We are often asked why we emphasize the fact that we promote conservative artists at BigDawg Music Mafia instead of encouraging artists to join and share non-political content and promoting them as artists period.  Our answer is always the same.  That is our mission — to showcase conservative artists who want to make a difference.  If not us, who?  If not now, when?

Just as the anti-war artists of the 60’s expressed their political views through music, so too are an increasing number of artists of the TEA Party movement who refuse to keep silent about the destruction of this great nation by many who ironically subscribed to those radical, anti-government views of the 60’s counterculture movement.

James Kole - American Folk Blues Artist

One such patriot artist, whose musical style is reminiscent of the folk music of the 60’s, but with a contemporary blues/rock twist, is American Folk Blues artist James Kole.

We have been fans of James Kole’s for over two years since first stumbling upon his YouTube channel, impressed not only by his positive, pro-America lyrics, but also by his professionally produced videos, unique musical and vocal style, and his captivating delivery.

James is no newcomer to patriotic-infused songwriting promoting individual liberty and love of country.  His 1998 full-length release, Liberty, offered listeners a glimpse of what was to come over the years and culminate into his 7th full-length album (released July 4th, 2010):  Songs For Freedom in which he sings about the American Revolution, Frederick Douglass, the Constitution, U.S. Sovereignty, current uncertain times, and much more.

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X-Men: First Class had virtually everything going against it in pre-production– series fatigue (it’s the fifth entry in Fox’s X-Men saga), none of the original actors in starring roles, 1960s period costumes–on paper, it seemed like the ultimate studio cash-in, only to be outdone by the inevitable X-Men in Space: Electric Space Boogaloo from Space (in 3D!). Fortunately, it’s nothing of the sort.

Despite many flaws common to the superhero genre, First Class is quite possibly the best film in the series, not because it’s chock full of impressive special effects and action, but because broiling beneath its main characters’ performances are ideas–not just any ideas, but the central political and philosophical questions of the film’s time period whose minutiae our modern pundits still grapple over. This is not so much a review as a jumping-off point for discussion, so beware of spoilers ahead.

First Class focuses on young Magneto (Michael Fassbender) and Professor X (James McAvoy), at this point known as Erik Lehnshnerr and Charles Xavier, framing their worldviews through their respective experiences of World War II. Magneto is a Holocaust survivor forced to watch his own mother gunned down by Sebastian Shaw (a scenery-chewing Kevin Bacon), while X, though British, lives untouched by the war in New York, comfortable and affluent. As such, Magneto manifests the deep cynicism of Europeans, who decades before the first world war prophesied that civilization would make war a thing of the past, and X embodies the optimism of his young, victorious, prosperous nation.

If the film has one fatal flaw, it’s that McAvoy’s Professor X is a monstrously one-dimensional good guy–perfectly empathetic, perfectly charismatic, perfectly humble. He’s given a few humanizing moments of triviality in the first act, but once the central conflict kicks in, he merely serves as the angelic foil to the deeply tormented, deeply human, and deeply moving Magneto. Michael Fassbender, best known for his brief turn in Inglourious Basterds, deserves an Oscar nomination for his work here. He takes charge of the role with intimidating physicality, harnessing intense emotions into subtle shifts in Magneto’s inevitable path to top-hat-and-cape-wearing, mustache-tweaking evil. Yes, though we know exactly where he’s going, Fassbender injects suspense into the actual mechanics of the transformation; we care about him, sitting mortified but silently cheering when he gets his moment of revenge. (more…)

Who is Chris Ross?

Chris Ross is a great American, an amazingly gifted musician/singer-songwriter, and a superb conservative voice in the fight to save this great country.  Upon hearing the first few bars of his song Freedom, I knew I was going to really dig his music.  I was right.  I was instantly hooked.  His songs and vocal style remind me of the music of the band America  which I loved back in the day (and still do).  How very apropos.  When he recently posted one of his newest songs, Restoring Honor, featured on the WatchGlennBeck.com site, I just knew this song would resonate with so many Americans.  And it is doing just that.

