perry, Martin Lawrence or Eddie Murphy (who was once known to be quite transvestite-friendly despite his transvestite comedy). Of course, GLAAD has never been terribly courageous about confronting the black community. Political correctness forbids crossing racial lines.

This might reveal a hint as to why GLAAD felt empowered to attack “Work It.” The plot revolved around two men who are forced into women’s clothing just to get a job. Don’t they know that only women are discriminated against in the workplace (and only make three-fourths of a man’s salary)? Perhaps the writers’ ignorance of Women’s Studies 101 made GLAAD think it had been written by conservatives. (more…)

It would be ridiculous for a conservative to enter a production or university theater expecting it be a politically edifying experience on level with, say, a National Review cruise. The university has been a well-guarded outpost of the left since 1951 or 1964 or somewhere ‘round those parts; the theater, likewise, has generally cheered left-wing causes.

It is not ridiculous to expect that theater departments (especially at publicly-funded institutions) prioritize storytelling and, well, drama ahead of the strident promotion of pet political causes and the vilification of those causes’ detractors.

From my experience, this basic expectation is often given the Vaudeville hook at the University of Georgia. This past semester, I signed up for a Theater Appreciation course to “develop a working vocabulary … of the theater” (from the syllabus) and, much more importantly, earn my degree’s requisite credit in the fine arts. The class itself was well taught and politically benign, as any introductory theater class should be. Our professor was impartial and, where his opinions shone through, he encouraged students to think for themselves on the issues. If only the rest of the department was so tolerant.

I attended four plays as part of the course. My only exposure to drama coming into college was a handful of high school plays—wholly uncontroversial musicals like “Anything Goes” and “Seussical.” College productions, I thought, would follow that formula.

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The best way to tell if a celebrity is on the downward slope of their career trajectory is when they start making partisan political attacks during concerts or interviews. Then you know they’ve boarded the train to has-been land.

Take John Cleese for example, a comic legend, member of the shrinking Monty Python troupe, he of “Fawlty Towers” fame. One of the funniest shows ever made. His contemptible elitist rant in this video reveals him to another rich snob who thinks those beneath his station, who don’t concur with lefty cant, aren’t real people. And any news station at variance with his world view is nothing but propaganda of the worst sort. Even though Hillary Clinton said Fox News treated her more fairly than any other news station in the 2008 primaries. (more…)

Television is often treated like the unloved step-child of the arts.  It’s been called a vast wasteland and worse.  And vast it certainly is.  It’s on all the time and on hundreds of channels, so it’s no surprise that most of it is just awful.  The surprise is how much of it is worthwhile, and I’m not just referring to the artsy-fartsy stuff that shows up on Masterpiece Theatre. 

Of course everyone’s list is going to seem eccentric to other people.  My own is no exception.  For one thing, there have been very popular shows that I never even tuned in.  I’m thinking of “Beverly Hillbillies,” “Bonanza,” “Green Acres,” “Gilligan’s Island,” “Dallas,” “Dynasty,” “Knott’s Landing,” “Peyton Place,” “L.A. Law,” “Six Feet Under,” “ER,” “Chicago Hope,” “CSI,” “Fresh Prince of Bel Air,” “Ally McBeal” and “Sex and the City.”  There were a few I watched once or twice to see what all the fuss was about, but I didn’t care for “Star Trek,” “Picket Fences,” “The X Files,” “Boston Legal,” “Touched By An Angel,” “Monty Python” or “N.Y.P.D. Blue.”  (more…)