On February 7th, the 9th Circuit Court of Appeals ruled 2-1 that the marriage protection amendment, commonly known as Prop 8, violates the U.S. Constitution. Although it passed with the support of 52% of California voters in 2008, the court said it “serves no purpose, and has no effect, other than to lessen the status and human dignity of gays and lesbians in California, and to officially reclassify their relationships and families as inferior to those of opposite-sex couples.”

From where I sit, this ruling was a travesty, not only because it discarded the wishes of 7 million Californians who voted for it, but because much of the money to overturn it came from Hollywood elites who are completely out of touch with the heart and soul of America.

Honestly, watching the decision come down from the 9th Circuit was like watching Brad Pitt and Elton John stomp all ever everything that flyover country holds near and dear to its heart. I cite Pitt and John because Pitt gave at least $100,000 to “fight the proposition,” and in Jan. 2011, John played a benefit concert in Beverly Hills that raised $3,000,000 for the same cause.

Of course, these two were not alone. Steven Bing, long time Democrat Party donor and Hillary Clinton supporter, donated $500,000 to the cause, and according to Advocate magazine, Mary J. Blige and Melissa Etheridge were right there in the mix as well. Oh, and we can’t overlook old “Meathead,” Rob Reiner, who opposed Prop 8 when it was on the ballot in 2008 and who’s been “one of the biggest fundraisers behind the legal effort” to overturn it since. (more…)

Surely there can be few people by now who are unaware that politics is a scummy business. Nevertheless, this is the news that director George Clooney brings us in his carefully paced semi-thriller, ‘The Ides of March.’ As the title indicates, the movie is an examination of betrayal, on several levels. The stars—Clooney, Philip Seymour Hoffman, Paul Giamatti, Evan Rachel Wood, and especially Ryan Gosling, the film’s central presence—are so good they almost make the picture work. But they’re let down in the end by the movie’s under-powered style—it’s almost too tastefully done—and by the facile implausibilities and familiar political tilt of the script (a collaboration by Clooney, Grant Heslov, and Beau Willimon, who wrote the play on which the film is based).

The story is set in wintry Ohio, during the final week of a Democratic presidential primary. Pennsylvania governor Mike Morris (Clooney) is in the lead, but one of his opponents is catching up. Morris’ campaign is being run by veteran political operative Paul Zara (Hoffman), capably assisted by hotshot up-and-comer Stephen Myers (Gosling).

The opposition mastermind is wily Tom Duffy (Giamatti). Both Duffy and Zara realize that their candidates will need the endorsement of a powerful senator named Thompson (Jeffrey Wright) in order to prevail. But in exchange for the hundreds of delegates he controls, Thompson wants major payback: a promise to be appointed secretary of state in the administration of whichever candidate will meet his demand.

Read the full review at Reason.com

Governor Mike Morris (George Clooney) is one charismatic politician. He’s smart, witty and his rhetoric is so unabashedly liberal that the Democratic Party is close to choosing him as their party’s nominee. It’s no wonder that idealistic press secretary Stephen Myers (Ryan Gosling) supports him with the eagerness of a political naif. Myers has worked on a lot of political campaigns before, but in a world of political compromise and compromising principles, he has fallen for a candidate he believes is the “real deal.” Myers’ brush with reality lies at the core of the new political thriller, ‘The Ides of March.’

The story begins a few days before the important Ohio Democratic primary, which pits Morris against the more moderate Senator Pullman (Michael Mantell). Morris is leading in the polls but Pullman, backed by support from Republicans and independents who are allowed to vote in the primary, is gaining strength. Early on in the film, Myers accepts a meeting with one of Pullman’s main strategists (played by a cunning Paul Giamatti), which sets the stage for the rest of the film. Without going into details, the story eventually finds Myers questioning his loyalties to the Morris campaign and learning his candidate isn’t the political savior that Myers hoped he was.

