Patrick Courrielche discussed his pieces here and here with Glenn Beck on Monday. For those of you who missed it, or those of you who want to relive the magic once more:

Part II after the jump. (more…)

A few days ago I received a call from my cousin. He’d been hearing some chatter from the family about something happening with a series of NEA articles that I’d written for Big Hollywood and wanted to find out from the horse’s mouth what was going on. His question was simple and concise.

“What did the White House do wrong?” he asked.

“The White House attempted to use federal agencies for political gain,” I blurted out.

President Obama with former NEA Communications Director Yosi Sergant

And that is The Big Truth in a nutshell. A moment of clarity hit me, and as with most eureka moments, a path of how to explain this big truth came into sight. The full story needed to be told – including possible collusion, the White House’s novel mode of operation, and the eventual cover-up – to fully understand and illuminate the government’s intention with their arts effort.

Up until now, I have not discussed Sergant’s former job in the White House Office of Public Engagement, where Buffy Wicks currently resides, because the story had to develop to understand the significance. I also haven’t discussed the email that I received from Michael Skolnik, the moderator of the call, immediately after the publication of the original conference call article – an email that attempted to revise history and the role of the NEA and the White House in the meeting. And what has yet to be discussed is the White House’s recent ability to set up an ArtistCorps, brought into existence with less than 20 words in the Serve America Act. (more…)

Today, Big Hollywood released a full audio recording and transcript of the NEA conference call. A full review of the call reveals several new and more troubling aspects to what transpired on the August 10^th phone call. What is inescapable is that the origin of the call reaches into the highest offices of the White House. It is clear, from the transcript, that the call was orchestrated by the Office of Public Engagement, whose Director, Valerie Jarrett, is among the closest advisors to President and First Lady Obama. It is also apparent that Ms. Jarrett’s office directed the involvement of the National Endowment for the Arts and the Corporation for National and Community Service, two independent federal agencies. (This is important, as neither is officially part of the executive branch.)

At the very beginning of the call, the general ‘moderator’ of the call, Michael Skolnik, political director for Hip-Hop mogul Russell Simmons, explains the genesis of the call:

I have been asked by people in the White House and folks in the NEA about a month ago in a conversation that was had. We had the idea that I would help bring together the independent artists community around the country.

This is important, because in the immediate aftermath of the breaking story, the NEA has tried to state that a ‘third party’ organized the call. This clearly isn’t true. The e-mail invitation to the call was sent from Mr. Sargent’s government-provided NEA e-mail address. In addition, as the transcript reveals, Mr. Sloknik was “asked” by the White House and NEA to organize the call.

(more…)

Big Hollywood today reveals the extensive proof that shows the White House used the National Endowment for the Arts to push a political agenda favorable to President Obama. But it gets worse: the Administration lied about it, and tried to cover it up.

You already know the background: an NEA spokesman participated in a conference call designed to encourage artists to further Obama’s legislative agenda. This was revealed back in August at Big Hollywood. What is new today is the full transcript of the call — and how clearly the NEA was involved in urging artists to propagandize for Obama.

Naturally, the NEA and the Obama administration denied this. According to the Los Angeles Times (in a blog post, of course, and not an actual newsprint story), the NEA denied any purpose to further a legislative agenda:

The NEA issued a statement saying that it took part in the conference to help inform arts organizations about opportunities to sponsor volunteer service projects themselves, or have their members take part in other volunteer efforts. “This call was not a means to promote any legislative agenda, and any suggestions to that end are simply false,” the statement said. (more…)

In the aftermath of the Andrew Breitbart/James O’Keefe/Hannah Giles-broken ACORN scandal, President Obama and his allies in Congress have distanced themselves from the community organizing goliath.  Congress has cut off funds, and Obama has refused to speak about the matter.  End of story, right?

Wrong.

There’s only one problem: the ACORN mentality – pinpointing and mobilizing particular groups in support of a radical-left agenda – is no longer restricted to government-funded private non-profits like ACORN.  The ACORN mentality now dominates the government itself.  Taxpayer dollars are being used by elected officials to encourage the deification of President Obama and his agenda.  And one of the chief organs of the government propaganda machine is the National Endowment for the Arts.

