March 16 will mark the 40th anniversary of the Broadway opening of “1776.”  Written by Sherman Edwards and Peter Stone, it went on to run for 1,217 performances.  It’s hard to believe that forty years ago it was still popular to write an unabashedly patriotic musical that openly celebrated American Exceptionalism and painted the founding fathers not just as humans but as the intellectual and moral giants that they were.  Because the 1972 film version is tantamount to a filmed version of the play rather than a Hollywood re-interpretation, its original intent and form is easily accessible to today’s audience.  It deserves a good look and therefore, is this week’s Sunday Matineé.  (more…)

Sunday matinee will be a weekly post focusing on an individual Broadway show.  I’ll discuss some of its history, trivia and little-known anecdotes as well as analyze the political, social or cultural ramifications of the piece.  In fact, let me start with a little-known theatre fact:  Did you ever wonder why Saturday matinees on Broadway are at 2:00 and Sunday matinees are at 3:00?  My understanding is that years ago, the Sunday matinee was scheduled for 3:00 so the actors would have time to go to a late church service on Sunday morning.  Because of the late hour of the prior night’s performance, actors tend to sleep in rather late on Sunday mornings.  The Noon Mass is sometimes the only option for church and then a nice lunch after church would have made a 1:30 call way too tight.  I wonder how many actors on Broadway these days take advantage of that schedule. (more…)