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Before it stumbles into a bit of narrative miscalculation toward the end, Crazy, Stupid, Love is one of the year’s funniest pictures, cleverly structured, perfectly paced (for the most part), and enlivened by a cast that’s pretty well unimprovable.

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Steve Carell is Cal, a California suburbanite long and happily married to his high-school sweetheart, Emily (Julianna Moore). Driving in their car one night, out of nowhere, Emily tells Steve that she has slept with an amorous coworker (Kevin Bacon), and that she wants a divorce. Cal is devastated, but he dutifully moves out of the house they share with their two kids and into a soulless bachelor apartment. Beset by loneliness, he makes a few feeble attempts to pick up women at an upscale singles bar. His hilarious lack of success at this draws the attention of an observant pickup artist named Jacob (Ryan Gosling). Jacob is strictly into one-night stands—actual romance is never on his menu—and he volunteers to give Cal a studly makeover, starting with his clothes (“Be better than the Gap”) and especially his footwear. (“Are you in a fraternity?” he asks, checking out his new protégé’s puffed-up Nikes.)

Soon Cal is scoring—most uproariously with a love-starved high-school teacher named Kate (Marisa Tomei). Meanwhile, back at Cal’s former home, his 13-year-old son (Jonah Bobo) is lusting after the family babysitter, an endearingly gangly 17-year-old named Jessica (Analeigh Tipton). But Jessica is in turn crushing on Cal, who’s still making occasional household visits. At the same time, a young law student named Hannah (Emma Stone, sharp as always) is slowly submitting to the come-ons of the chick-magnet Jacob, who for the first time is feeling the stirrings of something other than lust, in a place other than his pants.

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Ed. Note: I’ve asked Big Hollywood’s Iron Man John Hanlon to cover the latest movie trailers as they come out and give us his impressions. thankfully he agreed, and this is the first in what should be a terrific series. All together now: Thanks, John! — JN

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What’s to Like

Firstly, “Crazy Stupid Love” has a great cast including Ryan Gosling, Steve Carell, Marisa Tomei, Kevin Bacon and Emma Stone. If that isn’t enough, it also stars Julianne Moore as Carell’s husband in a story that seems to focus on their marital difficulties. The movie looks fresh and funny and judging from the short clips we see of Moore and Carell together, it also looks like it has a strong heart.    

What’s to Dislike

Sometimes a few strong actors being cast together can mean that the story suffers (see “Red Riding Hood“). Also, if the movie relies too much on crass or sex jokes, it could fall into ”No Strings Attached” territory.  

The Verdict

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 The new drama “The Lincoln Lawyer” skillfully shows off the talents of both its director Brad Furman and its star Matthew McConaughey. Furman, who previously served as an assistant to Julia Roberts, ably directs this high-profile picture and McConaughey proves that he can still do great work with a strong script. With a solid director and a strong star,“The Lincoln Lawyer” is a fast-paced and smart legal thriller that will keep audiences intrigued until its final frame.

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McConaughey plays Mick Haller, known for his skills as a defense attorney and for the Lincoln he rides around town. The film’s title refers to Haller’s mode of transportation. Haller has a driver but he’s still the one usually in control. Inside and outside of the courtroom, Haller knows how to manipulate people (including his own clients) to do what he wants despite their own wishes. Most of his clients aren’t solid citizens; they range from accused killers to members of a motorcycle gang. At one point, Haller is asked how he sleeps at night considering his clientele. The question rolls off of his shoulders. He sleeps just fine.

Haller’s newest client is Louis Roulet (Ryan Phillippe), an entitled child of privilege accused of beating up a prostitute. Like Haller, Roulet’s cockiness is apparent immediately. He treats the accusations against him like a fly that needs to be swatted. Although he was found in the prostitute’s apartment after the beating, he doesn’t even consider accepting a deal. He’s not guilty, he tells Haller. All deals are off the table.

At first, Haller thinks that he can take advantage of the pretentious playboy and walk away a rich man. His plans are short-sighted.

