Listening to National Public Radio handicap the Academy Award Best Actress Nominees, it’s clear that media and Hollywood elites think the movie The Blind Side has too much mass appeal and not enough edginess to win any serious awards.  Within hours of the announcement of Oscar nominations, the Hollywood press had mostly condescending analysis of Sandra Bullock’s portrayal of Leigh Anne Tuohy, a real-life suburban woman who intervenes in a troubled teenager’s life.  ABC News went so far to ask on February 3, “Does Sandra Bullock Deserve an Oscar for Blind Side?”  For the super-cool Hollywood types, Leigh Anne is just too simple.  For them, straight forward and inspiring is boring.  They think church-attending Republicans from the South are not hip enough for an Academy Award.  However, despite the fact that Bullock’s performance continues to inspire millions of moviegoers around the world, few filmmakers in Hollywood seem impressed enough to reward her an Oscar. 

The divide between those who attend movies and those who make movies has never been wider.  While serious Hollywood types spend most of their time, energy and money on movies that trivialize the experiences of middle America, Middle America spends its time and money on movies that celebrate what it is to be an American.  Capitalism is good for Hollywood executives, but it’s under assault in the scripts being written.  American military men and women are celebrated as heroes on Main Street, but they are overwhelmingly portrayed as killers in the movies that Hollywood produces.  And while Hollywood is tremendously liberal, the rest of America is not.  (more…)

“I don’t blame nobody.  I just want to say when I was twelve, TWELVE, somebody hadda help me it not be like it is now…. Why no one put Carl in jail after I have baby by him when I am twelve?”  — From “Precious,” Based on the Novel “Push,” by Sapphire.

From ABC’s 20/20 segment on “The Blind Side”:

Deborah Roberts: There are some black people who feel a little uneasy about the notion of the wealthy white family comes in to help the poor black kid…

Michael Oher:  I don’t understand why people would feel that way because as long as somebody’s, uh, somebody’s helping somebody and taking, you know, somebody off the streets,  I don’t care, you know, black or white, that shouldn’t be a problem.

(more…)

By now I’m sure you’ve seen plenty of other reviews about “The Blind Side,” currently in theaters, including this one by BH’s own Cam Cannon. I hope you can stand to read one more.

I saw “The Blind Side” last Friday evening with my younger daughter. Arriving half an hour before showtime, I was surprised to see that the theater was already about three quarters full and we ended up sitting down near the front, where my daughter usually begs to sit and I reply, “No, let’s sit somewhere near the middle.” Sure it was a long holiday weekend and people were looking for something to do, but as it was the second weekend, I took this as a positive sign. Word of mouth has a way of killing films that deserve to die quickly, especially in the age of Facebook and Twitter.

Not having read the book, I could judge the movie on its own merits. As BH readers already know, “The Blind Side” tells the true story of football phenom Michael Oher, then a fatherless black teen from the projects of Memphis with a crack-addicted mother and who, despite being accepted into a tony Christian school, ends up homeless. He is seen wandering out in the cold by Leigh Anne and Sean Tuohy, a well-to-do couple from the other side of the tracks, who take him in and eventually make him a part of their family. (more…)