After I contacted Chris and told him I wanted to do a BigDawg Spotlight piece on him and asked him for his bio, what he sent me turned out to be so much more that I decided to let him answer the opening question himself. (more…)

After a long hiatus, ABC’s sci-fi drama series V returns to the network’s regular lineup tonight at 8 EST. It’s a show well worth watching. Based rather loosely on a 1980s limited-run series from NBC, the new show tells the story of the coming of a large group of extraterrestrials to the earth and the world’s reaction to them. In the twelve episodes of season 1, the aliens presented themselves to the world as interested only in making things better for mankind, offering us new technologies and healing abilities. The aliens are all physically attractive, and the great majority look like humans in their twenties and thirties.

That, of course, was just their public face; in reality, it soon became clear, they are ugly and reptilian under their human skins and have an agenda to exploit humanity in some way, either as slaves or as food or both, or perhaps some even worse and more horrible fashion. And a small group of people have divined this agenda and set up a small, loose, but dedicated resistance organization.

Central to the narrative is the resistance against an intrusive government that claims to be for nothing but the good of humanity but is in fact pursuing sinister, elitist, and exploitative hidden agendas. As such, the show makes a strong commentary on contemporary political issues and constitutes one of the most frankly libertarian TV series seen in many years. In addition, it suggests strong approval of religion, specifically Christianity, in a way that makes the resistance group a spot-on analogue to the current-day Tea Party movement. (more…)

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Once upon a time in America, the 1960s to be exact, a generation of young people dissatisfied with the status quo decided they wanted to change society for that they felt was the better. They resented the culture of the time, which was a conservative, somewhat conformist society born out of the 1950s. Taking a cue from the Soviets who called anything that was against Communism “counter-revolutionary” they referred their movement as the “counter-culture.”

From this we got the hippies, the yippies, underground comics, groups like the SLA and the Black Panthers, all sorts of pressure groups and social movements. These were mostly influenced and orchestrated by the left. In fact, leftists had a big hand in shaping a lot of those communities and they infiltrated academia, education, government, media. Over the years they effected a lot of change to our society.

You can judge for yourself how well that worked out. But you can’t deny they managed to get a lot of what they wanted. Except what resulted is a typical example of human irony. (more…)

“Barack Obama will require you to work. He is going to demand that you shed your cynicism. That you put down your divisions. That you come out of your isolation, that you move out of your comfort zones. That you push yourselves to be better. And that you engage. Barack will never allow you to go back to your lives as usual, uninvolved, uninformed.” –Michelle Obama

There is a right not specifically spelled out in the Bill of Rights but implicit in every restriction on the federal government: the right to be left alone.  Our nation was founded by individuals seeking relief from overbearing governments and religions.  Rugged individualism isn’t merely a conceit of John Wayne movies.  It has been and will continue to be a way of life for Americans who believe this nation was founded on the rights of the individual.  Not the rights of government. (more…)

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Other than a self-made governor who chose not to abort her unborn Down syndrome child, nothing gets the Hollywood Left more outraged than what they call, “tax cuts for the rich,” or “corporate welfare.” For nearly thirty-years now, studio chiefs, millionaire actors and millionaire directors have created and distributed movies and television shows laced with propaganda opposing “trickle-down economics.” Most of us have also been subjected to Reaganomics’ bashing in popular music and novels, as well. 

And yet… [emphasis added]

The California Film Commission on Monday announced that 25 productions had been awarded tax credits, which refund 20% or 25% of all spending in the state on so-called below-the-line employees, Hollywood parlance for behind-the-scenes crew. …

The state is awarding $67.5 million in tax credits for the 25 productions. Amy Lemisch, director of the CFC, said those movies and TV shows will spend $347 million on below-the-line employees. Lemisch said she was confident the vast majority of that money would otherwise not have been spent in California.