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We’ve all watched well-known, highly regarded actors for the umpteenth time on screen — perhaps even raucously enjoying both their performance and the movie — and thought about how painfully derivative and self-referential they’ve become. Somewhere along the way, over a period of many years, these talented thespians stopped surprising us. They ceased bringing to life fleshed out individuals and  began using and reusing tired sets of predictable quirks and tics.

Mind you, they’re still charismatic and entertaining to watch, but in an almost clownish way. We now go to see them not to be wowed by their acting, but to be entertained by their chewing the scenery and hamming it up. Whereas in the past they lost themselves in a part, now their well-known, theatrically overblown personalities overwhelm everything else on screen.

Who are the worst offenders? My own Top 5 list was compiled with two ground rules: each candidate had to be alive (so James Dean and Marlon Brando each get a reprieve), and they have to have won at least one Academy Award for acting (which spares modern, less-laurelled hams such as Robert Downey Jr., Johnny Depp, Woody Allen, Jeff Goldblum and Mel Gibson.) Again, the following actors are not necessarily unpleasant to watch — raw charisma goes a long way — but they have become predictably one-note parodies of themselves. (more…)

Some people just need one good person to believe in them in order to transform their lives. Sometimes that transformation is dramatic, but more often it’s one that just brings a person from loneliness to love, depression to happiness, a static life to one that is active and fulfilling.

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In an age when movies seem to lack the confidence to tell such basic yet profound human stories, when it seems nearly every film is a cartoon or action picture and even worse is in 3D (I’m looking at you, “Cats and Dogs 2,” not “Toy Story 3”), one picture has come along that is a breath of fresh air. Its name is “Cyrus,” and it’s rolling out slowly across the country until it goes everywhere July 16.

Starring John C. Reilly (Oscar nominee for “Chicago,” costar of “Step Brothers”) as a sad-sack loser named John who hasn’t had a date since his divorce seven years ago, “Cyrus” follows his attempt to love again after meeting an offbeat lady named Molly (Marisa Tomei) at a party. They quickly fall for each other, but each time she sleeps with him, she slips out and leaves him wondering if she’s married. (more…)

Howard Zinn wants teachers to bring in whatever materials they want to your child’s class room. He wants them to use their own judgement to teach whatever they think is appropriate. He wants them to subvert the rules regarding the approved curriculum at the school you are paying for. Of course, if Zinn’s advice is followed, there is nothing keeping a teacher from bringing materials related to Holocaust denial, or 9/11 conspiracies or creationism into the class room, as well. Unless Zinn is recommending only HIS enlightened view of history should be secretly brought into the classroom.

There are some very important people in our country who have aligned themselves with Zinn. With his philosophy. With his view of history. With his view of the United States. And, with his strategy for getting his message into the public schools outside of the legal construct of School Boards and State Departments of Education.

They made a film of his book.  They walked the red carpet and they posed with the man they admired.  He was the inspiration for their film and they spoke of him glowingly, almost like he was a hero.  They began their film with him striding out alone onto a stage in a theatre full of admirers.  It was his way of taking a curtain call (a standing ovation, by the way) before the show even began. (more…)

A from the New York Times, September 9, 2008:

The actor Viggo Mortensen has apologized to Canada after inadvertently accusing the country of policy misdeeds for which he meant to chastise political leaders of the United States. The go-round occurred Sunday night at a Toronto International Film Festival panel discussion introducing ”The People Speak,” a documentary about dissent and resistance to power based on the book ”A People’s History of the United States” by Howard Zinn. Mr. Mortensen wore a T-shirt that read: ”Impeach Remove Jail.” By way of explanation Mr. Mortensen, in Toronto to promote the movie ”Appaloosa,” began a plaint about things ”that have been happening in the last eight years in this country.” He was checked by the moderator, Tom Powers, the festival’s documentary programmer, who asked if Mr. Mortensen was referring to Canada. ”Ladies and gentlemen, the angry left,” said a laughing Matt Damon, who was joined on the panel by Josh Brolin and Marisa Tomei, among others. Mr. Mortensen allowed that Canada may have committed misdeeds of its own, without leveling a specific charge against either country. ”My apologies,” he concluded. (more…)

In a publicity event for the new History Channel film “The People Speak” held at UCLA last week, actor/producer Josh Brolin was charming, self-effacing, funny, and down-right likeable.  And, that was the whole reason he was there.  We live in a culture obsessed with celebrity and in full adoration of movie stars in particular.  In short, we are a nation of Star-F%*#ers.  And people like Howard Zinn know it.