Let’s start from the beginning.  On August 25, artist Patrick Courrielche told the story of a conference call he attended on August 10.  That conference call was hosted by the NEA, the White House Office of Public Engagement, and United We Serve.  The goal of the conference call: “to help lay a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.”  The call would push “a group of artists, producers, promoters, organizers, influencers, marketers, taste-makers, leaders or just plain cool people to join together and work together to promote a more civically engaged America and celebrate how the arts can be used for a positive change!” (more…)

At first glance, the National Endowment for the Arts (NEA) conference call of August 10th, 2009 sounds innocent enough because it’s supposedly been organized by Michael Skolnik, political director for Russell Simmons and someone not officially associated with any government agency. Skolnik appears to be acting independently as a concerned citizen and to have taken it upon himself to gather together a group of artists and art organizations hoping to move them towards “national service.” And how nice of the White House, the federal government and the NEA to make the time to participate in the call and aid this group of American artists motivated to help their country and community.

But this is only how things appear.

All evidence points to the fact that the conference call was a ruse, a front for a White House using Skolnik as a kind of beard in order to put an innocent spin on their abuse of the NEA and two non-partisan volunteer organizations (United We Serve – an initiative overseen by The Corporation for National and Community Service – a federal agency, and the White House’ Office of Public Engagement).

The goal: To motivate a group of hand-picked pro-Obama artists (grant recipients or those wanting grants) to push the President’s flagging agenda, especially health care — and to funnel this promotion through the ACORN related- Serve.gov website. 

***

Documentation gathered by Big Hollywood’s Patrick Courrielche and the Washington Times, coupled with a newly revealed audio recording of the full conference call, points to eight troubling facts that put the full context of the call in a very disturbing light. (more…)

**NEA conference call full audio and transcript here**

Should the National Endowment for the Arts encourage artists to create art on issues being vehemently debated nationally?

That is the question that I set out to discuss a little over three weeks ago when I wrote an article on Big Hollywood entitled The National Endowment for the Art of Persuasion?”

The question still requires debate but the facts do not.

The NEA and the White House did encourage a handpicked, pro-Obama arts group to address politically controversial issues under contentious national debate. That fact is irrefutable.

President Obama with the NEA’s Yosi Sergant

But some have claimed that the invite and passages, pulled from the conference call that inspired the article, were taken out of context. Context is what I intend to establish here.

On August 10th, the National Endowment for the Arts, the White House Office of Public Engagement, and the Corporation for National and Community Service hosted a conference call with a handpicked arts group. This arts group played a key role in Obama’s arts effort during his election campaign, as declared by the organizers of the call, and many on the call played a role in the now famous Obama Hope poster. (more…)

Play:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Full Transcript:

Full NEA Conference Call Transcript and Audio –

Another conference call has materialized, revealing a concerted effort by government to use the arts to address political issues.

Lee Rosenbaum, a blogger for Artsjournal.com, posted her experience with a meeting that occurred on August 27th and confessed that she also felt “uneasy” about the government’s arts effort.  The meeting invitation (viewable here) went out to all “member local, state, and regional arts agencies, community-based arts organizations, and national partners of Americans for Arts.” Americans for Arts is a non-profit arts organization that has received substantial grants from the National Endowment for the Arts.

As with my conference call, the art group was invited to the meeting to work together to “tackle some of the nation’s toughest issues: education; health; energy and the environment; community renewal; and safety and security.” Also like my call, it included a private citizen moderating the phone call with key White House representatives participating. Kalpen Modi, Associate Director of the White House Office of Public Engagement, was to represent the White House and key representatives from the National Endowment for the Arts were also to participate.

Even more disturbing than learning that the White House and NEA are using the arts to address specific issues, is to learn what was discussed on this new conference call. Rosenbaum mentions that there was much talk of “leveraging federal dollars” to get artists and cultural organizations involved in social-service projects.  (more…)

I recently wrote a critique of the art community’s lack of dissent in the face of many controversial decisions made by the current administration. Entitled “The Artist Formerly Known as Dissident,” one of the key points argued in the article was the potential danger associated with the use of the art community as a tool of the state. Little did I know how quickly this concern would be elevated to an outright probability. 

Sometime between when I finished the critique and when it went live online, I was invited by the National Endowment for the Arts (NEA) to take part in a conference call that invited a group of rising artist and art community luminaries “to help lay a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.”  (more…)