This week Barabra Streisand emerged from her self -imposed seclusion to grace Larry King and his viewers with her presence on the TV host’s penultimate broadcast.  As the Los Angeles Times put it, the “interview” resembled more of an infomercial for the product that is Barbra Streisand.

In segment after segment Barbra talked about Barbra.  Barbra talked about Obama.  Barbra talked about Barbra.  Barbra talked about Clinton.  And Barbra talked about Barbra.

Larry King dutifully congratulated her on all of her observations.

Here’s one my favorite moments:  When Larry King asked her about the first two years of Barack Obama’s Presidency she laments that President Obama did not use his “executive powers” to unilaterally repeal DADT.  Then, pricelessly, without any sense of self awareness she goes on to praise President Bill Clinton as one of our greatest Presidents.  It would have been at this moment that an actual journalist would have pointed out to Ms. Streisand that President Clinton was the “great” President that instituted the DADT policy that she now wants President Obama to unconstitutionally and unilaterally revoke.  Instead, Mr. King appeared to sit back and admire the beautiful lighting that Ms. Streisand probably supervised prior to the tape rolling.

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Join Gary Graham, Tim Slagle, Moxie X. Cathedra, Stage Right and many more as Big Hollywood live-blogs the West Coast feed of the Tony Awards.

Tonight, 8:00 PM Pacific Time, Telecast on CBS.

It’s often said during Oscar season that there are two sets of predictions:  Who WILL win, and who SHOULD win.  It’s the same with Broadway’s Tony Awards but I often like to add a third prediction:  What would be the best for business.  Believe it or not, often times the Tony Awards seem to take into account the shows that “need” the award for marketing purposes.  Even though one show stands out and seems to be the obvious choice to win the top prize, a surprise occurs and a David beats a Goliath thus ensuring a longer run for David.  I will list a few examples for Best Musical travesties from the past that many might quarrel with in terms of the validity of the show that won, but the commercial outcome of the shows involved can’t be argued.  You have a right to your own opinion, but not to your own facts.

1991: “Miss Saigon” has a multi-million-dollar advance, leads nominations with 11, wins Best Actor and Best Actress.  Best Musical that year?  “The Will Rogers Follies.”  Without the award, “Will Rogers” would have not made it another six months. After winning the prize, it ran for two more years, had a successful tour and might still be running in Branson, MO.  “Saigon” ran for a decade. (more…)