Productions using the credits include CBS Films, DreamWorks, Sony, Comedy Central, and Disney.   (more…)

Her name was Neda. In Farsi, it means “the voice.” True to her name, she loved music; sought freedom; and she’s dead – shot down in the streets by the Iranian regime’s state sanctioned murderers. She must not have died in vain.

Today, Iranians and Americans face a generational chance for freedom – one that ensures a rogue regime’s implosion prevents a nuclear confrontation.

Regrettably, our president’s “post-American” foreign policy presumes talk can thaw the murderous mullahs’ hearts and attain a “grand bargain” for peace in our time; consequently, while Iranians demanded their freedom from a barbarous regime, the president vapidly opined: “It is up to Iranians to make decisions about who Iran’s leaders will be… We respect Iranian sovereignty.” (more…)

I’m far from a perfect father. For example, just the other day, on my watch, my one-year old, Ben, who is now rumblin’, bumblin’ and stumblin’ all over the house, took a dive on the corner of our entertainment center and gave himself a nice shiner.  Within a few minutes, he’d forgotten about it and was wobbling around on two legs again, proud of his newly acquired mobility.  But I felt bad for not catching him. I suppose the President, who made it a point on Saturday to pontificate to us dads about what kind of fathers we should be just ahead of Father’s Day, has never missed either of his daughters just before they got an “ouchie.” If neither Sasha nor Malia have ever scraped a knee, had a black eye, or even fractured a bone, then I guess he can pretend to be the perfect daddy. But then, you could also argue that without said minor injuries, the First Kids probably haven’t lived much of a life.

President Obama’s righteousness about fatherhood comes from the recognition that his own dad was, indeed, a douchebag. He knocked up Obama’s mom and quickly fled the country, only meeting his son once, and bringing him a basketball. There are fathers like that out there, but they’re few and far between. And they deserve our scorn. And I understand the President’s desire to talk about his own experience as a fatherless child. I get it. It must have been terrible and I’d probably talk about it too if my dad Bruce Wilson hadn’t been the incredible dad he is to this day (see my movie “Michael Moore Hates America” for an interview with Pops). (more…)

The British government’s decision to ban Michael Savage from entering the UK based on his political viewpoint and opposition to the global domination of Islamic shariah law puts Savage in the same company as Winston Churchill, and Prime Minister Gordon Brown in the same company as Neville Chamberlain.  Savage, the recipient of the Talkers Magazine 2007 Freedom of Speech Award (Al Franken is a former winner), is an ardent advocate for liberty and freedom and the leading opponent of global Islamofascism.

During the 1930s, Neville Chamberlain pursued a policy of appeasement that brought Europe to its knees before Adolf Hitler.  Even as Hitler planned his domination of the globe, the British Broadcasting Company banned Winston Churchill, Hitler’s leading political opponent, from the radio.  Even after the beginning of World War II, the BBC censored Churchill, considering him too inflammatory in his description of the Germans. (more…)

Continuing the beneficial meltdown of the mainstream media, including bastions of the erstwhile counterculture (which long ago swallowed up the mainstream culture), Village Voice magazine has laid off three editors, including longtime columnist/editor Nat Hentoff.

Hentoff, who wrote about jazz and then civil liberties for the newspaper for the past fifty years, was a staunch leftist and counter-culturalist, but he showed some intellectual integrity on the subject of freedom of speech in recent years, exemplified by his book, Free Speech for Me—But Not for Thee: How the American Left and Right Relentlessly Censor Each Other.

The premise of the book is rather skewed, given that the right has had virtually no power in either academia or the culture for several decades, especially the elite culture. Nevertheless, the fact that a well-known leftist and ACLU-style civil liberties advocate (meaning those who use the subject as a stalking horse for the left’s agenda) would acknowledge the left’s illiberalism was an important cultural event.

Another policy position that made Hentoff unusual—and particularly unwanted—among the left was his opposition to legalized abortion. It was indeed a very courageous stand for a Village Voice writer to take. (more…)