Part of the discussion at Friday’s Q & A event centered on the appearance of hypocrisy by the filmmakers for using big-name stars in their film, considering the overall thesis of Zinn’s world view is that REAL history is made by the individual struggling against the elite in power.  Producers Chris Moore and Brolin agreed with the criticism but lamented that the only way to get the History Channel to air this movie would be if stars were connected to it.  Understandable.  But, the inclusion of big name, likable Hollywood stars like Matt Damon, Don Cheadle, Morgan Freeman, Marisa Tomei and Brolin serve a greater purpose than just aiding the pitch meeting at the network. (more…)

Twelve years ago in his breakout performance as an arrogant young genius in Good Will Hunting, struggling fresh-faced actor Matt Damon sneered at his Boston psychiatrist for “surrounding yourself with all the wrong f__kin’ books. You wanna read a real history book, read Howard Zinn’s People’s History of the United States. That book’ll f__kin’ knock you on your ass.”

The political left loves shout-outs, and this was a direct one to Zinn himself, whom Damon actually lived next-door to as a child, and whose book apparently knocked the actor on his own behind. “Ben (co-screenwriter Affleck) and I were laughing our asses off writing that,” he recalls. (What is it with Damon and the word “ass”?) ”We liked it that the smartest guy in Boston was reading Howard Zinn.”

Self-proclaimed radical historian Howard Zinn, 87, is arguably the most popular proponent of the “history from below” school of historiography, which explores past events from the perspective of everyday people as opposed to the so-called “Great Men” theory, which actor Josh Brolin, another Zinn devotee, calls mere “propaganda.” The Boston University professor wasn’t the first academic to pioneer this approach, but he is no doubt the first to dispense with tedious scholarly ballast like footnotes and citations, and to have pop culture powerhouses like Damon, Brolin and Pearl Jam running interference for his openly politicized agenda. His 1980 book A People’s History of the United States, one of the best-selling history books of all time thanks partly to Damon’s shout-out, is a litany of oppression and exploitation on the part of America’s white ruling class, a “raggedly conceived Marxist caricature” of American history, as David Horowitz calls it in Unholy Alliance: Radical Islam and the American Left. (more…)

The History Channel is “making history” by airing “The People Speak,” a film based on the book by historian – and Marxist – Howard Zinn. More on Zinn in a minute.

A number of actors who wish to be more than just pretty faces are behind this effort, including Wallace Shawn (“Inconceivable!“), Colin Firth and Marisa Tomei, all who serve on “The People Speak’s” board of advisers. Those enlightened thespians who are more active in bringing this project to life are:

Howard Zinn, Josh Brolin, Chris Moore and Matt Damon

Matt Damon: Serving  as producer, Damon is no stranger to political theatrics. An extremely vocal critic of former President George W. Bush and the Iraq war, he said that it’s “not fair that we have a fighting class in our country that’s comprised of people who have to go for…financial reasons” and suggested that the Bush twins should be shipped off to war because their daddy started it. Should we bring back the draft? Then actors like Damon, with cushy jobs and big salaries, could help out the poor suckers who have no choice. He also “let out a cheer” when Kanye West claimed that George Bush hates black people.

He proudly declared his support for John Kerry in 2004, and his stature as an actor means he knows more about running the country than some chick who “was the mayor of a really, really small town” and was “governor of Alaska for less than two years.” Surely Damon knows more than Sarah Palin. After all, he dropped out of Harvard, but then played a closet genius in his first big film (co-written by Ben Affleck) “Good Will Hunting.” Surprise, his “Good Will Hunting” character was a fan of Zinn’s book. (more…)

Children are uniquely malleable beings, readily convinced of magically colorful tales – Santa Claus and the Tooth Fairy are the first that come to mind. This innocence is beautiful, but it is a quality that can easily fall victim to radically foreign ideas if taught consistently and pervasively at an early age. One need only look at the birth of fascism or socialism to see a recipe for how radical ideas become ubiquitous among a nation’s youth.

Enter Howard Zinn – an author, professor and American historian – who, with the help of Hollywood and the History Channel, intends to change the way our pre-K through high school children learn American history. His current curriculum suggestions, like introducing three-year-olds to the lynching of African-Americans, or quizzing seven-year-olds on which Presidents owned slaves, should be a red flag to parents.

Zinn has spent a lifetime teaching college students about the evils of capitalism, the promise of Marxism, and his version of American history – a history that has, in his view, been kept from students. His controversial 1980-book The People’s History of the United States paints traditional American history as a façade – one that has grotesquely immortalized flawed leaders and is based on principles that victimize the common man. In 2004, Zinn wrote a companion book entitled Voices Of A People’s History Of The United States, which includes speeches and writings from many of the people featured in The People’s History.

These two books have now become the basis for a new documentary, entitled The People Speak, to be aired December 13th at 8pm on the History Channel. The trailer portrays the documentary as a collage of compelling one-person readings, told through the words of “ordinary” people who have struggled throughout American history against oppression. Produced by Zinn, Matt Damon, Josh Brolin, and Chris Moore, the documentary appears to be cloaked, ironically (given Zinn’s admitted socialist agenda), in many of the traditional ideas that were behind our founding. The verdict is still out on the doc, but it is not for the books that inspired the film as well as the educational initiative associated with it. (more…)

Mickey Rourke won the Independent Spirit Award last night in Santa Monica, possibly setting the stage for a memorable Oscar moment tonight. Randy “The Ram” Robinson, the character that Rourke plays in Darren Aronofsky’s The Wrestler (Fox Searchlight) is a blazing, raw, “broken down piece of meat” of a professional wrestler, and it is a once in a lifetime performance for the not-that-long-ago has-been.

His speech is so entertaining that as I was hosting an Oscar Eve radio special on 790 KABC in Los Angeles last night, every guest that had been at the Spirits could talk about nothing else, including Best Supporting Actress nominee Taraji P. Henson from Benjamin Button, E!’s Ben Lyons, Associated Press film critic Christy Lemire, James Marsh, the writer/director of Man On Wire (favored to win Best Documentary Feature tonight) and Emmy winning actor Bryan Cranston from Breaking Bad (set to return on AMC on March 8). (more…)

I am forecasting a coronation for Slumdog Millionaire (Fox Searchlight) at Sunday’s Academy Awards. My final predictions call for Slumdog wins in 8 of the 9 categories it is competing in including Best Picture and Best Director: Danny Boyle. The only place I think it will fail is in the Sound Mixing category where The Dark Knight (Warner Bros) may trump it.

Slumdog Millionaire is about to win the Hollywood's Grand Prize

The “Battle Royale” of the night is Mickey Rouke from The Wrestler (Fox Searchlight) vs. Sean Penn in Milk (Focus) in the Best Actor category. There have been two ties in major categories in Academy Award history. The first was in 1932 when Frederic March in Dr. Jekyll & Mr. Hyde shared Best Actor with Wallace Beery for The Champ. (March had one more vote, but in that era, any finish within 3 votes was rules a tie.) Then in 1968, Katherine Hepburn for The Lion In Winter and Barbara Streisand for Funny Girl tied for Best Actress. If there was any justice, Rourke and Penn would share the award. In any other year, either of them would be a lock. Forced to make a pick, I’m going with Rourke.

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On Sunday, the Academy Awards will be handed out at the Kodak Theatre in Hollywood, and there are some clear favorites. Slumdog Millionaire, the feel-good Danny Boyle Mumbai opus made for just $14M, is a heavy favorite to win Best Picture. It’s hard to imagine Slumdog missing out on Hollywood’s biggest prize, having won the Golden Globe, the BAFTA Award and just about everything in between.

But, in the world of gambling, you always want to look for value. What are the films and performances with longer odds that would be worth a wager on Sunday? My purpose here is to establish a betting line for each of the six major categories, and then find the value bet in each category.

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There was not a great deal of drama surrounding this year’s British Academy of Film & Television Arts Awards, commonly known as the BAFTA Awards. Slumdog Millionaire (Fox Searchlight) is a movie with deep roots in the UK. Director Danny Boyle was born in Manchester, England, lead actor Dev Patel is the star of the popular British television series Skins, and the movie is a gigantic hit in the British Isles with an impressive $20.6M (US dollars) in box office for Pathe, since its release there on January 6.

BAFTA Winner Mickey Rourke

The two major uncertainties entering Sunday’s ceremony were whether Kate Winslet, twice-nominated for Best Actress, would split her own vote and miss out on her second BAFTA Award and who would prevail in the Sean Penn-Mickey Rourke battle for Best Actor. Aside from that, it seemed like a Slumdog sweep, and that’s exactly how it played out.

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The chubby guy on the Segway rallied for a come-from-behind win over the Beckinsale-less Underworld sequel, but regardless, it was a 1-2 finish for Sony. When I originally predicted that Paul Blart: Mall Cop as the likely weekend winner over the MLK 4-day, some online sites questioned my pick. Even I didn’t expect an opening close to $40M, and now the Kevin James vehicle has surprised again.

The Adam Sandler-produced comedy has broadened its audience, showing real family appeal. That led to stronger Saturday and Sunday matinees for a stellar $21.5M by Monday morning. That gives the movie a 10-day cume of just shy of $65M, which is impressive considering that it was budgeted at just $26M. After success as a supporting star in movies like Hitch ($179.5M cume) and I Now Pronounce You Chuck and Larry ($120M cume), it appears that James can open a movie without the help of Will Smith and Adam Sandler. Mall Cop dipped only 32% from last Friday-thru-Sunday (and that was part of a 4-day weekend, which can often lead to a sharper drop). (more…)

Michael Sheen has two movies in release this weekend. The classically-trained Welsh actor plays Lucien in the wildly commercial Underworld: Rise of the Lycans (Sony), opening on about 3,000 screens, and he plays David Frost in Frost/Nixon (Universal), expanding to about 800 playdates.

He is a classically-trained stage actor, who has starred in heavyweight UK productions of Romeo and Juliet, Henry V, Amadeus and The Dresser, was somehow overlooked by both Hollywood Foreign Press and Oscar voters when he starred as Tony Blair in 2006’s The Queen. (He was outshined by Helen Mirren, who won every acting prize imaginable). This year, he is in the shadow of Frank Langella’s towering portrayal of President Richard Nixon in Frost/Nixon.

As an aside, The Queen was the second in screenwriter Peter Morgan’s Tony Blair trilogy. The first film was called The Deal for British television and tells the story of the rivalry between Blair and current British Prime Minister Gordon Brown. (This is a great title to put in your Netflix or Blockbuster cue.) The final film will be called The Special Relationship, which will focus on the intimate friendship between the British PM and President Bill Clinton between 1997-2000. Sheen has signed on, but there is no word on who will play Clinton. Morgan says the idea for the third film began to germinate when he heard that Blair and Clinton were alone together when Vice President Al Gore conceded the 2000 election.

In the meantime, Sheen will almost certainly have the #1 movie in America this weekend with Underworld: Rise of the Lycans. This is the third Underworld movie, but it is a prequel set in the dark ages with Sheen as Lucien, a young werewolf, who leads a war against Bill Nighy as Viktor, the leader of the vampire race. (more…)